Category: Creativity

  • Inspired Pleasure

    Diary of a Dancer

        Fri 23 July 76 - Tyler St, Chevy Chase, Maryland 
        R and I have seen each other every day since Fri – 
    

    I think he’s in love. I could fall if I let myself but something holds me back.
    I like our relationship now – he drops by the house after work
    and we’re both in jeans. I think tonight’s the night for sex –
    first time – I’m nervous but since I love his body I expect
    to be all right.
    Adore these slow working mornings. I get up
    with A (depending on when her first run is – she’s now
    working courier) to have time to set my hair before leaving
    at 10. Beautiful walks up Tyler St. Early AM at the Shalimar
    such a pleasure – sitting at the bar with my diary balanced
    on my hipbones, watching the barmaids get ready, feeling
    like a character out of Toulouse Lautrec.
    Yesterday we met our across the street neighbors –
    one of them is a gorgeous guy named Larry getting a degree
    in Hospital Administration. Among ourselves we call him
    “Shoulders” because he has such a gorgeous pair. To see
    them dimpled with sweat on his way back from a run is to be
    in heaven. Invited Larry and roommates Garrett and Opal to
    dinner tomorrow night – if they can come.

    Thurs 22 July 76 – 9:25 PM
    God I’m in love. I love his fragile, tense blond body –
    love holding it. Love looking at his Lorenzo diMedici face. 
    Those blond Italians! He wouldn’t like to hear me say it –
    he has a black belt in karate and thinks he’s so tough – but
    he probably only outweighs me by 20 lbs. Made love all afternoon –
    he is very skilful – obsessed with my pleasure. Says he doesn’t
    care if he ever comes – wants to see what gives a woman  pleasure. 
    We fit together exactly – interlocking puzzle pieces even
    upside down. I can feel his feet with my feet – his knees
    with my knees – it’s like having a mirror body – only with a
    hard chest and penis. After the first time the relief of the orgasm
    was so great I wept.  I fell asleep with him inside me.  Wrote
    a poem about him but don’t know if I want to show him. If I
    learned anything from Bruce it’s that people misrepresent.
    He could be shockable and its early days yet. Today I want
    to buy a bookcase.
    Love equals, unfortunately, anxiety attacks – could
    he possibly love me as much as I love him?  Yesterday walking
    in the park I expressed fear about him going straight from one
    serious relationship right into another – but he says he refuses to
    limit the experience. Which of course was exactly the right answer.
    The worst part is his trouble with my job.
    He says he knows he can’t ask me to quit because
    he can’t support me – I pointed out he wants me to go on the Divers
    World expedition, and then to Cozumel, and I want to take him to Maine,
    all of which would be impossible if I had a regular job. He says he
    can deal with it only by avoiding the Shalimar – OK by me as long as
    I see him outside. He came in today – I got rid of him after a half hour,
    before my set.

    11:05 AM – Shalimar Tues 27 July 76
    Feel like throwing out all my diaries. Driveling gush broken
    up by gushing drivel. But I go right ahead and produce some more.
    Randy throwing ice and cases of beer, Bobbi cleaning trays,  Carmen
    checking paper towels and me writing. Perfect.
    We were lying in bed – me and Ryder – I have to lie on his
    right side because he only has one good ear – and he told me a long
    purposeless allegory about bullfighting. Can’t tell which of us is the
    supposed to be the matador. I’m the only one with a poetic license
    in this relationship.) He said I should just write, and he’s going
    to see to it. I said fine by me. I love this job but not as much
    as writing, love and freedom. Then he said, I love you.

    9:45 AM Wed July 28 76
            Anniversary of Toss Sheffield relieving me of 
    

    my impacted virginity (as I relieved him of his.) R came yesterday at 2 –
    left at 3 – came back at 5. Another watershed in our relationship – Fears.
    He’s afraid to lose the hearing in his good ear. He speaks sign
    language but doesn’t want to live in a world without sound. I made
    him promise to go the doctor. He agreed to make an appointment no
    later than Weds.
    Reading Christina Stead’s wonderful Dark Places of
    the Heart. Considered inviting Ryder to live with us – rejected
    the idea. I need too much alone time. So important to establish
    amour proper. I am so impoverished from setting up the house
    (though I’ve made enough in tips to pay my taxi ride home tonight)
    I am barely going to make the rent. Need a windfall.
    Sweaty and smelly. I think I’ve boogie –oogie-oogied
    till I just can’t boogie no more.


