Tag: #Theatre

  • Rough Sleep – a play by Alysse Aallyn

     SCENE XV – STAGE APRON 

    CHASE

    This can’t be real, Jazz. It isn’t real. It’s some planet we’re not on.

    JAZZ

    But it makes perfect sense. It answers all the questions. You know in your heart that was his plan all along.

    CHASE

    It can’t be real because my Mom is dead. Years ago. She killed herself the first Christmas I didn’t come home.

    JAZZ

    (Keeps trying to go back)

    But I saw her. I We were there. How can it not be true?

    (He tries to hug her – she resists)

    Don’t touch me! I don’t feel like touching ever again.

    (CHASE sits on the edge of the stage)

    CHASE

    Corso loves games – he’s always up for the latest thing. He can even claim he told us! We fell for it like puppies jumping for a biscuit.

    JAZZ

    So that part’s real? Our sex archetypes all over the cloud?

    CHASE

    Sexsomnia is real. He was way ahead of me.

    (beat)

    I should have guessed. It’s always the worst thing he can think of. Welcome to my nightmare.  

    JAZZ

    I don’t want details.

    CHASE

    But we need to see – Everyone needs to see – just how the magician operates.

    JAZZ

    You’re right – magic is the important thing. There was magic all along, in spite of Corso.

    CHASE

    All he cares about it is cash and control. He honed the perfect weapon to take life hostage. 

    JAZZ

    How ironic that the moment we stop believing, magic appears! 

    CHASE

    Only toddlers believe. And toddlers are ill-equipped for these frolics. Where’s the magic in that?

    JAZZ

    Seeing your Mom was magic.

    CHASE

    Dark magic, you’ll agree. What were they thinking? Russian-Irish could never work!

    JAZZ

    My combination’s Portuguese-Swedish. Your Mom said she forgave you. 

    CHASE

    She didn’t!

    JAZZ

    She did. I heard her. What was it like to see her again?

    CHASE

    Amazing and frustrating – the way it always was. 

    JAZZ

    Admit we got the most wonderful bath!  For a few minutes we saw how happy we could be.

    CHASE

    A ritual cleanse. Did seem like it was working.

    JAZZ

    I felt such peace, like nothing could hurt us ever. 

    CHASE

    Then my Dad showed up.

    JAZZ

    So now I know him, too. I experienced them through you.

    CHASE

    In the house that never got finished. I pushed my Dad into bankruptcy. I destroyed my family.

    JAZZ

    You did not.

    CHASE

    If you’re going to be my soulmate you’ve seen the house of horrors where you have to live. Nobody could blame you for walking out.

    JAZZ

    Where would I walk to?  Seriously.  I thought the more worlds we saw the more paths – the more choices we would have, but the maze leads only two places – sickness and murder or – each other.

    CHASE

    But what if we resist?

    JAZZ

    Are we back to murder? A life for a life?

    CHASE

    Surely you see the appeal?

    JAZZ

    I think when you want to kill Corso it’s really your dad you want to kill. 

    CHASE

    Wow! Free therapy! Bzzzt! No. My Dad I can get away from.

    JAZZ

    Apparently not.

    CHASE

    Once and done.

    JAZZ

    Finding crime scenes should not be inspiring us to create more of them.

    CHASE

    Why not, if everyone’s doing it?

    JAZZ

     Jails are full of defective reasoners.

    CHASE

    So I’m a defective reasoner, am I?

    (JAZZ sits beside him)

    JAZZ

    Seems like. I’m stuck with you and you’re stuck with me.

    CHASE

    But I don’t get it – if death doesn’t free you, what does?

    JAZZ

    Why couldn’t you tell me about her?

    CHASE

    I can’t even go there.

    (long pause)

    JAZZ

    If you can’t go there I can’t see where there is to get to. 

    CHASE

    Sexsomnia is like sleepwalking.  They –

    JAZZ

    Would you stop it with trying to rationalize the irrational? It makes me feel so alone.

    CHASE

    (Holding her – she lets him)

    We can’t have that.

    (They start to kiss)

    Maybe it hasn’t happened yet.

    JAZZ

    What part?

