I have seen the soul cave in Imploding; lens burnt hyaline Seen the wings upflung – God’s eagle Tesserae shagreen; seen The flare-tailed phoenix shuddering; Ripping orchid-breasted dream Splitting spleen and coil and lung into A shell of lies where Love and truth; meant and unmeant Polychromize.
Cuckoo’s darling Sphinx-lipped hound stink Springs a balance tipped by weakness Of the Mighty. Doing The Master’s dirty work For centuries now You should know your way around.
Sidereal astromancer Always smiling – Bone poor A busy employee Avoids the traps of the past. Someone else’s coffers you’re Lining now you hypocritical Suit of someone else’s armor.
Pale Guiteau slants his disappointed child’s face downwards; the better to study bloodstains left by assassins more accomplished than himself who required benefit of anonymous surgeons specially qualified for skewering the muscles of the mighty.
The guard who saw him claimed also to hear demon cats and could not be relied upon. these portents once were matters of congressional dispute; now no matter; caught within the marbled lurch of history, victims
of the uninspired mad; those who pursue the corpse from whom the ghost escaped. He haunts our history like the villainous barber who sings as he slits both throats and wombs, a pure tune some say, picked clean of tragedy which only the dying hear.
Seafronts.
Coastal Rd, Morecambe, Lancashire.
Venus and Cupid sculpture by Shane Johnstone (2005).
Seated mother swinging child with Morecambe Bay and Cumbrian hills beyond.
THE WITNESS
You say you love me for myself but I killed that bitch out of jealousy Now as sole survivor I’m the only clue. She was the confidential client I left to clean up after.
In the furnace of morning I lie Between darkness and wolfcall Charges taunting me like unborn children: Ask him to marry you, mommy! Ask him! Ask him!