Category: #InnerLife

  • Becoming a Goddess – the Goddess Oracle by Alysse Aallyn

    Goddess – The Meaning of Power

      To Become a Goddess Is to Accept Your Power.  But power is fearsome. We are all familiar with fires that escape control, rage-fueled emotional spirals, explosives that blow up their wielders and the dangers of endlessly escalating weaponry. Once the Goddess’ unleashes power, much can go wrong.

      The Power is there whether you claim it or not. To abjure your power is to deny your personhood – something women and marginalized groups have always been commanded to do.  If you try to get in touch with your personal power, won’t you tempt established Power to come after you? 

      Power is About More than Control and bending unfriendly circumstances to your desire and will. It is the process of fulfilling your natural growth pattern, becoming the person God always intended you to be. You have an immortal mandate but you must claim it.

      You Are Iconic –Goddesses invoke more than magic, they exemplify the inherent magic that is especially, irreplaceably Individuated Self. You have a power no one else has, incorporated in your being, your possibilities, your desires and your memories.  This takes a lifetime to accept because we all nervously want to be Someone Else and experience existence through the armor of Having only an Outside instead of just the very vulnerable Inside in which we all feel imprisoned. 

      Only Illegitimate Power Will Fear You –  The Universe that God created accepts a glorious new creature fulfilling their immortal mandate, while stolen power – the desire to crush, to control and to drain – will be forced to reveal itself in the fullness of its jealous evil.

      Dreams Will Instruct You –  Your dreams bring all these passions together as psychic poetry, elucidating what you think you want, what you hope you want and what you are afraid you want. The ultimate magic is to seize conscious control of this potent power source.

      Goddess Challenge – The challenge is to truly connect with others, reveal our world Inside, and avoid blasting their apparently impenetrable Outside with our terror, our longing and our fear. As the demons come after you, you will deploy the skills and techniques of dissembling, transmutation, transformation, mirror-magic and emotional mastery. The demons are hungry, pathetic in their eternal emptiness.

      Goddess Danger – We cannot take hostages and we must never become a hostage. Freedom is a fine line to walk. If we wish to reach out, we must treat those struggling to stand upright with respect and demand like respect for ourselves. Accept your “experiments”; do not fear them but allow them to take you where you need to go.

      Goddess Opportunities – There will be stumbles and terrors aplenty, also successes that LOOK like stumbles and terrors, but which we only realize on reflection were real leaps forward. This is why we must carefully assess our daily efforts without being harsh with ourselves. Speak gently to yourself as you would to a most beloved child. You are the Universe’s Own Beloved Child. It is not selfish to commit to this belief, it is simply placing the oxygen mask over your own face FIRST so that you can administer this life-saving force to others. Find someone with whom you can share your journey, without fear or judgment. This connection will teach us everything we need to know about how to connect with others.

      Fear & Trembling: Where would we ever get the courage to become goddess? Human history begins with an enormous fear of the Almighty or whatever is causing all that lightning, those earthquakes and striking everybody down. Killing small helpless, pretty things was meant to be flattering and propitiatory to this God (I don’t get it either.) Then Jesus arrived with a message about how God was really loving, generous and wanted the best for us. We know how that turned out.

      Becoming a Goddess: As children, we struggled to understand where we fit on the power spectrum. I tried killing a snake, and experimented with bullying other children the way I was bullied. I didn’t care for it. The only relief was in thinking about, researching and understanding the philosophical concepts about what was going on. My earliest researches, as for many children, were in astronomy and dinosaurs. The cold magnificence of the planets and the complete wipeout of the dinosaurs gave me a way to stand back from the immediate suffering of the schoolyard. I then moved on to the early Egyptians who tried to solve their problems through magic and art. The art was visually appealing and the magic was emotionally soothing.

      Pick Your Battles: I saw that most schoolyard fights were a reaction to the immediate suffering of pain or confusion, and that they magnified, rather than solved, those problems. There was a manifest holiness about this discovery. It rescued me from the torture of everyday life and elevated me to a plane where every other contributing thinker had already become immortalized.

      Study & Strategy: I read everything I could get my hands on in history and biography (research) and in fairy tales (magic). When I fell in love with the novels of C.S. Lewis and Rumer Godden, the world judged my taste good – when I discovered Agatha Christie, it did not – but it turned out everyone else was reading her too. Agatha is a short course on human nature (original sin) and a proponent of both the scientific and Socratic methods. She’s great training for a Goddess. I wrote it all down in my Training Journal.

      Claiming Your Power: By the time you’re a teenager you can see you have some power – some mental, some physical. The question is developing it and finding appropriate gurus. It is key to step out of the dominance/submission game.

      Keep Going – Recognize that you have been touched by the goddess and honor her by being grateful for the glorious gifts of life.

      Models & Mentors: “I did not deceive you. I permitted you to deceive yourself.” Agatha Christie

      “An Indian proverb says everyone is a house with four rooms – physical, mental, spiritual and emotional. Most of us live in one room or the other but if you don’t visit each room each day you are not a complete person.” – Rumer Godden

      “You are never too old to dream a new dream or set a new goal”

      – C. S. Lewis

      “You have to believe in yourself” – Sun Tzu

      #Haiku: Wyvern

      My power

      Beast bristles

      Fire;

      Eats critics

      Guards path

      Sleeps in my

      Mirror

    1. The Goddess Oracle – claiming your immortality by Alysse Aallyn

      The Life Force – Energy

        Do your dreams pulse with some energy ripening inside you? You are gathering force for a great work.  

        You Are A Power  – You struggle to take command of your force. You feel the power and strength of undefined wishes and an inchoate longing to create your place in the world. No guide exists to this wilderness, you will have to map this forest yourself. Be brave.

        All Connection Is an Energy Transfer –When you make any contact – even exchange a glance – with another living being, a current of energy passes between you, even if the “other” has been ruled “non-sentient” by our limited – and limiting – standards. In the depth of your being, you feel the electric thrill. This is the basis for the healing behind “forest bathing” and “garden bathing.”

        Energy Drainage –  That fact sets up the possibility that energy – your life force – can be sucked right out of you. Recognize when this is happening – when you are being fed upon. Get away from the predator as fast as you can go.

        Goddess Challenge – There are plenty of traps ahead. Do not become discouraged. Accept that the flow of energy pulses with your every heartbeat, with your sleep/rest cycle, with the obligations you willingly seek to smooth your path.

        Goddess Danger – Some of these obligations become too heavy, others seek to deter you from your set course. Still others offer false maps that seem to promise the ease of “I don’t have to do this alone.” We are all alone inside our heads and you – and only you – must be satisfied with the map you create. If you aren’t there’s no fellowship or wealth that can compensate you for that loss.

        Goddess Opportunity – We revel in and with our fellow travelers. There could be a soulmate among them – for a time or for a life. Accept the wisdom of others, the wisdom of the path, consult other maps in designing your own. Be prepared to alter your map – joyously – with each new and fresh discovery. There will be many. Salut!

        How Did People You Admire Manifest the Life Force? Jesus spent an epic 40 day & nights in the desert. Margaret Mead lived in Samoa studying the Samoans. Carl Sagan describes his “defining moment” as visiting the World’s Fair at four years old. It exploded and expanded his mind. Who are your models? Research them and study their transitions and experiments.

        Magic & Mystery: A you accept yourself and accept your changes, you are confronting the dynamic of change, which is the manifestation of energy in existence. We are all alive and moving. This is a dance and you are the choreographer and star. Erik Erikson said “A good life is like a weaving. Energy is created in the tension. The pull and tug, the struggle, is everything.”

        Commit to tiring yourself out during the day with thought, exercise and interrelations so that you can enjoy healthy sleep at night.

        Models & Mentors – ‘Every thought has an energy. Thoughts send out a magnetic frequency” – Rhonda Byrne

        “Energy is the power that drives every human being. It is not lost by exertion but maintained by it – for it is a faculty of the psyche” – Germaine Greer

        “If you want to find the secrets of the universe, think in terms of energy, frequency and vibration” – Nikola Tesla

        “The more positive energy you throw into the universe, the more positive energy you get back”

        – Nitin Namdeo

        #Haiku: Catalytic Action

        Partake:

        Energy blooms;

        Whirlpools

        Dance;

        I am

        Limitless

        So are you

      1. The Goddess Oracle – claiming your Immortality by Alysse Aallyn

        1. Ego – You

        What kind of goddess are you? is the central question. Your body and spirit have a “grain” much like wood does – we call it “temperament. Going against this spoils your future. Your ego has work to do, figuring out who you are and what kind of strategy you excel at.  What tools fit naturally to your hand? We think, we remember, we discuss, we write and we dream. Jung tells us that in your dream, you are everyone. 

        You Are A Seeker  – You are self-defining and self-validating. You are on a quest. You wish to explore your possible incarnations.