    Club Shalimar– 30 July 76
    Cookout at Ryder’s parents – I met his folks – two
    roly-poly people who are nothing like him – one sister who is
    a lot younger.
    We had glorious talks on our way there and back –
    about having our own space – (we agreed he needs to live alone);
    our hopes and dreams (he used to write music, wants to do that
    again someday – I told him I have an agent shopping a novel around)
    first impressions (I discovered he was in the bar when I auditioned!
    Horrors!) He said what intrigues him most about me is that he
    can’t figure me out – still can’t – everything about me is a surprise.
    I guess I could say the same about him. 
    Wonderful abandoned sex – just crazy stuff – I came and
    came.  He told me he spent last night at his old house – he and
    his wife had to have a “meeting”. I was jealous until he told me
    that his wife is sexually dead – and always has been. He didn’t
    understand it when they married, assuming it was something you
    get over. I suggested she was probably molested as a child –
    he didn’t want to believe it. He thinks some people are sexually
    just asexual. I thought – but didn’t say – there’s a self-protective
    concept. He doesn’t want to think she is turned off of him but in
    my experience – such as it is – chemistry is a completely
    mysterious yet crucial factor women have a tendency to discount
    it when choosing a life partner. So they end up married to the
    “perfect” person, except they’re not sexually stirred.
    2:00 AM. He tucked me in – kissed me – left – then
    I was wakened with his hands all over me. When he got to his
    car he realized our clock had stopped and he didn’t have time
    to go home before work. So he snuck back in the sliding door.
    We had sex again, and the whole night became a snake
    eating its own tail. This morning got a wonderful poem:
    Love, the Magician.

    The Magician is a Capricorn
    Bleeding cock’s milk from nipples
    Pale like mine but
    Maler.
    Illusion, he says is memory
    Of things that should have been.
    Doves and rabbits he entices
    From sacred groves between my legs
    Placed by ruse, and freed by art.
    When he dies, passion turns his eyes
    To quarters.
    He hears the world but faintly
    Through his one good ear.
    The other turns to me,
    Safecracker’s daughter.
    Trust the magician, voices tell me
    He knows when to drop the dice.

  • The Wedding Dress

    a Ballet


    Characters:
    CHORUS (white-clothed & black-clothed.)
    WHITE-HAIRED MAN (husband), WHITE-HAIRED WOMAN (wife)


    SET: A low bed with scrim behind it, a table, a sewing machine, surrounded by a garden. Old couple in the bed. CHORUS member (white-clothed) brings out SUN.

    Couple yawn, stretch, wake up, perform yoga sun salutations in perfect harmony together, smiling frequently at each other.


    They dance a warm, familiar dance – then he goes to the garden, she goes to the sewing machine. She is making a quilt, holding up different-colored patches, trying different arrangements. In the background we see him gathering flowers, trying different arrangements.
    White-clothed Chorus removes sun. Black-clothed chorus brings out MOON.


    Husband puts flowers and vegetables in wheelbarrow and brings them to wife – she displays her quilt, he shows off his produce, they dance joyously, make flower crowns for each other, sit down to eat. They then perform yoga moon salutations in perfect harmony, then get in bed under the new quilt. We see something that might be sex, might only be hugging and stroking. Sleep.

    Chorus removed MOON brings in SUN. WOMAN rises, pushes man. Nothing. She gets out of bed, begins disturbed sun salutations, but interrupting constantly to touch him, push him. Finally realizes he is dead; his arm & head fall out of the bed in a too-obviously dead way. Distress. She seeks in the garden for others – calling. The white-clothed CHORUS appears, comforting her, checking the body, dancing sorrowfully with her, trying to keep her from the body, trying to get her to eat, to dance. She resists; angry; sad. SUN trades with MOON.

    CHORUS lifts the body to take away, she insists on covering it with quilt. Chorus helps her into bed, she kicks off her covers; lies like stone. Finally closes her eyes. Might be asleep. HUSBAND appears behind scrim, trying to reach through scrim to her. Finally she wakes up, touches him through scrim, without seeming to be able not to see, only feel, him. She rises up, presses her body against his through the scrim. They dance around the stage, always with the scrim between them but their bodies locked close. Still, they are not able to get through the all-encompassing scrim.

    Finally the black clothed CHORUS appears, pulls him away from her through the audience – he is reaching toward her, unwilling to go. She reaches toward him, but he is gone. Wife sits dejected. Finally she takes down the scrim, sniffing it like an animal, dances reminiscently with it, shakes it out. Of course it’s not alive. She folds it up, regards it thoughtfully. Takes it to her sewing machine where she turns it into a fantastic see-through dress, like a wedding dress with a deep skirt, flounces, full sleeves. Puts it on, dances joyously for the first time since the death. Pulls the MOON into her dance. SUN appears, she pulls him too, the three dance wildly together. At the back of the stage another scrim, previously invisible, is lit. Behind it we see the HUSBAND yearning to join their dance. Then he, too begins to dance, with increasing joy until they all are dancing. Dancing.

    DARKNESS