
#Haiku: Self-defined
Blind smack of spore
From roots and core
Germ flies high;
Poets cry
I, I, I!

#Haiku: Self-defined
Blind smack of spore
From roots and core
Germ flies high;
Poets cry
I, I, I!

#Haiku: Subterfuge Inc.
Ruse patrol:
Dissimulating –
Saboteuse –
Guerilla guest –
C’est moi.

Mon 13 Nov 78
Busted, wasted day. Avril called to borrow $90 so she can pick up el Diablo from Courtesy Motors – fortunately I had it so we went to bank, then car dealer. Then I tried to get an oil change but they don’t do Fiats. Took long enough to tell me they don’t have the right wrenches. Real estate agent phoned
to say I qualify for special FHA loan. I had to call my landlord because apparently I don’t have heat.
Avril is having lots of trouble with Brady who is alternately aggressive and suicidal. I think he is more trouble than he’s worth but admit he has very pretty, very long, long thighs. He and Buck went to high school then trade school together – Buck exhibits a grisly picture of them at their prom with their dates. Brady’s date is his soon to be ex-wife. Buck was also B’s best man but I was spared those photos.
Zachary asked me out next Fri night but I’d rather be with Buck – but if he doesn’t ask me in time I’ll tell him I’m ”going out with the girls.”
That’s what he tells me he does; “goin’ out with the guys” – so presumably this is an OK excuse. If he says what girls I’m in a bit of a pickle. But I’m a writer –
I‘ll invent some. It can’t be anyone he knows. Fortunately, he has no idea what a hermit I really am.
Still stuck in the childhood of my novel. Can’t wait for them to grow up. Re-read Le Ble en Herbe which helped a lot. (Aaaahhhhh…
Colette!) Off to Crown Books with A – then White Flint Mall for Christmas shopping – had coffee at The Perfect Cup. Nice outing. I bought wonderful rhinestone cat’s eye glasses. Saw Bergman’s Autumn Sonata – moving.
Mon 27 Nov 78 – 1:35 PM
Time to write in this neglected diary while waiting to have my snow tires mounted. This threatens to blow my entire day. They also had to replace a fuse that apparently blew in the middle of a rainstorm so that my wipers stopped working.
Visit with Mom and Dad very touchy. (They are staying with Peter’s mother Rita and everyone’s slightly angry I’m not dating him and I can’t narc on his Secret Relationship.) Mom casually accepted an
invitation for all of us to go out to dinner on a night I was going out with Zachary, so I said I would have to invite him and got a tirade on my thoughtlessness. Then I pointed out she was the thoughtless one assuming I didn’t have any plans. She apologized, I apologized. It blew over.
Then Avril had the nerve to ask Rita if she could
smoke – Mom exploded just as if it were her house. (Rita said No. She’s trying to quit.) M & D piled on me – I’m insane to contemplate buying a house – even if the mortgage would only cost what rent already costs.
Their real objection is that I might “choose wrong” – somehow encumber myself with a property that will make me even less attractive (if that were SOMEHOW possible) to A Decent Man. Not even dragging in Marc Kramer’s sacred name as Advisor helped at all.
Dad did come see a few houses with us. (We’ve seen 16 so far.) He had to admit it isn’t a bad deal as long as I can get that FHA loan. Zachary behaved very well around M and D – the “Official Boyfriend” –
– but of course he owed me. Fortunately the evening was over before they could find out too much about him (or he offered them drugs) so his cover wasn’t blown.
Conversation at dinner very boring. Psychology 101.
“Why don’t people say what they want?” “Why don’t people try to get what they want?” “Why do people lose interest in what they say they want?” (Rita’s going through her third divorce.) Since no one seems the least bit interested in the complexities of achieving Actual Gratification by attempting to mesh one’s constantly evolving desires with those of someone else I can only shake my head sagely and flee at the first opportunity.
Mom and Dad actually tackled these questions and struggled with them like a pair of marriage counselors. The truth is Rita’s ex has found somebody else and she shouldn’t be so surprised – they were both married when she hove onto his horizon.
Got a very stoned phone call from Zachary last night – he was over at Rod’s and “something” was making him horny. (I’ll bet I can guess.) Fortunately, I managed to convince him he was in no state to drive – leaving him prey to Rod, probably. Well, we all have to take our chances in this life.
Saturday night with Buck unsatisfying – he claimed his non-breathing nose is preventing him from going down on me. I let him know his account is in arrears and he will have to do something about it sooner or later. He chose later and fell immediately asleep. So, I left. I’m not sure I will ever get to Stage 2 with this guy. He made a point of tracking me down at Avril’s apt, calling to apologize. A and I saw 3 more unacceptable houses – but the real estate agent says there are plenty more. Fun to be in a buyer’s market for a change.
Sat 7 pm Plush Palace – 2 Dec 78
Just recovering from some tremendous bout of food poisoning – must have gotten it from the Sleazy Restaurant Around the Corner – but all I had there was a takeout salad. Still, it could have been the dressing.
No fever. I was throwing up all Wednesday. I called A to drop by after class but she was so worried she came right over. I finally was able to keep down some chicken soup. Then we went to Bethesda in the eve to see Zach’s Gordon Lightfoot impersonation – I had a little wine to make me feel better. (Free drinks always taste best.) Finally finished the childhood section but I don’t feel good about it. Novels don’t want you to do anything in life but write them all the time. I am only at p. 133.
I am already exhausted and needing a vacation.
Cheered myself up by wrapping Christmas gifts – baroque music and Victorian gift-wrap did it for me. I especially love those chubby Victorian cherubs who couldn’t become airborne without at least two brawny stagehands hauling on a mighty hawser. Reading My Mother/Myself in between boogie-oogie-oogying. Dinner party with A, Buck, and A’s old boyfriend who happened to be in town. We ate stuffed Cornish game hen, played Clue and went dancing at the Bastille.
Thurs night – Plush Palace – 11:30 PM – 7 Dec 78
Manic night – a dancer literally dragged off the stage by the police because her roommate is accusing her of stealing $3300 of furniture.
Thank God she came back so I only had to dance one extra set. Wed night we found a house! It has 5 bedrooms, 3 bath perfect in every way except that that it’s packed into a neighborhood of like houses so there are absolutely no vistas. But the price is right. We made an offer but they accepted another offer –
– ours is the “backup contract.” So, we still might get it.
Thurs am 1:07 14 Dec 78
Finished the novel in an insane burst of speed – 10 pages a day for four days. Now I have to calm down and see what I’ve got.
I still feel pretty good about it – but probably reading it will depress me.
And Devon will probably never speak to me again since he is in it. His Christmas card says I am a genius and he is in awe of me. Hey, it could be true. My publisher’s statement arrived. $50. $50. There goes that Feb vacation. Pretty sure I need a new agent. What did “stooping to genre” achieve exactly? I didn’t get a living wage. I didn’t get a publisher, agent or editor receptive to my work. It’s like I’m starting over – again.
On an up note: looks like we might get the house! It is SO perfect. Fenced in yard and everything.