        Goddess Danger – The worst hazard of self-reflection is not navel-gazing (micro study can be very revealing) but solipsism. Aloneness may in fact be Hell. We can never lose touch with those around us because it is others we are fighting for, not for Self alone. Many warlords, sensing your promise, will try to recruit or outright capture you. Avoid warlords who fail to treat you with respect.  In our increasingly autocratic world we are very familiar with Aging Babies who want the rest of us to nursemaid their fussy, immaturity because Growing Up is Ouchy. For God’s sake, for your own sake, for the benefit of the Universe and in hope of Eternity, don’t cater to or worse yet, BECOME one of THOSE. There is no shame in telling others you are “finding yourself.”

        Goddess Challenge – Set a Spirituality Schedule to reflect your needs and interests. Appoint time to be absolutely alone, for meditation and reflection. If you cannot find a room to yourself, a closet will do. You can sit in the meditation position or assume any position that allows you to be comfortable enough to become physically forgetful.  Concentrate first on building a life that allows both inner and outer growth. Surround yourself with people who respect this decision.

        Goddess Opportunity – This is a journey. Accept it. Begin a journal with 1. “I” and write down your meditation thoughts and desires. This can be a poem, a fantasy, a checklist – whatever pattern occurs to you as supportive of your desires. Make a list of goals. Accept that it will evolve, transform.  Push shame away. This is about YOU. Of course as you mature, your goals will evolve, and your journal will reflect that. When you have completed your Time Alone – ten minutes to an hour – whatever works for you – pat yourself on the back. What an achievement! You are started on a path of making changing Nightmares into Dreams and making dreams come true.

        Planning & Mapping:  Goddesses lead a designed life. A diary (also called a Training Journal) offers the ideal format in which to plan. Attempt to quantify the difficulties that you feel and assess possible reactions. Just because a situation is tough does not mean it shouldn’t be explored – on the contrary:

        – A goddess repels takeover  – You are your own goddess – not somebody else’s hired emblem.

        • A goddess feels instinctively what she needs to defend – your soul will reveal it to you – through relationships, through instinct, through time and through dreams.
        • A goddess knows when to let down her guard – there are times to connect, to share, to Love.
        • A goddess learns from mistakes and hones her art. There is no Failure: only Learning. All education is precious.
        • Goddesses look for opportunities – Resistance training sharpens our game. We are each other’s cuttle bones, as well as cuddle bones.
        • Goddesses aren’t afraid of difficulty – the more time it takes the more fun it is. Your life is a long story, full of exciting challenges. Goddesses love gathering around the campfire to share adventures.

        The First Resistance – Often savage, it comes from yourself. Slowly we realize we have hijackers inside our brains wrestling for control. You can recognize these by their negative content. They clearly wish to subdue us into clones which is NOT HEALTHY.

        Becoming a Goddess – It is this resistance that first marks our goddess status. Congratulate yourself. You are on the road.

        Training Journal – Carefully assess your desires versus the demands on you. List expected results if you gave in to either. Develop a concept of health. Is “freedom” staying up all night, consuming whatever substance makes you “feel better”? Clearly not. Assess the negative voice; “You’re weak”, for example. Being “in flight” from the negative voice is actually giving it mastery, so you must stand up to it. Learn to answer back – “I’m in training. I did better today than yesterday.” Keep track of your achievements. Even really small ones: “I meditated for 10 minutes” are significant.

        Accept mystery: Life isn’t “win or lose.” It can’t be quantified because we are magical souls with magic coursing through us. Sometimes it’s impossible to figure out and must simply be absorbed, not rationalized. Learn to enjoy art and accept the relief it offers. Reflect back as much magic & mystery as you can muster. Your tastes will develop according to your growth – that’s a good thing. Treat yourself like a loving sensei who wants the best for you.

        Models & Mentors: Always survey possible models. Who do you admire?

        Is it

        Bruce Lee? “The difference between a goddess and an average man is laser focus.”

        Is it Carl Jung? “I am not what happened to me I am what I choose to become.” Read.  Study. Educate yourself. Develop your own models.

        “Avoid having your ego so close to your position that when your position falls, your ego falls with it” – Colin Powell

        “Don’t let your ego get in the way of your success”- Tony Horton

        “The ego seeks to divide and separate. The spirit seeks to unify and heal.” – Pema Chodron

        #Haiku: Id vs Ego

        Argumentative

        Executioner

        Prowls brain

        Seeking

        Loopholes

      2. Animus – a ghost story by Alysse Aallyn

        TWO – THE OLD CHASE PLACE

        When I discovered one house on the list was haunted I gave the real estate agent no rest until he took me there. Honestly I had to do that man’s job for him. It was raining so heavily that morning that his car was like a bathysphere.

        “I want to at least look at it. Cheer up; if there are leaks we’re sure to see them.”

        “That’s it.” The agent still seemed very depressed as he reached for his golf umbrella. “It’s been empty fourteen years. No modernization whatever.”

        Better and better. The bathrooms and kitchens I’d been seeing were like lip-sticked hogs in toe- shoes. There might even be original paneling. Peering out of the window I could see nothing through the darkening rain. “What’s it haunted by?”

        I saw his wattles quiver in battle with his chin. Was I interfering with the real estate agent’s code?

        “Various things.” Unadroitly he tried changing the subject and actually selling. “It has a view of the river. And it’s a real bargain.”

        “Like what things?” Not reaching for my own umbrella or putting up my hood might tempt disclosure. I saw him wondering he could talk me out of going further.

        (Sigh) “Oswald Pewlett saw a fireball.”

        I was entranced! Had he searched his memory for the spectre least likely to queer a deal? “There

        was a fire?”

        He hastened to reassure. “A green fire.cold fire that doesn’t burn.”

        A Delicious! I had to see it now! I pulled

        galoshes over my ivory heels. “Let’s go!”

        Perched above the road, the house was reached by a corkscrew of steps. The porch was an addition, so it was full of leaks, but the house was solid as a rock. Silent. High ceilinged. Original paneling. One bathroom for seven bedrooms, a marvelous thirties kitchen with no appliances, and a single light bulb in the exact center of every ceiling. This could be fun.

        The real estate agent ensconced himself by the library window with its view of the river and refused to go upstairs. “I’ve seen it,” he said, pulling his fishing hat down over his ears as if assaulted by inner rain.

        Upstairs there was no fireball, but the floors were littered with little glittery shards that turned out to be flies’ wings. No flies, mind you, only their wings. Thrifty spiders, I suppose who dine on all but isinglass. Is that how fairy legends started, I wondered. Fairy wings and flies’ wings – hard to tell the difference. I’m on the side of spiders. They can have all the flies they want.

        And that’s how I bought The Old Chase Place.

        THREE – DELIVER US

        I should never have told Arnold the place was haunted, but I couldn’t resist bragging. “It has everything,” I sang.

        “Air-conditioning too, so it seems,” he groused. He was always out to ruin my good time.

        “That’s just the wind off the river. A natural chill factor. And real oak, too.”

        “I’m not complaining.” He couldn’t help but warm to so much wood. In the city everything is “faux”. Alas the rooms were rather small, and in strange juxtaposition. Not a rich man’s house, you wouldn’t say, but perhaps the warren of a worrier.

        “This will be my study,” said Arnold. He chose the one room in the house that still had a working fireplace – the others had been fitted with hideous stovepipes. But I didn’t argue, because at last he was smiling.

        We were having a picnic lunch when the Sears truck drove up with the appliances. I didn’t see the accident because in my condition, meals are serious events. If I’m going to spend all morning nauseated then I’m going to spend all afternoon eating. (And all evening sleeping it off.) So when Arnold rose to show the hirelings what a forceful homeowner he could be, I pulled the fried chicken bucket closer.

        When I heard a crunch and a hoarse cry I did run to the window. The ramp had fallen off the steps, tossing the refrigerator and pinning a delivery man. His mouth was open – I could see blood – and he was gasping for air. He reminded me of the fish my uncle caught on his

        many unsporting ventures into the wild. He loved watching creatures die. He once presented me with a still- beating fish heart, saying, “It’s only the stupidest that go on living after they are really dead.” The fish, the headless running chickens — I guess the joke was on them, if they didn’t know they were dead. But the delivery man was not dead; we all affirmed the fact.

        There was a flurry of activity while the driver jumped into the truck to call for help – we didn’t have a phone yet and cell phones don’t work out here. The fire and rescue truck arrived after about ten minutes to take over. Arnold had to help the second delivery man move in the appliance. “Get a camera,” he hissed.

        He wanted me to take pictures of the ramp and the steps to show, although our porch was in sorry condition, it was the ramp anchoring that was at fault (them) and not the steps (us). That’s because it’s so important in life to figure out whose fault everything is.

        “He’ll be all right,” I offered. “He had a lot of meat on him.”

        “Jesus, Sharl,” said Arnold, “I heard his bones go crunch.” And that was the end of that picnic.

        At least I had a brand new oven, refrigerator, dishwasher and washer/dryer. I went back to applying the coat of dark green paint to make the room picture-perfect. Hunter green for Hunter (boy or girl); a super-infant guaranteed to make all his mother’s dreams come true.