    CHASE

    The video Corso’s trying to create. If he hasn’t finished it, he hasn’t released it.

    JAZZ

    But what we did. It’s out there, alive, wandering the cloud. 

    CHASE

    Maybe not. 

    JAZZ

    I like this Chase better.  So let’s get rid of it and warn the others.

    CHASE

    Are you sure they’ll care?

    JAZZ

    Someone will.

    CHASE

    They may prefer secrecy, or destruction. But people don’t believe without evidence.

                               JAZZ

    Our suffering is the evidence.

                      (She pushes him away)

    You wanted this to happen.  You twisted my life into evidence for your crime scene. You used the rest of us as bait.

    CHASE

    I swear I had no idea he’d go this far. But if it’s real we’ve got to face up to it. Destroying the evidence doesn’t cancel our suffering.

    JAZZ

    Without the video, we don’t remember. If we pass it along, Corso wins – whoever we pass it to.

    CHASE

    It isn’t “gone” just because we can’t remember. Haven’t what we’ve been through shown us that? It becomes a negative hallucination.

    JAZZ

    I feel sure I don’t want to know what that is.

    CHASE

    It means is not seeing the obvious. 

    JAZZ

    Forgetting is almost as good as innocence.

    CHASE

    That’s what Corso counted on.

    JAZZ

    Help me.

    CHASE

    I’m trying.

    (the distance between them is growing. They reach out their arms to each other but it’s too late. CHASE fades into darkness)

    JAZZ

    I want to forget! Help me forget!

    CORSO’s voice

    I stand at the ready to assist my adorable Jazz.

  • Rough Sleep – a play by Alysse Aallyn

    Back in DREAM LAB – CORSO calling with baton and headphones)

    CORSO

    Children! Come back! Playtime is over! Wake up, children! Don’t get lost in NeverNeverLand!

    (CORSO conducts Flight of the Valkyrie. JAZZ and CHASE are sucked apart to opposite sides of the stage.  Lowlights come up on Dream Lab. CHASE falls back on his recliner. Other students thrashing and moaning. JAZZ falls to floor, CHASE struggles to her side to help her up) 

    JAZZ

    (Retching)

    I think I saw death.

    CHASE

    And I saw the face of evil.

    CORSO

    (Appearing with a roll of paper towels and a bucket of water bottles – lights up all the way, music down)

    Rough sleep?

    CHASE

    Yeah. But was worth it.

    CORSO

    I’m talking to Miss Suzino. Gave yourself a bloody nose there, sport.

    (CORSO hands out bottles of water)

    JAZZ

     (feels her face)

    I did? Is it my blood?

    KOO

    I’m definitely going to throw up.

    CORSO

    First times are always the worst times. Care for a basin?

    KOO

    No, I want a bathroom.

    (Staggers off futonSOLIZ reaches out to her)

    SOLIZ

    I’ll help her.

    (They lurch off behind Ladies Locker)

    CORSO

    Any more foreheads require mopping? Allow me to audition my Florence Nightingale impersonation. I’ve been universally praised for my bedside manner.

    JAZZ

    (Mopping herself)

    Maybe I’m the one who died.

    CORSO

    Forget the safe word?

    RAD

    There’s a safe word?  Now he tells us.

    CHASE

    How about “Stop”. Or “No”?

    CORSO

    The problem with that is behind the fear lies the wish.

    CHASE

    Behind the wish lies the demon. So there is no safe word.

    CORSO

    How about “I quit”?  Is that what you’re trying to say, Mr. Quinn?

    CHASE

    You first.

    CORSO

    (They glare at each other. Horrible retching noises from locker room)

    Now, now, now. Just when we were getting along so well.

    (ZANE has stood up and is lurching around as if sleepwalking.)

    CORSO

    Mr. Braden, assist your colleague back to his launching pad.

    (RAD stands up, goes to ZANEwakes him, and leads him to his futon to sit.  SOLIZbrings a green-faced KOO out of the Ladies’)

    RAD

    My name is Borden.

    CORSO

    Now wasn’t that fun? Good timesUpchucking can hardly be an unusual experience for you, Miss Loflin. 