THE PINCH OF DEATH – Writing a novel for class
After my fiancé graduated law school in Kentucky, we came East – where our families lived – to get married. I applied to Brooklyn College for the MFA program and was hired as a writing fellow. What followed was an experience so discouraging I can well understand why graduate students are at a high risk of suicide.
First, there’s the contrast between the high prestige of the position and the pitiable pay. You could literally make more money (and spend the same amount of time) combing the subway for lost change.
Next, there’s the “job” they want you to do, which is to prepare seriously undereducated freshman to write an essay justifying their admission into the hallowed world of academe.
I had fun developing my own syllabus, which was basically teaching critical thinking in the most fun way I could possibly imagine. A teacher “reviewer” who came to watch the class wrote me a rave review – I don’t think anyone in my life has ever praised me as much as he did. I still cherish that evaluation. But don’t get excited – the second guy (months later) disparaged me so much that if you add the two reviews together I think you’d have to give me a sad C-. But at that point, They Knew About Me – that I had no college degree -and so they were trying to get rid of me. Really, you can’t blame them – how could I prepare students to get something I didn’t have myself? And what – you may ask – was wrong with MY thinking and reasoning powers that I had not expected this?
The truth is, I had flouted “rules” all my life – they always seemed ridiculous – and because I was a “rara avis” I usually got away with it. But clearly, this could not continue. Much chastened by my brush with the universe (which represented itself as “sanity”) I did go ahead and get a BA degree in psychology from LaSalle. I even got half a masters under my belt from Springfield College until I saw that it was useless.
But back to Brooklyn. There were classes I took, of course, in WRITING – which was my absorbing interest and passion. I kept the fact that I had actually published a novel a secret because the class expressed such a tragic belief that being published was their deepest desire and most desperate and holy quest. I knew that it was the writing of the book itself – finding the subject AND the expression that was your spiritual release into the world – that was the most important absorbing and exciting. My first book was written to specifications – what was “popular” – under the ingenuous theory that I would develop important publishing relationships (my editor lost her job, my company bought out and revamped.) You could hardly brag about an experience like that.
For my class on the Novel I decided to write a novel. I thought it would be fun. If you wrote a chapter every week you would have a novel at the end.
One of my classmates was an ex-nun – a most interesting person – whose experiences strongly affected me. I effortlessly adapted her into my heroine, because my book was a mystery. Surely these are the easiest to write – they must evolve according to a plan. You have to introduce the problem, then the suspects, give clues, and make the reader care about the outcome. I had an idea it would be less emotional than my first book, which got bogged down into a bizarre love story about a fatherless girl pathetically seeking mentorship. THIS book would be all business.
I got such massive pushback from the class I’m kind of surprised I went through with it – but I was enjoying the writing and the characters were alive to me. “Criticism” in class was students laboriously reading each others’ work, describing its emotional effect on them and describing different ways things could be said. The forward motion of a novel – the sweep, the assumption of power – was thereby utterly dissipated. Everyone just rewrote the first chapters of different books endlessly. So it shouldn’t have been called “Novel Writing”, it should have been called “Paragraph Writing” – a class I wouldn’t take.
This teacher and I butted heads on all kinds of issues. First off, he said great writing couldn’t have a “happy ending.” I saw his point but I thought it shallow. Surely completion of a quest – solving a mystery – is an enormous relief. But mysteries aren’t serious writing, he insisted. (Uh oh. Since I was engaged on one.) Well, what about the Odyssey? Jane Austen? {Probably Tom Jones, if I could recall the ending.)
MODERN literature!! He insisted. We can’t have happy endings anymore!
That was when I realized the whole thing was bogus. If I was bogus, they were even more bogus. I was eight months’ pregnant at the time and this man’s feeble philosophy defied the spinning of the planets, the arrival of spring, the creation of Life itself. What a silly fellow.
I finished Pinch of Death, and still reread it with pleasure, A very charming book.