      3. Animus – a ghost story by Alysse Aallyn

        Animus ONE – DEAD & BURIED


        Andrew looked up from the Food section of the Sunday Times. “Did he jump out of his coffin and give everybody the finger?”


        “No.” I sat down on a Brazilian leather cube impersonating a chair. “He left me a lot of money.”


        That made Arnold sit up straight. Finally I had produced something worthy to compete with three- melon risotto. “How much?”


        “A lot.” Two beats. “All of it.”


        I hadn’t seen Arnold this excited in a long time. “This is the uncle we never once went to visit, even though he only lived in New Rochelle?”


        “He’s the one.”


        “And there are a lot of other relatives…” I saw the penny drop. “Is this the same guy who used to feel you up when you were little?”


        “He’s the one.”


        Arnold whistled. “Wow!” he said, “Break out the champagne! Let’s drink to old fashioned Calvinist
        guilt!”

        But I couldn’t drink. “There’s an unpaid

        housekeeper who says she’ll sue.” I tried dismissing that

        ugly scene from my mind. But ugly scenes don’t go so
        easily.


        “Screw her,” he laughed, “Doubtless the old man did. To the one who got away!” he snorkled. “With…” drum-roll on the glass coffee table… “all the money!”


        “I could split it with her,” I said thoughtfully. “Except that I need it all.” And if I divorced Arnold, I’d have to split it with him.


        His eyes narrowed over my unusual decisiveness. “Sounds like you’ve made a plan.”


        “I have. I’m pregnant and I’m moving.”


        He rose to pursue me to the kitchen. I was the pursued one now.


        “Rich? Pregnant? Moving?” He banged his palm against his chest. “It’s a lot to handle for one afternoon. Where are you going, oh helpmeet?”


        “Upstate. The country.” There was no champagne. Of course not. There had been nothing to celebrate for so, so long. I poured us each an apple juice. “You could come with.” Two beats. “But you’d have to give up your girlfriend.”


        Surprise! I saw him try to toss it off and keep on dancing. “What’s that? Getting jealous are we? Symptomatic of your condition?”


        “Gayle.” I leaned forward, giving back the name. “She sent me such a charming letter.” In which she stated her utter non-comprehension of why the moody bitch wouldn’t just step aside and let the poor, kind,
        considerate man go free. Ugh. Apple juice is disgustingly sweet. I’ve never understood how adults can covet the provinces of children. Poor little sugar addicts, they are ruined before they start. I tried adding powdered tea from a mix. Still bad. The no-liquor lifestyle is a tough sell.


        He was sputtering like a damp firecracker. But it was not Arnold’s turn to speak.


        “Screwing students is the beginning of the end for a teacher. You’re lucky she notified me and not the superintendent.”


        Unfortunately I could always read Arnold’s mind. He really needs to get some more interesting thoughts. I saw him deciding he’d better stop aimless denial until confronted with the evidence against him.


        “Why upstate?” he bartered, testing me. “Why not, say, Europe?”


        “Because,” I answered, “I like to get something for my money.” That alone made me my uncle’s worthy heir. Glittering silver dollars lit the darkened rooms of memory. I persisted — for I’m nothing if not persistent — “Haven’t you heard of the curse of the lottery winner? They spend it all and then some. I want a property I can buy outright – debt-free.” Wouldn’t it be heaven owing nobody nothing?


        He toddled toward the window on his be- jeaned insect legs. He looks much better in big-boy pants. Was he trying to imagine life without me? Or without New York? So I sealed the deal with a siren song. “You could finish your screenplay…”

      4. Rough Sleep – a play by Alysse Aallyn

         SCENE XV – STAGE APRON 

        CHASE

        This can’t be real, Jazz. It isn’t real. It’s some planet we’re not on.

        JAZZ

        But it makes perfect sense. It answers all the questions. You know in your heart that was his plan all along.

        CHASE

        It can’t be real because my Mom is dead. Years ago. She killed herself the first Christmas I didn’t come home.

        JAZZ

        (Keeps trying to go back)

        But I saw her. I We were there. How can it not be true?

        (He tries to hug her – she resists)

        Don’t touch me! I don’t feel like touching ever again.

        (CHASE sits on the edge of the stage)

        CHASE

        Corso loves games – he’s always up for the latest thing. He can even claim he told us! We fell for it like puppies jumping for a biscuit.

        JAZZ

        So that part’s real? Our sex archetypes all over the cloud?

        CHASE

        Sexsomnia is real. He was way ahead of me.

        (beat)

        I should have guessed. It’s always the worst thing he can think of. Welcome to my nightmare.  

        JAZZ

        I don’t want details.

        CHASE

        But we need to see – Everyone needs to see – just how the magician operates.

        JAZZ

        You’re right – magic is the important thing. There was magic all along, in spite of Corso.

        CHASE

        All he cares about it is cash and control. He honed the perfect weapon to take life hostage. 

        JAZZ

        How ironic that the moment we stop believing, magic appears! 

        CHASE

        Only toddlers believe. And toddlers are ill-equipped for these frolics. Where’s the magic in that?

        JAZZ

        Seeing your Mom was magic.

        CHASE

        Dark magic, you’ll agree. What were they thinking? Russian-Irish could never work!

        JAZZ

        My combination’s Portuguese-Swedish. Your Mom said she forgave you. 

        CHASE

        She didn’t!

        JAZZ

        She did. I heard her. What was it like to see her again?

        CHASE

        Amazing and frustrating – the way it always was. 

        JAZZ

        Admit we got the most wonderful bath!  For a few minutes we saw how happy we could be.

        CHASE

        A ritual cleanse. Did seem like it was working.

        JAZZ

        I felt such peace, like nothing could hurt us ever. 

        CHASE

        Then my Dad showed up.

        JAZZ

        So now I know him, too. I experienced them through you.

        CHASE

        In the house that never got finished. I pushed my Dad into bankruptcy. I destroyed my family.

        JAZZ

        You did not.

        CHASE

        If you’re going to be my soulmate you’ve seen the house of horrors where you have to live. Nobody could blame you for walking out.

        JAZZ

        Where would I walk to?  Seriously.  I thought the more worlds we saw the more paths – the more choices we would have, but the maze leads only two places – sickness and murder or – each other.

        CHASE

        But what if we resist?

        JAZZ

        Are we back to murder? A life for a life?

        CHASE

        Surely you see the appeal?

        JAZZ

        I think when you want to kill Corso it’s really your dad you want to kill. 

        CHASE

        Wow! Free therapy! Bzzzt! No. My Dad I can get away from.

        JAZZ

        Apparently not.

        CHASE

        Once and done.

        JAZZ

        Finding crime scenes should not be inspiring us to create more of them.

        CHASE

        Why not, if everyone’s doing it?

        JAZZ

         Jails are full of defective reasoners.

        CHASE

        So I’m a defective reasoner, am I?

        (JAZZ sits beside him)

        JAZZ

        Seems like. I’m stuck with you and you’re stuck with me.

        CHASE

        But I don’t get it – if death doesn’t free you, what does?

        JAZZ

        Why couldn’t you tell me about her?

        CHASE

        I can’t even go there.

        (long pause)

        JAZZ

        If you can’t go there I can’t see where there is to get to. 

        CHASE

        Sexsomnia is like sleepwalking.  They –

        JAZZ

        Would you stop it with trying to rationalize the irrational? It makes me feel so alone.

        CHASE

        (Holding her – she lets him)

        We can’t have that.

        (They start to kiss)

        Maybe it hasn’t happened yet.

        JAZZ

        What part?

        CHASE

        The video Corso’s trying to create. If he hasn’t finished it, he hasn’t released it.

        JAZZ

        But what we did. It’s out there, alive, wandering the cloud. 

        CHASE

        Maybe not. 

        JAZZ

        I like this Chase better.  So let’s get rid of it and warn the others.

        CHASE

        Are you sure they’ll care?

        JAZZ

        Someone will.

        CHASE

        They may prefer secrecy, or destruction. But people don’t believe without evidence.

                                   JAZZ

        Our suffering is the evidence.

                          (She pushes him away)

        You wanted this to happen.  You twisted my life into evidence for your crime scene. You used the rest of us as bait.

        CHASE

        I swear I had no idea he’d go this far. But if it’s real we’ve got to face up to it. Destroying the evidence doesn’t cancel our suffering.

        JAZZ

        Without the video, we don’t remember. If we pass it along, Corso wins – whoever we pass it to.

        CHASE

        It isn’t “gone” just because we can’t remember. Haven’t what we’ve been through shown us that? It becomes a negative hallucination.

        JAZZ

        I feel sure I don’t want to know what that is.

        CHASE

        It means is not seeing the obvious. 

        JAZZ

        Forgetting is almost as good as innocence.

        CHASE

        That’s what Corso counted on.

        JAZZ

        Help me.

        CHASE

        I’m trying.

        (the distance between them is growing. They reach out their arms to each other but it’s too late. CHASE fades into darkness)

        JAZZ

        I want to forget! Help me forget!

        CORSO’s voice

        I stand at the ready to assist my adorable Jazz.

