Stoker’s screenplay started out as fan-fiction to Alfred Hitchcock’s much more enjoyable Shadow of a Doubt, which has a moral center, plus victims we care about and characters we can root for.
Stoker has a good, even beautiful movie buried in it but park Chan-Wook kept messing it up, very deliberately, probably under the pressure (and pleasure) of his personal fetishes. It starts WONDERFULLY – psychologically interesting, visually compelling, achieving an apotheosis of eidetic perfection hen a shot of hair dissolves into quivering grasses but jumps the shark on story sanity. Anyone who want to write about crime (and criminal psychology) need to STUDY it carefully or they risk sounding like nine year old girls guessing about sex – majorly clueless and missing all the real points – ultimately creating an uninteresting world too obviously made up.
Subjects like mental illness, spies, the foreign service, rituals of different countries, etc., can’t be persuasively invented, and threadbare simulacrums relentlessly reveal unpleasant truths about immature people who just don’t want their fantasies interrupted.
I used to write fantasies, too, until I began an in-depth study of crime. It changed what I wrote, how I think about the world, even how I live my life. Devlyn is a fantasy – but Find Courtney can actually happen. (Versions of it already have.) This is the reason I usually don’t like sci fi. It is possible to completely make up a world – for example Alice in Wonderland – but if it doesn’t satirize the rules of the real one it collapses like a bad soufflé. Michelangelo felt he couldn’t create a credible physicality of angels without studying dead bodies in morgues.
I understand that in Stoker our “Oldboy” doesn’t want to be “bothered” by all that stuff – he’s an “artist” who wants to create visual poetry so hypnotic it gets away with breaking the rules and it almost works! But by the end of the film real life insistently intrudes with its message that the “impossible” is ultimately boring.
The acting in Stoker is very good – especially Matthew Goode who seemed creepily young and was almost perfect – he would have BEEN perfect if the director had allowed him to be a little less vampiric and a little less “ka-razy” and a little more human. That would have made him more appealingly believable. But of course everyone has to submit to becoming an “archetype” to satisfy this director. India Stoker’s amoral, murderous sexuality has been a fetish for middle-aged men seeking to relieve their guilt (and excuse their behavior) for literally HUNDREDS of years. “Some girls” don’t have “proper feelings” so can be ruthlessly used and heartlessly exterminated.
Poor Mia Wasikowska! I have admired her ever since In Treatment with Gabriel Byrne – she deserves better. That said, I have to admit a personal failing – Nicole Kidman’s frozen weirdness always gets my back up. I have been rolling my eyes over her rigidity since Cold Mountain.
Mostly I feel sorry for actors who are talked into limiting the range of their gifts by these visual directors who set out to make a cohesive, visually stunning objet d’art, not a complex story about humans. As proud professionals they know how to give the director what he wants, thereby betraying their actual abilities which could create something much more intriguing, provocative and mentally long-lasting.
I watch a fair amount of crime and it’s always entertaining for me to speculate about how people could have gotten away with it. In this case, easily with a modicum of adulthood & sanity which seemingly bores our first-time scriptwriter (Wentworth Miller) who needs to be more “in your face”. Too bad. But I did enjoy seeing it because I relish being given a puzzle mistakenly assembled – in my view. Then I have the mental fun of putting it together more effectively myself – an amusing occupation for a winter afternoon Ah.
God said, “Bring for the creeping things” It is you who are a creeping thing thinks Lord Julian Of his pasty priest, with the Underdone face.
Were he a fish I’d throw him back. Good thing his knees are flexible as his Scripture. The priest speaks Of dominion, something
His lordship understands. It means Possession without surrendering the Self. Power begs abuse. He’s the master, he alone
Understands that here. Necessity’s The chain that stops the dumb animal Straying. Lifting eyes to the Steepled trees he feels the boredom of fall
Fade into the dullness of winter. The animals would be fat Were any left – ripe for scissoring but He ripped too many out.
Life’s start and stop – a blood bath brings Renewal. These men could stand a wallowing. They await his pleasure with Lowered eyes.
His pleasure is not them. He needs Men glamorous as girls, hopes As high as fever but none Are to be found.