APOLOGY FROM ALYSSE – Somehow the first version of this came out in Plaintext! Sorry.
Film Review: Spellbound
A Viennese psychiatrist in this movie demands a dream “the more cock-eyed, the better” and Hitchcock obliges with this wildly uneven picture offering us Alfred at is best and worst. This film about psychoanalysis is schizy; pretentious, illogical, childish and afraid of its own emotions. Unfortunately it starts with an awkward, talky beginning in which misogynist doctors accuse Ingrid Bergman (for the first time in her life, I’m sure) of being a “glacier” who’s uninterested in men.
No one heats up a screen like Ingrid Bergman, shooting smoke and fire in all directions from the get-go and it will surprise nobody to find out she and Gregory Peck conducted a hot affair during filming.
Dr. Constance Petersen is a psychoanalyst at an upscale Vermont looney bin full of nymphos and weirdos, galvanized by the arrival of Gregory Peck as the new doctor in charge and he’s just as worked up about her. It doesn’t even faze her to discover that he’s an impostor, the real Dr. Edwardes is missing and her swain is accused of his murder.
The film begins to gather speed as the couple goes on the run together with Connie telling everyone they’re on their honeymoon. She takes the amnesiac to her training psychotherapist’s house in Rochester where she promises to “cure” him.
Her teacher tells her that “love smitten analysts playing dream detectives” make “the best patients” but she is making good progress breaking down Peck’s resistance when the police show up and the couple flees to a ski resort called “Gabriel Valley”.
The famous dream sequence designed by Salvador Dali is pretty interesting – gamblers in a club decorated with eyes, a man tumbling down a rooftop and a masked man laughing behind a chimney brandishes a wheel. Constance interprets this as her boss murdering Edwardes on a ski vacation to prevent the younger man from replacing him and framing her lover for the crime.
When she tells this discovery to her boss he threatens her with the very same gun, but she faces him down and he shoots himself instead. Seen from the killer’s perspective the gun fires directly at the screen.
Film ends with Constance Petersen and her Big “100% Cured” male making out at the train station. To get to this point Hitchcock had to battle a sappy film score, (Bernard Hermann wasn’t available), a bossy, clueless, tone deaf producer (David O. Selznick) and a woman-hating screenwriter (Ben Hecht) to ignite a modicum of his signature passion and suspense. At least it was a huge hit and broke all records. What a film this could have been without the frozen art direction, the awkward rear projection and the hysterical film censors. Someone should definitely take another stab at it.