      5. Rough Sleep – a play by Alysse Aallyn

         SCENE XI – FARRELL RESIDENCE.  (ZOYA, festively dressed excitable little woman with dyed hair teeters forward on high heels)

        ZOYA

        Stevie!

        (She clutches CHASE, kissing him everywhere)

        Oh Stevie, Stevie, I was so afraid you wouldn’t come.

        CHASE

        Miss your birthday?  How could I possibly?  And I brought a friend.

        (JAZZ waves nervously)

        JAZZ

        (Awkwardly extending plant)

        Happy Birthday.

        (Painfully obvious this is way too big a plant for this tiny person)

        ZOYA

        (Making no move to take it)

        Oh, my. That looks so…interesting. Well come in, come in.

        JAZZ unloads plant on hall table, looking around, awed. ZOYA regards plant apprehensively.)

        ZOYA

        I suppose I’m ancient, dry and prickly just like this plant. Does it come with directions?

        JAZZ

        It’s a Christmas cactus. It’s going to have three blooms.  See?

        ZOYA

        (Without enthusiasm)

        Lovely.

        (Clings to CHASE)

        It’s so wonderful to see you!

        (She squeezes him)

        Look how tall you’ve gotten.

        CHASE

        (hugs her)

        Good to see you, Mom. You’re looking well.

        JAZZ

        Sorry I’m not dressed for a party.

        CHASE

        Jazz had kind of a disaster. Somebody jumped out of her dorm room window.

        (JAZZ and CHASE exchange looks)

        ZOYA

        How terrible! Were they badly hurt?

        CHASE

        (With relish)

        Killed, Mom. Dead.

        (His mother backs away, looking at the pair of them)

        ZOYA

        Do they give you an automatic A and send you home?

        CHASE

        Urban legend, Mom. You’ve got to stop believing myths.

        (His mother strikes him lightly on the arm)

        ZOYA

        I never know when you’re teasing.

        CHASE

        If Jazz could borrow something of Cyanne’s…?

        ZOYA

        (Recollecting she’s the hostess)

        Of course, of course.  Cyanne has way too many clothes. She’s always shopping. You look about the same size.  She’d say yes but she’s away at college.  She’s pledging my sorority. Quick drink before you freshen up?

        (An expression almost of panic)

        Because I’ve got to get back – back to the kitchen.

        (Backs away as if dragged – exit)

        CHASE

        My Mom always bakes her own birthday cake.

        JAZZ

        Why didn’t you tell me your mother hates plants?

        (Gestures)

        All these plants are fake.

        CHASE

        Mom says growth’s a lot of work. 

        JAZZ

        (Mimes looking at family photos on the walls)

        That you as a baby?

        CHASE

        The very same. Aren’t I adorable? You can’t tell which is me and which is Cyanne.

        JAZZ

        You all look so happy.

        CHASE

        Appearances can be deceiving.

        JAZZ

        So your real name’s Stevie.

        CHASE

        Steven.  Now that you know it, forget it. Just another thing that’s gone.

        JAZZ

        You could have told me. 

        CHASE

        Who knew we’d end up here? I’ve never been good at telling people things. The vortex assumed control.

      6. Rough Sleep – a play by Alysse Aallyn

        JAZZ
        Time to forgive yourself.


        CHASE
        Oh, that’ll be easy. Walk in the park.


        JAZZ
        I’m still here.


        CHASE
        You’re scared to leave because Bex is out there.


        JAZZ
        That’s not it. I’m here because I want to be. I can handle Bex. His pride is hurt but he’s basically lazy. I don’t matter that much to him. He spent all our time together trying to convince me I was worthless and making him look bad.


        CHASE
        Sounds like my dad. Except I really was all he had. His only son.


        JAZZ
        You’re not responsible for him. Bex wanted me to believe that I was stuck with him, but he wasn’t stuck with me, that I owed him a debt that kept mysteriously increasing.


        CHASE
        Ouch. I need a shower. Want to come?


        JAZZ
        Oh, no you don’t! We’re not finished yet! Why come after Corso? Why pick this college?


        CHASE
        You really want me to roll in it, don’t you? Can’t you just be a good soulmate and fill in the blanks?


        JAZZ
        Total honesty. Full disclosure. Tell each other everything, don’t you agree?


        CHASE
        Maybe.


        JAZZ
        So when Bex bothers me you want me keeping it secret?


        CHASE
        Hell no! Point taken.
        (forcing himself to reminisce)
        I just couldn’t get it out of my mind that nothing bad happened to Corso. No jail time! No publicity. No fines even. They made him promise not to work with children, but he’d graduated to teenagers by that time anyway. I gradually realized the money was to control me, so I wouldn’t tell the police. Blood money. What a bad deal that was. He wasn’t controlled! Rewarded, if anything. I might as well have been protecting him. When I looked him up – there he is running “perceptual studies” at a prestigious college! That sound like “punishment” to you?


        JAZZ
        That would be punishment for me, but I get what you mean.


        CHASE
        So I decided to kill him. It’s the only way. I mean, Corso’s a monster, right? And he’s only getting worse. I grew up, I bulked up, I legally changed my name, I disguised myself every way I could think of. I mean, he hadn’t seen me since I was a squeaky-voiced platinum haired tot of thirteen.


        JAZZ
        But let me guess. He recognized you right away.


        CHASE
        He just assumed I couldn’t live without him. I was there to bring him souls!


        JAZZ
        You confronted him?


        CHASE
        He says the university knows all about his “spot of bother.” There’s no official record. To hear him tell it, we were co-victims!


        JAZZ
        Co-victims!


        CHASE
        Yeah. Of religion. Of repression. Of the fifties, of his parents – you name it. But he’s fine now. Happily married, to a nice older lady who just happens to be rich! He’s “freed” himself, see, from his horrible past and he just wants to liberate everybody else.


        JAZZ
        What a bastard.


        CHASE
        So either I get the goods on him or I kill him. There aren’t other options. If that makes me a monster, then, that’s what I’ll be.


        JAZZ
        Hard luck on me, having a monster for a soulmate. What did I do to deserve this?


        CHASE
        Clearly you attract monsters.


        JAZZ
        You sell us both short. If you wanted to be a monster, you would be one already. You’ve been here four years!


        CHASE
        I got distracted. College is interesting – wrestling, debate club, research, biofeedback… Suddenly I found myself in a much bigger world. But whatever avenue I went down… he was always there ahead of me. Like, he’s the creator of everything and I’m just his mutant, the cuckoo on his clock. I want a world without Corso, a universe to call my own, but… he’s polluted everything.


        JAZZ
        So he still holds you hostage.


        CHASE
        He’s inside me. He’s like, taken over the inside of me. Robbed me of my self. I always seem to know exactly what he’ll do, or say, so in some sick way it’s me doing it. There’s no “me” any more, as long as he’s alive. My only hope is to off him.


        JAZZ
        That’s stinking thinking. If you kill him, he still wins. You’d be linked to him forever. I refuse to lose a perfectly good soulmate. You’re nothing like Corso. He’s soulless and that’s why he collects souls. You’re real. Without a self, how could you have a soulmate? Knowing him just makes him easier to trap. If we’ve learned anything, it is that he’s up to no good. He’s a predator- parasite. We’ve got to keep that straight. Trust?


        CHASE
        If only I could believe in souls. I don’t feel indestructible. I’m staying alive by the force of my resistance.


        JAZZ
        You woke me.


        CHASE
        That’s what we have in common. You resisted Bex.


        JAZZ
        I’ll say! He worked so hard to keep me down. We recognized each other. We’re the same.
        (passionately kiss)


        CHASE
        It’s only our worlds that keep changing.


        JAZZ
        It’s love.


        CHASE
        And we keep falling into it. “Falling” seems more than a metaphor.


        JAZZ
        If we’re in the middle of something extraordinary, we’ve got to stop looking with ordinary eyes.


        CHASE
        But everything’s corpses. Corso threatens life itself.


        JAZZ
        Murderers do tend to round up the refugees.


        CHASE
        He’s poisoning us. The question is whether it’s terminal. I wish I knew what was in that stuff he gave us.


        JAZZ
        Who cares what he gave us? He wants you to think he’s some scientific mastermind wielding a secret weapon. We’re the ones with the secret weapon.


        CHASE
        Some amnesiac, like scopolamine or propanolol. Without memory, he assumes we lose identity. But stress-based experiences are processed like dreams – we keep having flashbacks.


        JAZZ
        And flash-forwards. But we all formed new memories – some of them pretty crazy I admit – but others right on target. Look at Soliz falling through my window, Zane at the toxic dump, Koo with her body-bags. Something happened to us and he doesn’t want us to find out what. Bex wants me thinking he’s all powerful and everywhere so I’ll feel weak and helpless and give up, and Corso’s exactly the same. You must have gotten close –that’s why he fired you.


        CHASE
        He didn’t reckon with us happening.


        JAZZ
        We have a superpower!


        CHASE
        I’m scared the universe is setting us up, just to knock us back down.


        JAZZ
        But the universe loves creators, and lovers are the ultimate creators.