    SOLIZ

    Don’t give her so much next time. She’s little. She can’t get the same dose as everyone else.

    CORSO

    I wish the guinea pigs would stop wrestling with me for control of this experiment. I make the decisions around here. The doctor knows what he’s doing.

    SOLIZ

    Sorry.

    CORSO

    Now I posit the ultimate question.  Anybody “fly”?  Did we achieve liftoff?

    SOLIZ

    I think I fell. It seemed so real. Maybe it was only a dream.

    CORSO

    Only a tear in the fabric the universe, a burp from the hippocampus, a haiku from the collective unconscious, an oracle of future empowerment? Speak to us, Miss D’Accosta. Tell us everything.

    SOLIZ

     (Stands up to act out events she describes)

    I was in the elevator at Hadleigh – for some reason I was in a big hurry.  I remember looking at my watch but my watch had stopped.  It was an analog watch without any hands. The elevator opened on the top floor and I rushed out.  All these people were staring at me and they started to laugh. I realized I was naked. I couldn’t get back in the elevator – the doors had melted. The floors were melting and the whole building lurched to one side.  I panicked. I was thrown against people and I hate people touching me but I was helpless. No soulmates, just a gang. I’m scared of gangs. They were herding me. But there was the window so I jumped right through, thinking, maybe I can fly. I felt the glass tearing apart my body. At first I felt this great release.  A sense of excitement. Like I can do anything I want, like I got away with it. I was trying to move my arms and legs – it seemed like slo-mo – so I pumped and pumped – moving more frantically – but I knew all along it wouldn’t work. It doesn’t work with swimming. You’ve got to find the peaceful center but there was no peaceful center.  So I fell – knowing you’d be disappointed and maybe flunk me but hoping my crushed body could tell the scientists something.  That second before I hit I was – it was the most disgusting feeling – suspended, staring at the chalk outline where I my corpse would be.  I remember thinking, “I hope we get a second chance” but all I heard was laughter. Others were getting it. Others were doing it. Splat! Face-first into the pavement. I felt my face pushed into my brain, my spine crumbling – body turning inside out, I became “the visible woman” with her organs on the outside. That was right before my organs exploded like water balloons and there was nothing left.   I was completely gone and so there was nothing left to go to heaven, no welcoming light, no happy faces. Just sadness and loss; a night of blackout drinking.  That couldn’t have been an out of body experience. It was more like a nightmare. Right? 

    (SOLIZ’s face is sweaty, anxious. CORSOhand to chin, considering)

    CORSO

    A classic shame dream. You felt humiliated by your naked body – a very nice body I might add – as if by some unwilling revelation of your essential self. A common anxiety dream, I assure you.  Hampered by cultural imperatives your attempted  “escape” was disguised as self-punishment; you  “looked down”, ergo tumbled and fell. Almost Greek in its simplicity.  I especially liked the note about the handless watch.  Very Dali-esque.

    RAD

     I’m all for naked dreams.

    JAZZ

    Our naked selves aren’t our essential selves.

    CORSO

    (Looking at her very displeased. Those guinea pigs again)

    How so, Miss Suzino?

    JAZZ

    I mean, everyone’s naked body is alike.  Choices reveal our essential selves.

    CORSO

    Spoken like a fashion major. How jejeune.

    CHASE

    I know what she means. It’s why people get tattoos.

    CORSO

    Says a tattooed denizen of the underclass.

    ZANE

    Everybody’s naked body is not alike! I wish!

    RAD

    (Trying so hard to be ZANE’s buddy)

    Right! I mean, if only!

    JAZZ

    I mean generally.

    CORSO

    We split hairs.  Nevertheless you expose the dangers of word selection, Miss D’Accosta. Forget “flying”. Who went elsewhere? Absolutely elsewhere?  Just tell me that.

    (ZANE reacts visibly.)

    CHASE

    I did!

    (Waving his whole arm like a five year old)

    Me, me, me!

    CORSO

    (Repressively)

    I think Mr. Pettigrew is trying to speak.

  • The Dalingridge Horror – a play by Alysse Aallyn

    (Leonard & Virginia Woolf in the Conservatory at Dalingridge Hall)

    VIRGINIA
    If only I could trust you.