Like the animals, they are gone. Julian’s scarred hands twitch the reins – Each scar is named, he counts them proudly: Attempted usurpation
The burning brand, the bear that fought The dog that turned on him The boar defending young. Past pain surmounted
Makes him long for wounds – A cut so deep he looks into The creature’s eyes for Some sweet glimpse of freedom.
Lord Julian, the scorpion-hearted Scents a smell the dogs can’t follow – The jingling behind him should be men The silky shadow should be deer.
His horse afraid – the creature moves Too smooth – when he dismounts Avenger plummets off – now He’s alone in moss and slime.
This thing is stalking him! He sees it through the trees Smells hot stink – a tiger! What ghost is this?
The prickled hairs stood high – he threw His knife – a sailor’s trick but Useless. He saw boars Twelve deep, spirals snorting
Through their tusks. The trees Morphed into deer and every beast He’d ever killed surrounded him. Face forward in the muck
At least the mud was real. Fox feet pattered, the tiger whisked him With its ruff – he dreamed a lifetime Lying there – every friend a slight
And every promise broken. This dark that stops his ears is surely death. But when he stands it’s not hell he sees but Dripping swamp. The mare he kicked and drove
Now leads him home. His blood is dried But he must cleanse the blood of others. To be struck he understands, now he must Know what spared him.
Washerwomen lift their heads At his approach – they don’t recognize this man. Hiding faces not from fear but Some new glory.
(Scene 10 – The Deep Woods. DIGGER dragging, carrying, lifting PERSEY’s unconscious body into the trees. He stands guard, howling dramatically. The WOLF SPIRITS appear, nose her, cherish her, lift her, clean her with leaves. They dress her in a wolf skin, prop her up, and dance with her. She slowly comes to life, dancing like a Maenad with leaves in her hair. The WOLF SPIRITS pull back and PERSEY’s house opens up stage left where BABE stands waiting to greet DIGGER & PERSEY)
BABE Persey! What happened to you? (Looking disapprovingly at the litter of champagne bottles) This place is a mess!
PERSEY Jarod happened to me. I’m changed forever.
(Throws herself into a chair. DIGGER, thorns & thistles in his fur, settles down protectively beside her to clean his fur.)
BABE (Kicking an empty champagne bottle) You’re too old for wild parties. Time to act like the mother Of my future grandkids!
PERSEY I am nobody’s mother and I never will be, Babe. It’s over. Everything’s broken. Broken and lost.
BABE (Shrieking) Here’s the thanks I get for Giving you everything! I’m a sick woman! And you’re the one killing me!
(DIGGER leaps to his feet and bares his teeth. BABE halts her attack before physical violence)
PERSEY Roy murdered Bruce, Babe, He told me himself! Roy loves Jarod more than he’ll ever love me. I think he wishes he WAS Jarod Who’s probably a wife-killer. THAT’S your real family!
BABE (Forcing calm, sits down beside her) Oh, I see what went wrong. Persey, you must understand; Roy talks crazy sometimes But he never means it. It’s fun scaring girls. This is really YOUR fault. Admit, you love provoking him With dubious friendships.
PERSEY Why does the world need a scapegoat? None of this is my friend’s doing!
BABE Persey, set your heart At rest. I’ll prove to you Roy didn’t kill Bruce!
PERSEY How can you POSSIBLY do that?
BABE Because Roy IS Bruce.
(The WOLF SPIRITS howl. Portrait lights up. DIGGER sits up at attention.)
Everyone knows it but you! Don’t tell me YOU never figured it out!
PERSEY Now YOU’RE talking crazy, Babe! Bruce went to jail! A felon and rapist A cowardly bully.
BABE It’s YOUR fault I’m telling you. You chose college over Roy, You broke my poor boy’s heart. He was so angry at women At men who pretend He became dangerous. I lived in fear daily All because of you!
PERSEY I just don’t get it, Babe. What are you telling me? I know Bruce was born. You had twins – did you or didn’t you?
BABE I gave birth to twin boys While a child myself In a foreign country, don’t forget, With a shaky young marriage. I had no help at all. I tried so hard but I had no milk for twins. Roy was the weakest who Needed me most. Bruce seemed strong but died anyway – Roy’s father was furious! Our marriage Dead at that moment. There were two separate trust funds, Persey! The old ones didn’t need it. Wasting money is wrong!