        CHASE
        Creation takes so long and destruction lasts forever.


        JAZZ
        Doesn’t the green growth keep coming up?


        CHASE
        Death is inevitable. It’s life that’s the surprise. In wrestling your attacker takes himself down. We need to find Corso’s weak spot –


        JAZZ
        He’s not immortal, is he?


        CHASE
        God, I hope not.


        JAZZ
        I mean, if he keeps swelling up with everybody else’s souls he’s going to explode. The universe will take care of Corso.

      7. The Dalingridge Horror – a play by Alysse Aallyn

        (Leonard & Virginia Woolf in the Conservatory at Dalingridge Hall)

        VIRGINIA
        If only I could trust you.

        LEONARD
        You can.

        VIRGINIA
        But these drugs turn my brain to cotton wool. There’s a pattern behind the cotton wool, if only I could find it. Did you know the Duckworths, that incestuous race, were cotton merchants? Coining money from the cotton wool that packs me now. If only I could fight back! But my will is so fragmented. My theory is that we all live so dishonestly, unconsciously, disconnected and detached. You are such a stranger! Everything about you is different. That must be why I married you.

        LEONARD
        Tell me everything, Virginia. Tell me what you fear, so we can kill it.

        VIRGINIA
        Where does one begin? Last night I looked in the mirror beneath a pitiless light and suddenly a dreadful animal face showed itself behind me. He bellowed, he stared, his nostrils flared. The pig’s snout broke the mirror until my thighs ached. How could one forget the thrusting of that ugly snout, the snout that meant starvation, pain and death? The purple foaming stain. Somehow it was all my fault. Roars of laughter at my expense. Dream or was it a memory? All that’s left is hopeless sadness. Being dragged down into a pit of absolute despair. Powerlessness. Paralysis. That’s what I remember.

        LEONARD
        Begin at the beginning.

        VIRGINIA
        The beginning is insomnia. I lie awake at night listening to a senile old man gasping, croaking vile indecencies. I thought it was Father, having a fit of the horrors. But the nurse said it was only a cat. Or perhaps the beginning was the whooping cough. I think I knew happiness before I became so ill. The grownups laughed with me, not at me. Whooping cough steals the breath – none of us could breathe. The atmosphere was tangled, matted with emotion. All the children came down with it, all of us gasping. Mother ran from bed to bed until her skin was paper thin and the bones stood out. I used to wonder if Mother had traded my life for hers, until I remembered she preferred the boys. Women serve, men are served.

        LEONARD
        But all of you recovered.

        VIRGINIA
        They threw me into a tank with Gerald, the alligator. Drowning. I knew I must not sink. Couldn’t get my head above the whirlpool.

        LEONARD
        Go on.

        VIRGINIA
        They covered the mirrors when Mother died. I was thirteen. Vanessa was sixteen, Thoby fifteen. Stella was twenty-five, quite grown up. George was twenty-seven, Gerald twenty-four. Adrian was twelve. No one told me what was happening. I was taken to her bed to say good bye but Mother seemed reproachful, so condemning and stern. She said, “Hold yourself straight, little Goat.”

        LEONARD
        Why were you called Goat?

        VIRGINIA
        I was Goat because I couldn’t control my purple rages. The others hated that he talked to me and gave me books. He didn’t allow Stella to read Cousine Bette but said it couldn’t harm me, because I had read Gibbons on the fall of Rome.

        LEONARD
        Did everyone have nicknames?

        VIRGINIA
        Adrian was Wombat, Nessa was the Saint. Thoby was the Goth because he fought. Mother advised self-control to everyone but Father. My mother had two characters, I think. Her real self, and the Angel in the House. Stifler and the life-giver. And to this day I have the oddest feeling that I’m two people, too.

        LEONARD
        Are you talking about the poet Coventry Patmore’s Angel in the House?

        VIRGINIA
        Yes. Wasn’t she so popular? Singing, “Sacrifice. Sacrifice yourself.” I caught her by the throat and killed her. It was self-defense. I had to kill her or she would have killed me.

        LEONARD
        Your mother died of pneumonia, Virginia. Don’t feel guilty, Children are disgustingly violent, every one of them. It’s a wonder anyone lives to grow up. I’ve decided brute strength is the enemy of thought – that’s why bullies rule and why we must all be pacifists and abjure force, even though it goes against our natures. Tell me, was this “angel” thing why Nessa was called Saint?

        VIRGINIA
        No. That was because she was too proud to tell a lie. We hid from Father in the garden, and when he demanded, Didn’t we hear me calling? We all said No. Only Nessa said Yes. I told her she was an old fraud.

        LEONARD
        Goat is the worst name, I think.

        VIRGINIA
        No, that was Stella! She was the Cow, because she brought the milk.

        LEONARD
        These nicknames are strangely degrading.

        VIRGINIA
        I named myself Miss Jan. I so longed to be someone else. Laura was the worst of us but she was called Her Ladyship of the Lake.

        LEONARD
        How old was Laura and why on earth was she called that?

        VIRGINIA
        Laura was exactly Gerald’s age. But she was gone by the time mother died. Sent away, because she wouldn’t mind. Father said she was the Giver of the Sword because she forced him to punish her. Then she screamed so he had to punish her more. When Maitland was writing Father’s life he said that everything about Laura would have to be suppressed. Everyone hated Laura.

        LEONARD
        Why did you hate her?

        VIRGINIA
        Temper tantrums. We all had temper tantrums, but hers were worse. Father was still having them, but Mother could calm him.

        LEONARD
        So, Laura went to an asylum?

        VIRGINIA
        When I was ten. Until then she lived with a governess at the top of the house. At night, we heard her howling like an animal.

        LEONARD
        Did your parents ever say what exactly was the problem?

        VIRGINIA
        Mother said she was wicked. Father said she was perverse. Thoby thought she wouldn’t stop touching herself. I read all Father’s letters when I helped Maitland with his book. Father begged Mother to marry him to help with Laura.

        LEONARD
        But she couldn’t help, could she?

        VIRGINIA
        Abominable system, family life. It goes from ignorance and indifference to denial and contempt, open attack and ultimate destruction. None of it was Mother’s fault. She was always visiting the poor and making them clothes. I always thought the poor knew how to enjoy themselves better than we do, because we are cooped up, day after day while they walk out freely.

        LEONARD
        Did you ever visit Laura?

        VIRGINIA
        Once I went with Stella. Laura spoke only gibberish. The only comprehensible sentence was, “I told him to go away.” I couldn’t go back because that was where I saw the deformed men.

        LEONARD
        I don’t understand why Stella was The Cow. Wasn’t she a young, beautiful girl?

        VIRGINIA
        I thought her lovelier than Mother. She was so pale, so white, she looked like cow parsley by moonlight. I don’t think Mother loved her, really. She was Mother’s loyal handmaid. Stella taught us our letters. She was supposed to look after Father when Mother was gone, and Mother was absent a lot.

        LEONARD
        Where did your mother go?

        VIRGINIA
        Nursing the sick. Mother loved nursing the sick, she said they were easier than the well. She seemed always so far away, in her mind. When we spoke to her she looked through us as if she didn’t see us. While Mother was gone, Stella stood in for her.

        LEONARD
        Didn’t Stella have a life of her own?

        VIRGINIA
        She turned down proposals, I know that. Mother didn’t want her to marry. Cousin Jem was obsessed with her – we children were frightened of him.

        LEONARD
        Cousin Jem? Wasn’t he the mad cousin?

        VIRGINIA
        Yes, but before he was locked up, he conceived a passion for Stella. He would run into the house, shouting, while Stella fled up the front stairs. He pursued her, bellowing, right to the nursery where he speared our toast on his swordstick. I thought he looked like a tormented bull. Father said to tell him Stella wasn’t home, but Mother said she could never bar her door to Jem. She said she loved him and he needed us because he was banned from all his clubs. Once he abducted me and Mother.

        LEONARD
        He abducted you?

        VIRGINIA
        Yes, funny, I’d forgotten it till just this moment. I suppose that’s how memory works. He took us to his rooms because he wanted me to pose for him. Mother didn’t want to go, but she couldn’t stop him. As he painted, he declaimed his own poetry:

        “if all the harm that were done by men
        were doubled and doubled and doubled again
        squared and raised to the power of ten
        there wouldn’t be nearly enough, not near
        to keep a small girl for a tenth of a year.”

        LEONARD
        And you were a small girl.

        VIRGINIA
        I was. The smallest. I never saw the picture.

        LEONARD
        How did you get away?

        VIRGINIA
        Did I get away? I don’t remember. I always stammered when I told him Stella wasn’t home so he knew I was lying. When he grabbed me by the collar I thought of the Ripper Man who had been in all the papers. This is what they must have felt, those women, when they were grabbed by Ripper Man. I’m afraid I wet myself and Nurse was angry. She punished everything I did, but I never listened to her. Nurse claimed all emotions like fear, dread, disgust – come from desiring the wrong food or not moving one’s bowels. Children must accept whatever’s given. If you show a preference, then that’s the very thing you’re not allowed to have. It’s as bad for a girl to cry for what she wants as for a boy to land a blow. Yet we did both, because Nurse was nobody.