My second book contract was a two-book contract. I had long been working on a novel, Model Prisoner, that was based largely on the true crime story described in Barthel’s Death in California , where a man murdered his best friend and kidnapped the friend’s wife. I was working through the issues created when women are forced to cooperate with dangerous men. As often happens, the characters hijacked the story. The relationship between the two men became more and more important – my poor heroine was just a marker of success or loss. In a lucky flash of intuition, I realized the mythic proportions of what I was dealing with – my protagonist became Persephone, uncomfortably contended over by two Lords of Darkness.
Another character pushed his way onstage – Persey’s dog, Digger. Because Persey loved him, he was an object of jealousy by the Lords of Darkness, who wanted her all to themselves. This evoked the legends around domesticating wild creatures into household pets and the story became Woman Into Wolf.
When I was ready to submit the novel I discovered my publisher Bridgeworks had been bought by another publisher, Rowman & Littlefield, so I sent it to them and prepared myself for the uncomfortable weeks long wait for consideration lowly authors are subjected to. A few weeks later I heard from my old editor (who I’d dedicated my second novel to!) that Rowman & Littlefield in fact had no editorial department, and so my contract was essentially null and void. I submitted Woman Into Wolf to my old editor to see if she had any good ideas about what I should do next. She suggested I de-emphasize one of the characters (the Bird Lady) and play down Persey’s past life – I took all her suggestions. But when I sent her the revised manuscript I discovered she had forgotten all about it and wanted me to tell her how the novel USED to be!
At that point I lost faith in her. My trusty Girl Focus Group (my daughter’s friends) loved the book, and I feared further monkeying around might break something important! It seemed a better idea to jut publish the thing myself. And the reviews bore me out.
…a thrill-ride, unique and highly recommended reading.” –Entrepreneur.com
“deceit, rape, fertility, imprisonment and a mother’s grief…as each piece of the tightly coiled fiction was loosed I waited for the revelation to come…she couldn’t imagine the extent of the deception until it was spelled out. Neither could I.” – MyShelf.com
“one of the most unusual mysteries I have ever read…I loved reading Woman Into Wolf … kept me on the edge of my seat right through the end…I highly recommend this novel to fans of crime mysteries that also
enjoy some extra spice in their stories.” – Readerviews.com
“a very fine psychological thriller…
the characters in this book are as bright
as crystal and as sharp as shattered glass.
Aallyn not only can describe them to a
neo-noun, she can make them speak
true to those characters.
Quite a talent…a novel every bit as worthy as
her first.” –ArmchairInterviews.com
“Satisfying as hell.” – Quoth the Raven

Youth – Resilience –
Right before my husband and I moved East, I applied to the MFA program at Brooklyn College and to my surprise, was accepted and offered a “fellowship”. I was given a stipend and a class to teach. When they asked where I’d graduated college, I left the form blank. In my Warrior Way, such things weren’t important. Apparently , they didn’t notice this until half-way through the semester. When they confronted me on it, I said I’d been to two colleges but hadn’t graduated from anywhere. With the insouciance of youth, I didn’t think it was such a big deal. After all, they were a college! I was there to take whatever classes were required to get their silly degree. If that meant I couldn’t teach classes, that was OK by me. These prep classes – how to write an essay – were Brooklyn’s way of weeding out undergrads who couldn’t hack the demands of college courses. Traumatic for teacher AND student. I wouldn’t miss giving them. I didn’t aspire to be a teacher, I wanted to be a writer. Before my record was discovered, my teaching was given very high marks. Afterwards – not so much.
But the college felt it was a VERY big deal and kicked me out. My writing teacher offered to contest their decision, but I told him not to bother. I was realizing that I probably DID need a degree, that I probably DID need to go to college and that Brooklyn WASN’T the right place for me. (I didn’t like their writing program!)
I was feeling the powerful pull of mysticism. One of the reasons I was so cavalier about universal requirements was that I felt the world they represented was an illusion. I could see the Real World invitingly glittering, unexplored, around me. I applied to undergrad at LaSalle College which also offered me a writing fellowship. Here I worked one on one with students to improve their writing and I wasn’t required to grade or even assess anyone. I took it.
Fellows
Choosing the perfect word
Is about rendering the fatted thought;
Blending ideas –
Maximizing luck &
Happenstance;
Unbulking winged objects
Capable of flight –
Lifting you
And maybe me –
Out of the muck
We all woke up in
Just this morning.