    LEONARD
    You can.

    VIRGINIA
    But these drugs turn my brain to cotton wool. There’s a pattern behind the cotton wool, if only I could find it. Did you know the Duckworths, that incestuous race, were cotton merchants? Coining money from the cotton wool that packs me now. If only I could fight back! But my will is so fragmented. My theory is that we all live so dishonestly, unconsciously, disconnected and detached. You are such a stranger! Everything about you is different. That must be why I married you.

    LEONARD
    Tell me everything, Virginia. Tell me what you fear, so we can kill it.

    VIRGINIA
    Where does one begin? Last night I looked in the mirror beneath a pitiless light and suddenly a dreadful animal face showed itself behind me. He bellowed, he stared, his nostrils flared. The pig’s snout broke the mirror until my thighs ached. How could one forget the thrusting of that ugly snout, the snout that meant starvation, pain and death? The purple foaming stain. Somehow it was all my fault. Roars of laughter at my expense. Dream or was it a memory? All that’s left is hopeless sadness. Being dragged down into a pit of absolute despair. Powerlessness. Paralysis. That’s what I remember.

    LEONARD
    Begin at the beginning.

    VIRGINIA
    The beginning is insomnia. I lie awake at night listening to a senile old man gasping, croaking vile indecencies. I thought it was Father, having a fit of the horrors. But the nurse said it was only a cat. Or perhaps the beginning was the whooping cough. I think I knew happiness before I became so ill. The grownups laughed with me, not at me. Whooping cough steals the breath – none of us could breathe. The atmosphere was tangled, matted with emotion. All the children came down with it, all of us gasping. Mother ran from bed to bed until her skin was paper thin and the bones stood out. I used to wonder if Mother had traded my life for hers, until I remembered she preferred the boys. Women serve, men are served.

    LEONARD
    But all of you recovered.

    VIRGINIA
    They threw me into a tank with Gerald, the alligator. Drowning. I knew I must not sink. Couldn’t get my head above the whirlpool.

    LEONARD
    Go on.

    VIRGINIA
    They covered the mirrors when Mother died. I was thirteen. Vanessa was sixteen, Thoby fifteen. Stella was twenty-five, quite grown up. George was twenty-seven, Gerald twenty-four. Adrian was twelve. No one told me what was happening. I was taken to her bed to say good bye but Mother seemed reproachful, so condemning and stern. She said, “Hold yourself straight, little Goat.”

    LEONARD
    Why were you called Goat?

    VIRGINIA
    I was Goat because I couldn’t control my purple rages. The others hated that he talked to me and gave me books. He didn’t allow Stella to read Cousine Bette but said it couldn’t harm me, because I had read Gibbons on the fall of Rome.

    LEONARD
    Did everyone have nicknames?

    VIRGINIA
    Adrian was Wombat, Nessa was the Saint. Thoby was the Goth because he fought. Mother advised self-control to everyone but Father. My mother had two characters, I think. Her real self, and the Angel in the House. Stifler and the life-giver. And to this day I have the oddest feeling that I’m two people, too.

    LEONARD
    Are you talking about the poet Coventry Patmore’s Angel in the House?

    VIRGINIA
    Yes. Wasn’t she so popular? Singing, “Sacrifice. Sacrifice yourself.” I caught her by the throat and killed her. It was self-defense. I had to kill her or she would have killed me.

    LEONARD
    Your mother died of pneumonia, Virginia. Don’t feel guilty, Children are disgustingly violent, every one of them. It’s a wonder anyone lives to grow up. I’ve decided brute strength is the enemy of thought – that’s why bullies rule and why we must all be pacifists and abjure force, even though it goes against our natures. Tell me, was this “angel” thing why Nessa was called Saint?

    VIRGINIA
    No. That was because she was too proud to tell a lie. We hid from Father in the garden, and when he demanded, Didn’t we hear me calling? We all said No. Only Nessa said Yes. I told her she was an old fraud.

    LEONARD
    Goat is the worst name, I think.

    VIRGINIA
    No, that was Stella! She was the Cow, because she brought the milk.