PERSEY Let me get this straight. You PRETENDED Bruce was alive?
BABE It was a game at first, understand; A rainy-day joke! A beleaguered mother’s brave effort To turn frowns upside down. Without Roy’s father we needed the money! When Roy was bad, he was Bruce. When he behaved, he was Roy. But when he grew up he became Bruce all the time – Doing terrible things. It wasn’t my fault! I Couldn’t manage him and his Dad was ghosting us!
(She spits into a lace-trimmed handkerchief.)
Weak men run away! Don’t you see that, poor Persey? At least Roy is still here! We’re Lucky to have him!
(PERSEY covers her face. So BABE argues with the audience.)
BABE After my husband died, I saw so much Possibility. Second chances! We could Get rid of Bruce for once and for all. A beautiful ceremony – burying The things Bruce had broken. The costliest grave site With doves and balloons. Roy swore it was over. He promised GOD. When he forgets We go there to remind him.
PERSEY (Struggling to keep up) You’re saying Roy is the one…
BABE (Ignoring interruptions) I admit I made errors. These were Battlefield choices. When you’re a mother, Persey, You’ll understand. There’s SO MUCH regret. But How is Roy’s acting out my fault? YOU had abandoned him Saying you wanted OTHERS! Take responsibility, Persey! I’ve owned up to my part. Roy gave himself to you. He’s a one-woman man. You toyed with his heart, Chose COLLEGE over love! Of course he was angry. Of course he went crazy Bruce came back with a vengeance! You didn’t help MY life, I’ll tell you that. He offered you everything!
PERSEY Roy attacked and raped people? It was Roy who went to jail?
BABE When Roy went to prison it was a miracle I was so grateful we had A spare name to give him! Clever planning and foresight is what Breeds second chances. Young men founder with blotted Escutcheons! Jarod was SUCH A good friend; claiming Roy had been In his unit. When Roy was released Bruce could just vanish. But when Roy’s Unpredictable I MUST be Trustee. Increasing our holdings Made my son hate me more! We need to start over, Persey! This time you must help.
PERSEY (Slow, incredulous) Your son is a killer! I’ll have nothing to do with it!
BABE He only kills teases! Vermin and tramps! I thought I’d explained. You weren’t getting pregnant! You Forced Roy into testing, Questioned his virility! What man Accepts THAT? Now, this misery’s Behind us, if Brucie stays DEAD. Don’t rile Roy up! There’s the future to think about.
PERSEY (Launching to her feet) Why can’t you face truth? Your son is a murderer And Jarod is helping him! Roy murdered Jarod’s wife In some sort of pay off!’
BABE (Slaps PERSEY’s face hard.) Keep your voice down in my house! Don’t say this around Roy! Jarod’s keeping him safe! He’s the only man Roy can Look up to, or even respect. Boys need role models, don’t you see? To learn how to play! Jarod’s my hero.
PERSEY Your family is poisoned, Babe. Your “truth” is a lie.
(ROY’s voice offstage)
ROY We got him, Darlin’! We captured the guy!
BABE (Grabbing PERSEY’s arm) Don’t tell him you know! Roy will kill me, Persey I’m a sick woman!
PERSEY Babe, please understand. Only truth lets us breathe.
BABE (Pointing to the door) Get out! Get out of my house!
(Scene 9. Lights up on PERSEY House set where ROY & JAROD wrestle by firelight while the hot tub smokes suggestively and the eyes in the portrait track their movements. NED & PERSEY at the door. WOLF SPIRITS gather around and on top of the house, eyes blinking on & off. NED beckons JAROD aside, puts an arm around him – they exit together)
(PERSEY throws herself into ROY’s arms – he seems unresponsive)
ROY (Holding PERSEY at arm’s length) What did you do?
PERSEY (Still trying to connect with him) Oh, Roy, it was awful! Poor Stormee is dead!
ROY She was disloyal. Didn’t she deserve it?
PERSEY What do you mean? Jarod controlled her every move.