Ambivalence –
I like to work but I definitely understand the procrastination people. Is there anything more painful than our efforts never matching our imagination? YES, the horrible realization that all our ideas are BAD. But there’s something even more painful than that – having NO ideas. With such a fraught future awaiting isn’t it better to just exist – even if interminably – on the precipice of Hope? But that way lies FRUSTRATION and that’s the most horrible emotion of all. You’re all blocked up – can’t express yourself. And you know the person blocking you is YOU so there’s self-hatred and hopelessness, too.
Let me introduce you to the pleasures of being a Warrior. Warriors aren’t looking for perfection – not only is that impossible – it’s a waste of all this excellent musculature we’ve been training forever and ever. Warriors are about Process ie. Battles. It’s one battle after another, guys. Do Warriors yearn to retire? NO. We want to WIN. We’re going to eliminate that Frustration by finding a way around it. We’re going to educate ourselves about our latest bedevilment and we are going to conquer it.
I saw the great mime Marcel Marceau perform his famous piece about escaping a cage. Then he finds a cage outside that and one outside THAT and on and on. That’s life, folks. The way I’ve come to terms with it is by choosing Eternity. If you have Eternity on your side, you can accomplish anything. According to Blaise Pascal (1600’s) all you have to do is compare the benefits of life with Belief (meaning, comfort & hope) to the benefits of life without (you’re not responsible to anyone or for anyone!) Freedom from superstition would be a possible argument if non-believers were actually free from superstition but no one is. Superstition just transmutes itself into a different form, so it probably is endemic to the human brain. Warriors must be free of superstition – we mapmakers glory in Reality.
Terrifying
Ascent
Leads to
Breathtaking view of
Eternity

Dissonance –
Dissonance is created by facts that make each other impossible. They simply can’t both be true.
Most people are made so uncomfortable by dissonance they pretend it doesn’t exist. But dissonance is the line that artists – and warriors – learn to walk.
When I was little my first dissonant discovery was that highly desired things seemed to melt in my arms – I wanted getting them, but I didn’t want having them. The next dissonance was people saying they loved you but fleeing. I decided this dissonance was connected to the first; people like the idea of something much more than they like its reality. This was my first introduction to the importance of ideas.
My warrior self began to emerge when I observed that people made elaborate rationales to retroactively justify their behavior and they wanted me to sign on to these. I thought it was easier to just admit that emotional states are fleeting – the pursuit of knowledge shows us that knowledge itself is amorphous, but discovered that my ideas were unpopular to say the least. In the meantime I wanted to strengthen my shell and explore ecstatic states. Looking at the past and trying to figure out what actually happened – turns out to be the most ecstatic state of all.
Bird of Paradise
I have seen the
Souls caved in-
Flashing hyaline –
Wings upflung
Tesserae shagreen;
A flare-tailed phoenix
Shuddering-
Rip the orchid-breasted
Dream
Blood & lung –
Incinerating
Coils of lies
Where love & truth –
Diamorphate –
Polychromize

Intuition –
Intuition is the Warrior’s most critical tool. It starts in childhood when adults say something that sounds “not quite right” to the child. Something about their facial expression and the way they hold their body suggests they’re hoping you won’t inquire further, meaning they have no evidence or rationality for what they’re proposing. Sounds like they don’t quite believe it themselves and they’re just passing it to you, like an infection. It’s an infection you don’t want to get.
Sometimes you ask further, other times you snoop around for evidence on your own. You can usually catch the Grownups talking earnestly in what they think is privacy about what you will buy and what are the consequences if they fail to persuade you.
Reading is a helpful source of information. You can always find evidence that completely contradicts any BS du Jour.
And right then, you’ve become a Warrior, because you’ve realized you need to rely on yourself. Not them.
Breaking Free
In retrospect we
Forgive ourselves
Imperfect inspirations
Unbecoming intuitions
Seeing how high we flew;
Unaltered
Compared to many others
Scraping by along the
Substrate;
Just a memory of cloud’s
Enough
To settle into sunset
Pillowed into selfhood;
“I heard
I saw
I
Flew”