        LEONARD
        Cousin Jem was taken away to the madhouse. That was a good thing, surely.

        VIRGINIA
        Where he starved himself to death, and that’s what I shall do if ever you lock me up in one of those places.

        LEONARD
        Go back to your mother’s death.

        VIRGINIA
        I didn’t know what had happened until I saw the nurses crying. I thought they were pretending and we should laugh at them but everyone pulled a face. I went to kiss Mother but she was cold as iron. I never touch iron without thinking of her. Father caromed off people and walls, seeking anyone to wail against. It was like being shut up in a cage with a wild beast.

        LEONARD
        My family was rigidly quiet when my father died. Stiff upper lip, get on with it, try harder, everyone must buckle down. That sort of thing.

        VIRGINIA
        A family is a conspiracy, driven by uncontrollable lusts. I saw a man sitting with mother’s corpse but the others saw no one there. We became unmoored, entering a time of hopeless suspense, muddle, mismanagement, battling the stupidity of those in power. It was as if a finger had been laid upon our lips, sentencing us to a sultry, opaque miasma that choked us and blinded us. Father shouted at Stella if she didn’t stock his writing paper or ordered too much fish. I knew it really was because she couldn’t tell him he was a first-rate writer, as mother always did. Stella had no mind and nobody respected her. Poor father was haunted by fears that he only had a third-class mind.

        LEONARD
        And did he, do you think?

        VIRGINIA
        His ego crippled him. Self-assertion is so loathsome. Father began writing The Mausoleum Book. About death. He wailed from the top of the stairs, “We perished, each alone.” Nothing is to be dreaded so much as egotism. Stella tried her best to rescue us. I wasn’t kind to her because she dragged me to the dentist and ordered all my clothes. I couldn’t bear standing for inspection while being stuck with pins. She was made me wear stays for the first time. Then Stella fell in love.

        LEONARD
        With Jack Waller Hills. Did you like him?

        VIRGINIA
        I did then, but I realized later he was a terrible old Fascist. He used to say, “the weak are wrongdoers who foul the nets.” I know he meant me, that I was a weak wrongdoer. In the end, he was a typical man who liked to have his way. He always put his great hoof down. But at first, he seemed the only truth-teller we had ever met. I was thirsty for knowledge, and he knew things. He taught me how to sugar trees for moths, how to collect and mount butterflies, how to take pride in killing beautiful things. He told me everything about sex, about “street love”, common love, why it is that women can never walk alone. I was so shocked. I asked, What about honor? He said men never think of honor, that they had women constantly, so all their talk of purity is nonsense. Every man has his whore. Every woman except the cheap ones must be locked up tight. Yet they call women fallen! Men are the whores. It makes no sense to me.

        LEONARD
        It does sound mad.

        VIRGINIA
        The night Jack proposed a tramp broken into the garden. Thoby threatened him, shouting at him to go away. We were always frightened of tramps – it seemed they could get in anywhere. I was afraid one had invaded the house and was lurking and leering, waiting to pounce. But it was only Jack. When Father found out about the engagement he tried to stop the wedding but Stella had her own money so he could do nothing. He postponed the wedding until Stella agreed to buy the house next door so that she could still take care of him. During all this Nessa and I were forced to chaperone. You can’t think how awful it is to sit between a couple whispering and trying to touch. I was so angry at Stella I broke my umbrella in half.

        LEONARD
        Child chaperones? Whatever will they think of next?

        VIRGINIA
        I know! I often think I’m the only one who isn’t crazy! Stella and Jack convinced the aunts that Nessa and I could accompany them properly to Bognor but immediately we got there they sent us two out into the rain so they could be alone. We were soaked to the skin!

        LEONARD
        Was there no one who could speak for you?

        VIRGINIA
        The old aunts were the worst of the lot. They curdled our brains with their falsehoods and their pieties. The wedding was the most horrible ordeal. Nessa and I resolved to be Stoic and show no emotion, as if it were nothing touching us. If ever you show feelings you are treated like a beast at the zoo and will never escape the cage. Thus we were buried beneath obligations, under torrents of uncomfortable clothes, awkward visits and unspeakable rituals. I think we are to be congratulated, you and I, that we sidestepped that whole mess so neatly.

        LEONARD
        Yes, the registry office is so much better. It’s over so fast. But after the wedding?

        VIRGINIA
        The happy couple went to Italy, and we were left alone with Father. He was awful to Nessa, how I hated him! He shouted at her as he’d shouted at Stella. But Nessa stood up to him, she was a rock, she didn’t care. That’s when she summoned up her supreme indifference. It’s the bane of all who love her.

        LEONARD
        But Vanessa had no money of her own.

        VIRGINIA
        No. If Stella hadn’t given us allowances we would have had to beg Father for every penny. And then Stella and Jack came home early because Stella was ill.

        LEONARD
        What was wrong with her?

        VIRGINIA
        Violet Dickinson told me Jack must have hurt her with his violent lovemaking. That he broke her somehow. But Violet was just a spinster, so what could she possibly know? The doctors called it appendicitis but you know what cretins they turned out to be. They couldn’t operate because of the baby – she was pregnant, of course. On the night she died, I was sleeping in her new house – in her dressing room in fact –

        LEONARD
        You were sleeping in Stella’s dressing room?

        VIRGINIA
        Yes, I’d been so ill, you see. I always got ill when people went away. But Stella was dying so they sent George to fetch me. George the over-fed pug dog, fat as a louse, beady-eyed as a rat. He wrapped me in Stella’s fur cape and carried me back to Father’s house.

        LEONARD
        And then?

        VIRGINIA
        Stella died and Jack was left bereaved. Now we had two widowers wailing. The men in our family hardly waited for the bodies to be buried before turning to their next victim. I remember Jack holding my wrist on one side so tightly he left bruises, and George holding me on the other side. I was trapped, you see, I couldn’t get away. George won so Jack settled on Nessa. They actually wanted to marry! I couldn’t believe it. I told Nessa, you can’t be serious! She said, “So you’re against me too,” and gave me a look that broke my heart. But she knew they couldn’t marry because of the Deceased Wife’s Sister’s Act.

        LEONARD
        They could have married in France.

        VIRGINIA
        That’s what they say about everything, that “the French get away with it.” Luckily it all blew over because Nessa was granted a place at the Slade. Then I was quite alone. George pounced immediately and began ordering clothes and jewels to release me into society. I was the sacrificial offering to his violent gusts of passion and his mean little piggy brain.

        LEONARD
        

        And then?

        VIRGINIA
        

        And then Father began to die and I went mad a little. After he died, I went mad a lot.

        LEONARD
        

        Well, it isn’t any wonder, from what I’ve heard. If you are mad then so am I.

        VIRGINIA
        You can’t think how long I’ve waited for those words!

        (she reaches out a hand to him – he clutches it and kisses it)

        LEONARD
        

        Dearest! You will always be my only love!

        (they gaze at each other, both trembling with pent-up emotion)

        VIRGINIA
        But darling, if Dr. Craig consigns me to deepest darkness you will have to marry someone else. You can’t waste your life waiting for me.

        LEONARD
        That won’t happen. Craig says our future’s what we make of it.

        VIRGINIA
        Oh, honey mongoose! Let’s make a pact right now to rise above the nay-sayers. You have given me all the best things I have ever had in life, rescued me from the cliff edge again and again. You have been absolutely perfect to me, and I have been disgraceful to you. You work so hard and I do nothing. It’s all my fault. I was mad and angry before I met you and I am madder and angrier right now. I want you to know that I do want to cuddle you but I don’t know how to show it. In spite of my vilest imaginings I’ve always known that I love you and that you love me.

        (he leans his face towards her, she awkwardly moves closer and they kiss delicately)

        LEONARD
        Virginia, I promise not to ever push you any farther than you want to go.

        VIRGINIA
        Oh honey! And I promise to follow all your rules; early bed, milk for breakfast; just so long as I can always read and write.

        (they embrace)

        LEONARD
        

        If ever you cease writing I shall divorce you immediately.

        VIRGINIA
        

        (laughing awkwardly as if she has forgotten how)

        It’s a bargain. Oh, darling, shall we really have our own press and print all our own work?


        LEONARD
        Yes, and some of your friends if they are good enough. You decide.

        VIRGINIA
        

        And can I have a bulldog, too? I’ve always wanted a bulldog pup.

        LEONARD
        

        Certainly, my pet.

        VIRGINIA
        

        And can we live in London? A new house all our own?

        LEONARD
        

        Not London but perhaps some leafy suburb.

        VIRGINIA
        

        Leonard! Suburbs!

        LEONARD
        

        Think of the bulldog, Virginia. He must have a healthful life.

        VIRGINIA
        

        You’re right of course, Leonard. You are always right.

        LEONARD
        

        Bulldogs need a place to roam.

        VIRGINIA
        

        Fresh air and food. Lots of good red steak.