    LEONARD
    These nicknames are strangely degrading.

    VIRGINIA
    I named myself Miss Jan. I so longed to be someone else. Laura was the worst of us but she was called Her Ladyship of the Lake.

    LEONARD
    How old was Laura and why on earth was she called that?

    VIRGINIA
    Laura was exactly Gerald’s age. But she was gone by the time mother died. Sent away, because she wouldn’t mind. Father said she was the Giver of the Sword because she forced him to punish her. Then she screamed so he had to punish her more. When Maitland was writing Father’s life he said that everything about Laura would have to be suppressed. Everyone hated Laura.

    LEONARD
    Why did you hate her?

    VIRGINIA
    Temper tantrums. We all had temper tantrums, but hers were worse. Father was still having them, but Mother could calm him.

    LEONARD
    So, Laura went to an asylum?

    VIRGINIA
    When I was ten. Until then she lived with a governess at the top of the house. At night, we heard her howling like an animal.

    LEONARD
    Did your parents ever say what exactly was the problem?

    VIRGINIA
    Mother said she was wicked. Father said she was perverse. Thoby thought she wouldn’t stop touching herself. I read all Father’s letters when I helped Maitland with his book. Father begged Mother to marry him to help with Laura.

    LEONARD
    But she couldn’t help, could she?

    VIRGINIA
    Abominable system, family life. It goes from ignorance and indifference to denial and contempt, open attack and ultimate destruction. None of it was Mother’s fault. She was always visiting the poor and making them clothes. I always thought the poor knew how to enjoy themselves better than we do, because we are cooped up, day after day while they walk out freely.

    LEONARD
    Did you ever visit Laura?

    VIRGINIA
    Once I went with Stella. Laura spoke only gibberish. The only comprehensible sentence was, “I told him to go away.” I couldn’t go back because that was where I saw the deformed men.

    LEONARD
    I don’t understand why Stella was The Cow. Wasn’t she a young, beautiful girl?

    VIRGINIA
    I thought her lovelier than Mother. She was so pale, so white, she looked like cow parsley by moonlight. I don’t think Mother loved her, really. She was Mother’s loyal handmaid. Stella taught us our letters. She was supposed to look after Father when Mother was gone, and Mother was absent a lot.

    LEONARD
    Where did your mother go?

    VIRGINIA
    Nursing the sick. Mother loved nursing the sick, she said they were easier than the well. She seemed always so far away, in her mind. When we spoke to her she looked through us as if she didn’t see us. While Mother was gone, Stella stood in for her.

    LEONARD
    Didn’t Stella have a life of her own?

    VIRGINIA
    She turned down proposals, I know that. Mother didn’t want her to marry. Cousin Jem was obsessed with her – we children were frightened of him.

    LEONARD
    Cousin Jem? Wasn’t he the mad cousin?

    VIRGINIA
    Yes, but before he was locked up, he conceived a passion for Stella. He would run into the house, shouting, while Stella fled up the front stairs. He pursued her, bellowing, right to the nursery where he speared our toast on his swordstick. I thought he looked like a tormented bull. Father said to tell him Stella wasn’t home, but Mother said she could never bar her door to Jem. She said she loved him and he needed us because he was banned from all his clubs. Once he abducted me and Mother.

    LEONARD
    He abducted you?

    VIRGINIA
    Yes, funny, I’d forgotten it till just this moment. I suppose that’s how memory works. He took us to his rooms because he wanted me to pose for him. Mother didn’t want to go, but she couldn’t stop him. As he painted, he declaimed his own poetry:

    “if all the harm that were done by men
    were doubled and doubled and doubled again
    squared and raised to the power of ten
    there wouldn’t be nearly enough, not near
    to keep a small girl for a tenth of a year.”

    LEONARD
    And you were a small girl.

    VIRGINIA
    I was. The smallest. I never saw the picture.

    LEONARD
    How did you get away?

