
Chapter 21. Voyeurs
So thatâs where they went. She felt relieved that he didnât suggest that they could have coffee just as well at his place; this was all coming at her too fast as it was. They sat in the window looking out on the darkened street. He chose espresso. For her it would always be âcafĂ© americaine.â
âI liked that manâs helplessness,â she said finally. âItâs the exact opposite of every other movie.â
âWell, he has to trust his girlfriend to do what he canât do.â
âTrust her not to get herself killed, you mean? They share an unbearable curiosity. Audere scire, thatâs my real motto. Dare to know.â
âWhat a perfect phrase! Family?â
âHardly,â said Pom. âI think they chose some scrap of boilerplate that meant âToady like your life depends on it.â Picturing a toad rampant.â
She laughed until his tense face relaxed.
âThe cameraâs like the wheelchair, in a way,â she suggested.
âHow do you mean?â
âWell, heâs at one remove from the action. At a distance, always.â
âA voyeur, you mean,â agreed Pom. âThatâs what they say about Hitchcock, that he turns us all into voyeurs.”
âAnd he wants us to be both intrigued and ashamed.â
âI suppose our hero was so eager to find out if he was right about his neighbor being a killer that he didnât mind putting Grace Kelly in harmâs way,â Pom suggested. âPretty unforgiveable, really. They needed three scriptwriters to figure a way out.â
âShe was brave, I thought. She really went in without his permission.â
âBut knowing she was doing what he wanted.â
âHeâs still helpless at the end,â said Scarlet. âBreaking the other leg.â
âHe needs a special manager,â Pom agreed.
âAnd then Hitchcock makes fun of our happy ending by showing sheâs already bored by his life before theyâre even married.â
âPerhaps heâll realize he must always find â and film – mysteries that keep her interested. Apparently Hitchcockâs real wife always wrote his screen treatments. He thought in pictures, working the film out in storyboards and then sheâd write the first script.â
âWhat a perfect combination of skills,â said Scarlet. Like our movie tonight â heâll be curious about the neighbors and sheâll investigate, and thatâs what happily ever after is.â
âFor their sake I hope so,â said Pom. A little sadly.
Scarlet realized with a start that Pom must always be looking from his lonely life into the brightly lit windows of othersâ married bargains. But she couldnât think of any polite way to broach the subject.
Pom drained his espresso, then effortlessly became very personal indeed. âDo you believe in love at first sight?â
She panicked as she realized two things â both that it was possible to have too good evening and secondly that she needed to put a stop to this very agreeable fantasy right now.
âI want to thank you for such a pleasant evening,â she began formally.
âOh noâŠâ he supplied. âI can feel the disclaimer coming. I brace myself.â
Could she explain, âIâm especially vulnerable right now -â no, that was a mistake. Putting poor Pom in the wrong. Best come clean. âIan and I have been having trouble.â
âI hope itâs not the house. Iâm afraid Iâve sold you a permanently sinking ship.â
âNo. No.â In a way it was, but nothing specific to Pomâs estate. She had assumed the âtriggerâ was her pregnancy but maybe the truth was even worse. Had Ian always been mistress as well as house shopping? âItâs his â attitude. As a country gentleman.â
âI begin to see,â Pom supplied. âThe âgirlfriendâ thing?â
âYes. Heâs separating himself from us, as if heâs fulfilling some kind of ancient pattern that I thought weâd both rejected. It closes him off to me and to the baby.â Really, this conversation was getting too intimate. It proved that she was desperate for a friend. But could Pom â could any man, much less an Englishman – ever be that?
âTell me,â she hazarded, âWhen English men go shopping for a country house are they really looking for an excuse to be unfaithful?â
She was trying to lighten the desperate moment but Pom gave the comment deep consideration.
âI suppose so,â he said finally. âItâs the nest thing. Youâre asking, does ânestâ mean âharemâ to an Englishman?â
âAm I?â She felt stunned. She gave a gasping, nervous laugh but neither that nor her stricken face intimidated him.
âIâm imagining things I havenât experienced,â he went on. âThatâs my voyeurism for you right there. Itâs been my perpetual difficulty because Iâve always been considered such an odd duck. Ian blocks you off so you open yourself up to me and I donât want that to stop because Iâm feeling something Iâve never felt before, something that Iâd given up expecting to ever feel – something I assumed would always be impossible for me.â
Blood flooded her face; she couldnât speak. She was grateful for his calm. Was this something adults whoâd just met could discuss? He kept his voice level and his eyes serious. âI put a curse on you by selling you that house. Sadly, you canât have the money back.â
She hadnât been able to lighten the moment but he certainly could. She laughed to the point of tears.
âIn America, we call that âno backsiesâ, she said.
âNo backsies,â he agreed. âIâve spent most of it anyway.â
When she raised her eyebrows â he shared, âDebts. I bought an annuity with the rest. Keep a little money coming in.â
So he was careful! A cautious, forward planning man. Ian was the one equating masculinity with carelessness, Ian, who enjoyed recklessness for its own sake. To such a man, thoughtful Pom seemed a âpoofter.â
Pom said, âSo what are your plans, if I may ask?â
âIâm going to confront him with what Iâve found,â she allowed. âWe have to start telling each other the truth. So really itâs about what HE will do.â
âOr?â
She pulled away. He was too persistent.
âThere is no âor.â
âIâve got a lot riding on it,â he admitted.
Once again, she was wrong. Pom was, in his own way, a reckless man.
âI canât go that far. Yet.â
Truthfully, she had imagined so many possible scenarios. She wanted to pray, to hope, even to pretend. Anything rather than dwell upon the ugly possibilities. She knew she couldnât live with a liar and continue to seek the truth in art. One of those devotions must be sacrificed. She had never imagined Pom stepping in to fill her husbandâs place.
He squeezed her hand. âKeep in contact,â he said. He stood up over their empty coffee cups.
Their ride to the hotel was silent. She wondered if his mind was as busy as hers. He seemed to concentrate on the route.
âDonât come up,â she said at the hotel. âI can only repeat what a wonderful time Iâve had.â
âAre you going back tomorrow?â
She nodded. âFirst train.â
âIâm driving down tomorrow night and I can give you a lift if you can wait.â
She couldnât wait. She couldnât bear to be parted from Nick for an extra moment.
âYou wonât cut me off?â he requested anxiously.
She was touched â a little scared â to have so much power over this wonderful man so recently encountered.
âOf course not.â
In the elevator, she reflected on the oddness of their exchange. What kind of man made overtures to a woman who had just borne a baby to another man? It made him sound so awful. She heard herself trying to explain to anybody â India perhaps – that he âwasnât like thatâ. But where honesty and directness stopped and fantasy took over in either of their hearts and minds she really couldnât say. She didnât know him that well, and it was beginning to seem like she didnât know herself either.