        LEONARD
        

        May I order dinner now, Virginia? Surely, it’s time.

        VIRGINIA
        Yes, Leonard.

        (She clutches his hand fiercely while with his other he rings the bell) CURTAIN – END

      8. The Dalingridge Horror – a play by Alysse Aallyn

        (In the Conservatory at Dalingridge Hall)

        VIRGINIA
        Go away, Leonard. I can’t bear to hear you lie to me.

        LEONARD
        I’m not lying when I say I want you to get well more than anything I’ve ever wanted in my life.

        VIRGINIA
        Don’t bother making me feel guilty, I already know I’m wasting your life. If only I weren’t so stupid a Mandrill, so unworthy of her poor, virtuous outsider Mongoose who is so thin, who trembles so much and who tries so hard. You have headaches too, you suffer from recurring malaria. Why should you toil so that I can be idle? I know these doctors’ bills are crushing us. Nessa sold the silver, I sold the jewelry, Thoby sold the Thackeray letters. What’s left, Leonard? Will you scheme with them to isolate me until there’s nothing left?

        LEONARD
        I can earn money writing. I’ve proved that. You can earn money writing, you’ve proved that. But to get back in the fight we must be hardy and strong.

        VIRGINIA
        I should never have married you. What kind of a wife can I ever be? Save yourself, Leonard. It’s too late for me. Let the wind blow, let the poppy seed itself, let the carnation mate with the cabbage. Let the swallow build her nest in the drawing room where the thistle thrusts between the tiles. Let all civilization be like broken china tangled over with blackberries and grass.

        LEONARD
        That you demand so much of existence, still fighting as you sit among George’s flowers, shows you’re feeling better. What we must do is keep up the strengthening. A few more days, Virginia.

        VIRGINIA
        But how can I return to you? There’s the undisputed fact of my sexual cowardice. Perhaps it’s really nothing but my terror of real life that keeps me in this nunnery. I tried telling my parents but they didn’t want to hear. Parents have forgotten their own childhood. Or they don’t want to remember.

        LEONARD
        What did you try to tell them? You can say anything to me.

        VIRGINIA
        I saw the spirits of evil as soon as I could speak, but because I was a girl child I was not supposed to know. Each child hugs its vice, brooding over the swollen vein, the bruised flesh that was white and sweet but yesterday.

        LEONARD
        I told my parents that life is unquestionably vile and humanity’s nothing but an ant heap. Parents never want to hear that.

        VIRGINIA
        That’s what I love about you, Leonard. You at least will speak the truth. Sometimes.

        LEONARD
        It’s a fallacy to think that children are happy. They’re not. I never suffered so much as when I was a child. Children never forget injustice. But here is the heart of it, Virginia. What we write depends upon what we think. What “spirits of evil” did you see?

        VIRGINIA
        Going to practice Dr. Head’s talking cure on me, are you? Is that the plan? I could make up a dozen stories – I see a dozen pictures. But when I open my mouth I am locked up and shut away. What is my true story? Something lies deeply buried. Shall I grasp it or let it mortify in the depths of my mind? I want to describe the world seen without a self. But I am afraid that there is no future. There are no words.

        LEONARD
        There are words, and there is a future we shall make. Tell me. Tell me everything.

        VIRGINIA
        When I was young, I dug furiously to uncover myself. When I discovered that I was me and not anyone else it seemed a wonderful achievement. Once I sat beside my stepsister Stella on roots as hard as skeletons, and the next day she was a skeleton. It’s strange how the dead leap out on us at street corners or in dreams. Don’t you remember that morning at breakfast when I saw my mother? You said she wasn’t there.

        LEONARD
        I saw nothing.

        VIRGINIA
        Cambridge educated everything but your eyes. What is the hope of talking to you? That was the morning was when I first became aware of the enemies who change but are always present; the forces we must fight even though we suffer terribly becoming separate bodies. Don’t you recognize the enemy advancing against us, pawing at his pavement? It is death. Death is the enemy.

        LEONARD
        Marriage is the opposing force against death. A marriage of true minds can fight all enemies. Once upon a time we shared our thoughts, and fell in love. I needed someone who could hold her own, and there you were. You are the only wife I ever wanted, the only woman I have ever loved. Please, Virginia, I want you to come back to me.

        VIRGINIA

        (dazzled)

        Oh to be a wife, to be wanted, would be so complete! Is it possible, Leonard, after the terrors, the disgusting dangers we have seen?

        LEONARD
        If it isn’t I don’t want to live either.

        (She holds out a hand to him. They clutch hands briefly)

        VIRGINIA
        Sit down, Leonard. You look silly on your knees.

        (She looks away. LEONARD sits)

        VIRGINIA
        I used to make the family laugh. They thought me clever. But when I chased the evil spirits through a hole in the escallonia hedge, I resolved to tell the exact truth and write down the phenomena I’d seen. But no one believed me, and at that moment the laughter turned against me. I said, must not we find some way to get outside ourselves, to give our brains a wider scope? My parents declared God was dead and the world empty and meaningless. Father said to be weak is to be wretched. He said that Society is a ravenous appetite, and Nature is a state of war. You’ve laughed at me behind my back, I know you have. You, my own husband, want to get rid of me, to lock me up forever and steal my money.

        LEONARD
        I love you, Virginia. Maybe it’s a bad thing to love you as much as I do – it cuts me off from the outside world. But the outside world is worthless and your world is so rich. When I went away to school for the first time I was shocked and appalled by the horrifying corruption of dirty-minded schoolboys. It marked me. Then I realized all of humanity are mean, nasty, untruthful, cowardly, and cruel. Perhaps I’ve been searching for a world that doesn’t exist.

        VIRGINIA
        Perhaps we both have.

        LEONARD
        If you will care for your health – if you will allow me to care for your health – you’ll recover. As you’ve recovered before.

        VIRGINIA
        Nessa won’t rest till I’m brought low. When she was ill with typhoid Savage wanted to put her in a home but I backed her up! I told Savage I would care for her. Now look at what she’s done to me. You betrayed our secret, telling Nessa I’m a frigid failure as a wife. She told Clive and now everyone knows. They’re all laughing, jeering. plotting behind my back. You were sent to Ceylon to break the natives and now you’ve been sent to break me. I have been derided, insulted, sacrificed and betrayed, by all of you.

        LEONARD
        Virginia, I am on your side. My eyes were opened in Ceylon. I was an anti-imperialist wallowing in the fleshpots of imperialism. But I changed. Now I support the independence movement with all my heart. All problems can be solved by science and logic, Virginia. It was I who was a failure as a husband. It was my marital duty to arouse you but you seemed so afraid of me. At my wit’s end, I asked your older sister for help.

        VIRGINIA
        Does she offer lessons in humiliation? She knows how better than anyone. Is it my fault that I hate my legs being pried apart? I should never have married you, but I couldn’t bear to remain a spinster. I was struggling at everything, and you seemed so different. You said you liked women. You said you admired women’s minds.

        LEONARD
        It’s true. Women feel more deeply, think more deeply, talk more deeply.

        VIRGINIA
        Yet men demand obedience. You want me to obey you but I never will. You know nothing about me. Did you know that before I tried to die I read a book? Would you like to know which one?

        LEONARD
        Which book did you read?

        VIRGINIA
        It was your book. Your book that I read.

        LEONARD
        My book?

        VIRGINIA
        Your book about me.

        LEONARD
        (a gratified author, in spite of everything)

        You read The Wise Virgins? What did you think?

        VIRGINIA
        So you admit it’s about me!

        LEONARD
        Virginia, please. I’d love to discuss my book with you.

        (She hesitates, turning away her face, then facing him with rage)

        VIRGINIA
        

        You locked me away so I’d never find out!

        LEONARD
        You were ordered rest cures long before you met me! I don’t believe in guilt or blame. Honestly, I wanted you to read my book as soon as you were well.

        VIRGINIA
        I won’t be stamped and stereotyped. You have publicly lampooned me as a frozen, dowdy, fussy, futile woman.

        LEONARD
        Not true at all. I called you my Aspasia.

        VIRGINIA
        “Cold and snowy, like the rocks.” You said.

        LEONARD
        I’m a bad writer. I agree. I’ve got nothing of your genius. I can never explain what I really want to say. If it’s any comfort to you no one else likes or understands it either. Sales are awful. All I was attempting to do was contrast the world of a poor Jew from Putney with the rarified aristocratic Olympus for which he yearns.

        VIRGINIA
        You hold my world in contempt because you can never be a gentleman.

        LEONARD
        Virginia, you hold “your world” in contempt.

        VIRGINIA
        And then the hero marries the other girl. The stupid, cow-eyed one! It’s a betrayal.

        LEONARD
        It’s just a bad novel, I’ll give you that. Don’t laugh at me. Not everyone is born with your gifts. Consider my perspective. Any rational mind must inevitably face disillusion and depression. I tried to show how poor Harry just couldn’t escape his past. He couldn’t but I think we can. I probably shouldn’t have published it but Arnold was willing and I couldn’t bear to waste all that work and all that suffering.