    VIRGINIA
    Did I get away? I don’t remember. I always stammered when I told him Stella wasn’t home so he knew I was lying. When he grabbed me by the collar I thought of the Ripper Man who had been in all the papers. This is what they must have felt, those women, when they were grabbed by Ripper Man. I’m afraid I wet myself and Nurse was angry. She punished everything I did, but I never listened to her. Nurse claimed all emotions like fear, dread, disgust – come from desiring the wrong food or not moving one’s bowels. Children must accept whatever’s given. If you show a preference, then that’s the very thing you’re not allowed to have. It’s as bad for a girl to cry for what she wants as for a boy to land a blow. Yet we did both, because Nurse was nobody.

    LEONARD
    Cousin Jem was taken away to the madhouse. That was a good thing, surely.

    VIRGINIA
    Where he starved himself to death, and that’s what I shall do if ever you lock me up in one of those places.

    LEONARD
    Go back to your mother’s death.

    VIRGINIA
    I didn’t know what had happened until I saw the nurses crying. I thought they were pretending and we should laugh at them but everyone pulled a face. I went to kiss Mother but she was cold as iron. I never touch iron without thinking of her. Father caromed off people and walls, seeking anyone to wail against. It was like being shut up in a cage with a wild beast.

    LEONARD
    My family was rigidly quiet when my father died. Stiff upper lip, get on with it, try harder, everyone must buckle down. That sort of thing.

    VIRGINIA
    A family is a conspiracy, driven by uncontrollable lusts. I saw a man sitting with mother’s corpse but the others saw no one there. We became unmoored, entering a time of hopeless suspense, muddle, mismanagement, battling the stupidity of those in power. It was as if a finger had been laid upon our lips, sentencing us to a sultry, opaque miasma that choked us and blinded us. Father shouted at Stella if she didn’t stock his writing paper or ordered too much fish. I knew it really was because she couldn’t tell him he was a first-rate writer, as mother always did. Stella had no mind and nobody respected her. Poor father was haunted by fears that he only had a third-class mind.

    LEONARD
    And did he, do you think?

    VIRGINIA
    His ego crippled him. Self-assertion is so loathsome. Father began writing The Mausoleum Book. About death. He wailed from the top of the stairs, “We perished, each alone.” Nothing is to be dreaded so much as egotism. Stella tried her best to rescue us. I wasn’t kind to her because she dragged me to the dentist and ordered all my clothes. I couldn’t bear standing for inspection while being stuck with pins. She was made me wear stays for the first time. Then Stella fell in love.

    LEONARD
    With Jack Waller Hills. Did you like him?

    VIRGINIA
    I did then, but I realized later he was a terrible old Fascist. He used to say, “the weak are wrongdoers who foul the nets.” I know he meant me, that I was a weak wrongdoer. In the end, he was a typical man who liked to have his way. He always put his great hoof down. But at first, he seemed the only truth-teller we had ever met. I was thirsty for knowledge, and he knew things. He taught me how to sugar trees for moths, how to collect and mount butterflies, how to take pride in killing beautiful things. He told me everything about sex, about “street love”, common love, why it is that women can never walk alone. I was so shocked. I asked, What about honor? He said men never think of honor, that they had women constantly, so all their talk of purity is nonsense. Every man has his whore. Every woman except the cheap ones must be locked up tight. Yet they call women fallen! Men are the whores. It makes no sense to me.

    LEONARD
    It does sound mad.

    VIRGINIA
    The night Jack proposed a tramp broken into the garden. Thoby threatened him, shouting at him to go away. We were always frightened of tramps – it seemed they could get in anywhere. I was afraid one had invaded the house and was lurking and leering, waiting to pounce. But it was only Jack. When Father found out about the engagement he tried to stop the wedding but Stella had her own money so he could do nothing. He postponed the wedding until Stella agreed to buy the house next door so that she could still take care of him. During all this Nessa and I were forced to chaperone. You can’t think how awful it is to sit between a couple whispering and trying to touch. I was so angry at Stella I broke my umbrella in half.

    LEONARD
    Child chaperones? Whatever will they think of next?

    VIRGINIA
    I know! I often think I’m the only one who isn’t crazy! Stella and Jack convinced the aunts that Nessa and I could accompany them properly to Bognor but immediately we got there they sent us two out into the rain so they could be alone. We were soaked to the skin!

    LEONARD
    Was there no one who could speak for you?