ROY Naw. I’m hearing she strayed. Seems there’s lots of that Going around.
(ROY pushes her away – DIGGER growls and poises for attack. ROY kicks at him. PERSEY orders him out of the house – DIGGER slinks away – to gather with the WOLF SPIRITS protecting the house. PERSEY thinks ROY just doesn’t understand.)
PERSEY I found her dead, Roy. Stormee’s been murdered.
ROY That’s not all you found, is it? Better stop lying!
PERSEY (Very offended) I’m not lying!
ROY Oh yeah? Weren’t you making kissy face With that snooping cop who’s harassing my mother?
PERSEY What are you talking about? I’m making “kissy face” With nobody but you!
ROY And then there’s that she-male You pal around with! What’s that about? Don’t my wishes mean anything? Those creatures spread sickness.
PERSEY Bish is my friend! YOU’RE covered with “Wrestling burns”, thanks to Jarod! What’s THAT about? I found Stormee the way you two wanted – And now I’ll have nightmares Forever and ever.
(Dispiritedly she undresses and climbs into hot tub)
ROY Welcome to reality, princess. I know you’re still hiding something! That cop’s got your number!
(WOLF SPIRITS & DIGGER howl without restraint – ROY snatches a shotgun out of the umbrella stand)
PERSEY Roy, for God’s sake! Who’s hiding from whom? That cop asked ME to find out If Bruce is really dead!
(Eyes move as portrait lights dramatically)
ROY Bruce? Of course Bruce is dead! I killed him myself! In a battle to the death There’s only one winner.
PERSEY You did not! You couldn’t have!
ROY That’s all the credit you give me! No wonder my buddies are thinking I’m de-balled, like your mutt! Nobody tames ME, Sweetmeat. And you know what else I’m gonna do? I’m going to shoot me a canine!
PERSEY DON’T YOU DARE!
(Marches to the door where he almost runs into JAROD who is wheeling a case of champagne on a dolly)
JAROD Whoa, buddy! Where are you headed?
(Wrestles shotgun away, dumps it) This party just started!
ROY Aren’t I your alibi?
JAROD Hell no! DNA! They got a condom Overflowing with man juice!
ROY Where’d they get that, I wonder?
JAROD You ought to know! Don’t you trust me, ol’ buddy? Everything’s Fixed. They got a culprit! We’re partyin’ here.
ROY Hear that, Persey? They caught the guy that did Stormee!
JAROD First, capture the love juice, then String the guy up.
(WOLF SPIRITS & DIGGER howl)
Man, you’ve got a wolf problem.
ROY I know! Let’s go hunting!
JAROD You kidding me?
ROY Party first, fireworks after!
(He shakes up a bottle of champagne and shoots it at ROY. ROY, dripping, grabs a bottle to shoot at JAROD. Merriment – not shared by PERSEY)
PERSEY I take it we’re celebrating Your instant divorce?
JAROD (Kneeling by the hot tub) Birthday champagne for you, Persey. Primo stuff. Some people die Some people get born. The party goes on. Word on the street is You like champagne.
PERSEY You know nothing about What I love and hate.
ROY This Champagne’s Persey’s favorite. She uses a glass, though.
(He exits. JAROD leans over, looking suggestively into the water)
JAROD Looking for company?
PERSEY (Flicking water on him) No. Go away.
(JAROD strips down, slides in, clutching his champagne bottle.)
JAROD Can’t dampen the drowned, darlin’. I’m ALWAYS all in.
(He starts climbing in – PERSEY turns her back on him, tries to climb out – he stops her)
Have a heart, Persey. You’re being mean To a heartbroken widower.
PERSEY You better get your hands off me Before Roy sees you.
JAROD Sweet cheeks This was ALL his idea.
(ROY appears with champagne glass and kneels on PERSEY’s other side)
ROY Here you go, cupcake’. Fertility meds served up in Baccarat Just how you like ‘em.
(He holds her jaw, pours champagne in her mouth. PERSEY tries to get out, they both hold her down.)
Not so fast, hon. It’s past time to make babies.
(PERSEY begins to thrash wildly)
JAROD Don’t waste energy, Persey. Two against one.