        VIRGINIA
        What can you, a prizewinning Apostle from Cambridge, an imperialist potentate of a subject country, possibly know of real suffering?

        LEONARD
        Virginia, I’m a Jew from Putney. All my life I’ve been spat upon. Job is the only book of the Bible I ever understood. Who ridiculed who first? I trained myself to avoid personal feeling. Admit you despised me. Your set. You made me into a joke.

        VIRGINIA
        My set despises everyone. That’s what we do. It’s self-defense, from growing up amongst the most monumental hypocrites.

        LEONARD
        You despised me personally. Be honest. You hated kissing me. You could barely bring yourself to marry me.

        VIRGINIA
        But I did it, didn’t I!

        LEONARD
        You wanted to shock them. You were competing with Nessa to see who could be most scandalous.

        VIRGINIA
        I wouldn’t dare compete with Nessa. Competition is a male thing. It’s a brutal, endless game. I think all competition should be abolished.

        LEONARD
        But it’s all you ever do! Your flirtation with her husband –

        VIRGINIA
        (cringes visibly)

        Oh God, not that. Somehow that memory turns a knife in me more than anything. How it catches at me, the fangs of that old pain. I know I lost Vanessa forever. She will never forgive me. I simply couldn’t comprehend why she married such a strange, intolerable creature with his twitching pink skin and a jerky laugh. Before Clive, Nessa and I drifted together on a sea of seducing half-brothers,
        hiding together beneath the dining room table. We spoke a special animal language.

        LEONARD
        But you were no longer children. Vanessa waited till twenty-eight to marry.

        VIRGINIA
        Who would willingly grow up? I never wanted to. As soon as you’re pushed out of the nursery, the happy moments vanish. Vanessa was the bowl of golden water that brims but never overflows. I lie prostrate at her shrine and still she won’t forgive me. When she brought home friends from the Slade they laughed at me behind the door. You can’t think what it feels like, having one’s self so thoroughly extinguished.

        LEONARD
        I do know it. That was my exact experience at both St. Paul’s and Cambridge. St. Paul’s was a disgusting brothel, but at Trinity I met G. E. Moore. He taught me how to ask the important questions.

        VIRGINIA
        

        And what are the important questions?

        LEONARD
        The most important question is why. Why can’t Vanessa forgive a mere flirtation? She must know by now that Clive sets out to bed every woman he meets. You at least resisted him.

        VIRGINIA
        But I did wrong. Clive and I made common cause against my sister, his own wife. Some things should be sacred.

        LEONARD
        

        Wasn’t it true that he respected your intellectual work more than he could ever appreciate Vanessa’s daubs?

        VIRGINIA
        Leonard! How can you!

        LEONARD
        

        If it’s the truth, shouldn’t we say so?

        VIRGINIA
        

        I tried speaking the truth, yet here I am locked up among the imbeciles. And weren’t we just arguing whether all imbeciles should be killed?

        LEONARD
        You’re hardly “locked up with the imbeciles” at Dalingridge Hall!

        VIRGINIA
        You’re wrong. In this castle beats the very heart of idiocy and evil. Aren’t you the one who said the most dangerous imbeciles are running the nation? Here I am at home among the hunters, where the miner sweats and dies and maiden faith is rudely strumpeted.

        LEONARD
        But you used to love George! He told me you’d make an adorable wife.

        VIRGINIA
        Perhaps I’ve been given too much time to think. Get a sense of proportion, the doctors keep telling me. So now I stare for the first time into the very mouth of doom. Look your last on all things lovely.

        LEONARD
        Virginia, if you don’t want to be called crazy, you really must explain yourself. Whatever do you mean?

        VIRGINIA
        George behaved little better than a brute. He never let me alone for a moment. That he was the pet of duchesses hardly excuses him. And yet it was Gerald who broke my hymen, when I was six years old. It’s a painful process. and now I freeze like ice. Give up on me, Leonard, there’s no awakening the dead. I’m ruined by incest, I’ve even desired my own sister. I’m locked up because I stew in murder, just as Laura did. I long to slice Gerald’s fat, transparent flesh, to take a rifle and shoot George directly in his smug, piggy face. Or could I bag him with a net and killing bottle? And why shouldn’t I turn on my tormentors? I suffered, I was helpless, why should I be the one forced to writhe with shame? I longed to be petted but instead was trapped in a cage with lions as sulky and angry as they were ferocious. I’m just a little monkey and little monkeys are too easily squashed and trampled. It’s too late for me, Leonard. My body is spoiled forever by George and Gerald.

        LEONARD
        (shocked)

        George? Gerald? These are pillars of society, your own half-brothers! It’s so unbelievable.

        VIRGINIA
        George drowned us in kisses, me and Vanessa. Each kiss was an amputation. I used to sign my work, “One of the Drowned.” Oh, those horrible parties! The oppressive gatherings of Stephenses ground one to a pulp. Because I wanted to discuss Plato I was told I had no conversation. George was so angry! After I removed my ball gown and stripped off my gloves and stockings, he would come into my room and lock the door.

        LEONARD
        But how can any of this be true? How could nobody have noticed it?

        VIRGINIA
        Everyone did notice it. People contrive to bend it to the conventional heroic shape because he kept insisting on the purity of his love. I saw him kissing Countess Carnarvon behind a pillar at the opera! And now she’s his mother-in-law. I asked to join the British Sex Society, dedicated to the study of parent/child incest, but they wouldn’t let me in. Now that you know, you’ll have to spit in George’s face at the club.

        LEONARD
        We don’t belong to the same clubs.

        VIRGINIA
        Then when you thank him for this execrable house, challenge him to a duel. Will he at least feel some regret? Will he take the pigeon gun and blast himself instead? Then the aristocracy will hate me because it’s all my fault. Yet is it not a noble work, letting light in upon the evil Duckworths? Probably he’ll feel nothing. Possibly some vague imbalance.

        LEONARD
        Let’s try to be objective, Virginia.

        VIRGINIA
        If only I could! What a luxury that would be! How I hunger for the objectivity of beloved Macaulay or the stern analysis of cherished Carlyle. Lockhart’s ten volume Life of Scott was the best present I ever received. Reading relieves all my pain, but they won’t let me read anything here. In spite of them I’m continuing to learn. Only life itself matters, nothing but life – and the process of discovery, the everlasting perpetual process, and not the thing itself at all.

        LEONARD
        

        Virginia, I am speechless.

        VIRGINIA
        

        Now you know how it feels. I used to think it would be enough to have someone share my loneliness. But if no one believes me, the solitude is total. The Duckworths are guilty of nameless atrocities, and you’re complicit. You locked me away here, so I couldn’t speak. As soon as I open my mouth they try to destroy me. It’s a conspiracy of hush.

        LEONARD
        If this is something you’ve only just remembered how can it possibly be true? It sounds mad.

        VIRGINIA
        I don’t think memory is always at the forefront, Leonard. There’s only so much a human being can bear. Memory comes and goes. One requires tools to think with, to make sense of one’s experience, and these tools are alternately dull and sharp.

        LEONARD
        Well, there are some things no one wants to think about.

        VIRGINIA
        It’s clearer in my mind than the bad, stodgy meal I was force-fed yesterday. Our summer place at St. Ives, in the dining room; I must have been six years old. Eighteen-year-old Gerald lifted me up to a high ledge and explored my private parts. I fought and I struggled but I couldn’t get away. I could see his face in the dining room mirror. It was the face of a demon. I’ve seen that face since, on the drooling men who expose themselves in the park. Now I no longer look in mirrors. I can’t cross a puddle. The depth looks back at me, concealing malicious, hairy arms to reach out and grab. I can’t go forward, I am stuck in the loop of the six, no power even to lift my legs.

        LEONARD
        The loop of the six? I don’t understand.

        VIRGINIA
        

        I was learning numbers. Six was my number. But I couldn’t close the loop.

        LEONARD
        

        This was Gerald you say? But Gerald is your publisher!

        VIRGINIA
        I know! If I am not a madwoman, then the world itself is mad. What was I to do? I wrote a book and my incestuous brother was a publisher! Who else would even look at my work? When I delivered my manuscript to Gerald I was in such acute despair – so near the precipice!

        LEONARD
        Did you tell anyone?

        VIRGINIA
        I told Nessa and she told Dr. Savage. Who is an idiot, as you well know.

        LEONARD
        I can’t believe it. Gerald seems so – so – well, ordinary. So completely controlled.

        VIRGINIA
        Get out of here! I’m sorry I told you. I wish I was dead!

        (She is tearing at her own throat – he rushes forward to hold her hands down, lifting her body out of the chair)

        The use of force is all you know!

        LEONARD
        Virginia, I love you.

        (He kisses her neck, she becomes a dead weight. He lowers her carefully into the chair, arranges a blanket on her knees)

        VIRGINIA
        When you touch me, I feel nothing. My body goes dead. That’s how I froze when George came into my room, night after night.

        LEONARD
        Oh, Beloved!

        VIRGINIA
        Don’t. He called me that. I don’t want to be loved, I want to be believed.