    VIRGINIA
    The old aunts were the worst of the lot. They curdled our brains with their falsehoods and their pieties. The wedding was the most horrible ordeal. Nessa and I resolved to be Stoic and show no emotion, as if it were nothing touching us. If ever you show feelings you are treated like a beast at the zoo and will never escape the cage. Thus we were buried beneath obligations, under torrents of uncomfortable clothes, awkward visits and unspeakable rituals. I think we are to be congratulated, you and I, that we sidestepped that whole mess so neatly.

    LEONARD
    Yes, the registry office is so much better. It’s over so fast. But after the wedding?

    VIRGINIA
    The happy couple went to Italy, and we were left alone with Father. He was awful to Nessa, how I hated him! He shouted at her as he’d shouted at Stella. But Nessa stood up to him, she was a rock, she didn’t care. That’s when she summoned up her supreme indifference. It’s the bane of all who love her.

    LEONARD
    But Vanessa had no money of her own.

    VIRGINIA
    No. If Stella hadn’t given us allowances we would have had to beg Father for every penny. And then Stella and Jack came home early because Stella was ill.

    LEONARD
    What was wrong with her?

    VIRGINIA
    Violet Dickinson told me Jack must have hurt her with his violent lovemaking. That he broke her somehow. But Violet was just a spinster, so what could she possibly know? The doctors called it appendicitis but you know what cretins they turned out to be. They couldn’t operate because of the baby – she was pregnant, of course. On the night she died, I was sleeping in her new house – in her dressing room in fact –

    LEONARD
    You were sleeping in Stella’s dressing room?

    VIRGINIA
    Yes, I’d been so ill, you see. I always got ill when people went away. But Stella was dying so they sent George to fetch me. George the over-fed pug dog, fat as a louse, beady-eyed as a rat. He wrapped me in Stella’s fur cape and carried me back to Father’s house.

    LEONARD
    And then?

    VIRGINIA
    Stella died and Jack was left bereaved. Now we had two widowers wailing. The men in our family hardly waited for the bodies to be buried before turning to their next victim. I remember Jack holding my wrist on one side so tightly he left bruises, and George holding me on the other side. I was trapped, you see, I couldn’t get away. George won so Jack settled on Nessa. They actually wanted to marry! I couldn’t believe it. I told Nessa, you can’t be serious! She said, “So you’re against me too,” and gave me a look that broke my heart. But she knew they couldn’t marry because of the Deceased Wife’s Sister’s Act.

    LEONARD
    They could have married in France.

    VIRGINIA
    That’s what they say about everything, that “the French get away with it.” Luckily it all blew over because Nessa was granted a place at the Slade. Then I was quite alone. George pounced immediately and began ordering clothes and jewels to release me into society. I was the sacrificial offering to his violent gusts of passion and his mean little piggy brain.

    LEONARD
    

    And then?

    VIRGINIA
    

    And then Father began to die and I went mad a little. After he died, I went mad a lot.

    LEONARD
    

    Well, it isn’t any wonder, from what I’ve heard. If you are mad then so am I.

    VIRGINIA
    You can’t think how long I’ve waited for those words!

    (she reaches out a hand to him – he clutches it and kisses it)

    LEONARD
    

    Dearest! You will always be my only love!

    (they gaze at each other, both trembling with pent-up emotion)

    VIRGINIA
    But darling, if Dr. Craig consigns me to deepest darkness you will have to marry someone else. You can’t waste your life waiting for me.

    LEONARD
    That won’t happen. Craig says our future’s what we make of it.

    VIRGINIA
    Oh, honey mongoose! Let’s make a pact right now to rise above the nay-sayers. You have given me all the best things I have ever had in life, rescued me from the cliff edge again and again. You have been absolutely perfect to me, and I have been disgraceful to you. You work so hard and I do nothing. It’s all my fault. I was mad and angry before I met you and I am madder and angrier right now. I want you to know that I do want to cuddle you but I don’t know how to show it. In spite of my vilest imaginings I’ve always known that I love you and that you love me.

    (he leans his face towards her, she awkwardly moves closer and they kiss delicately)

    LEONARD
    Virginia, I promise not to ever push you any farther than you want to go.

    VIRGINIA
    Oh honey! And I promise to follow all your rules; early bed, milk for breakfast; just so long as I can always read and write.

    (they embrace)

    LEONARD
    

    If ever you cease writing I shall divorce you immediately.

    VIRGINIA
    

    (laughing awkwardly as if she has forgotten how)

    It’s a bargain. Oh, darling, shall we really have our own press and print all our own work?


    LEONARD
    Yes, and some of your friends if they are good enough. You decide.

    VIRGINIA
    

    And can I have a bulldog, too? I’ve always wanted a bulldog pup.

    LEONARD
    

    Certainly, my pet.

    VIRGINIA
    

    And can we live in London? A new house all our own?

    LEONARD
    

    Not London but perhaps some leafy suburb.

    VIRGINIA
    

    Leonard! Suburbs!

    LEONARD
    

    Think of the bulldog, Virginia. He must have a healthful life.

    VIRGINIA
    

    You’re right of course, Leonard. You are always right.

    LEONARD
    

    Bulldogs need a place to roam.

    VIRGINIA
    

    Fresh air and food. Lots of good red steak.

    LEONARD
    

    May I order dinner now, Virginia? Surely, it’s time.

    VIRGINIA
    Yes, Leonard.

    (She clutches his hand fiercely while with his other he rings the bell) CURTAIN – END

  • The Dalingridge Horror – a play by Alysse Aallyn

    VIRGINIA
    I should never have married you. Women see the worst of men, how cruel they are at home, how they believe in ranks and ceremonies, how they demand praise and management. We bring out what’s bad in each other. We should live separately.

    LEONARD
    Virginia, I admit I have been a brute. I told you that before you married me. I have faults, vices and beastlinesses. I am lustful, a whorer, a gazer after women, a vicious man who has loved the refinements of vice. I have seen the filth of the brothel, know that it is filth and still I’ve lain with the ugliest whore. I have been selfish, jealous, and cruel. You are the most beautiful, most magical among women. Yet I must have you, and not some inferior female who would enrage me with her inferiority and submission. I am terminally and unconditionally in love with you. God, the happiness I’ve had being with you and talking to you – mind to mind and soul to soul. I don’t care so much for the physical part. You are the best thing I have ever had in my life. I will never be content, now, with second best.

    VIRGINIA
    And here am I, a failure, childless, no writer and insane. You confessed your sins before we married, but I knew I was insane with a mad sister and a madder uncle and yet I married you.

    LEONARD
    Tell me the truth. Why did you marry me, the penniless, trembling Jew?

    VIRGINIA
    Perhaps only because you were my beloved brother Thoby’s best friend. He said, I’ve met a man so violent, so savage, he trembles with contempt for the whole human race. And that was you.

    LEONARD
    Thoby was so beautiful it was difficult to speak with him of iniquity or despair.

    VIRGINIA
    Thoby had the kind of beauty that defends itself from caress.

    LEONARD
    And you’re the same. With such gestures one falls in love for a lifetime.

    VIRGINIA
    Thoby and I were so close until he went away to that school, where the boys fought and buggered. When he came back he was so different, harsh and cruel. He beat me. I just stood there and let him pound me with his fists, feeling the most awful sadness; why hurt another person? He showed off by abusing me. I refused to surrender the space we used to have, but he said, Girls must give up. That’s what it means to be a girl. It was essential for the fellowship of men that I be kept out. Because you were his greatest friend I hoped the best of him lived on, in you. But you are nothing like him.

    LEONARD
    The Goth was always a law unto himself. He didn’t acquire friends, he annexed worshippers. You and Vanessa looked so like him our Circle called you “Visigoths.” Misses Virginia and Vanessa Stephens, so beautiful that dogs turned to look at them in the street.

    VIRGINIA
    Trust me, it’s not that pleasant having dogs turn to look at one in the street. So, you married me, thinking I was like Thoby and you were disappointed.

    LEONARD
    Virginia, you must stop thinking everything is your fault. We were primed to fall in love because of our friendships, but we actually fell in love because we saw each other’s true selves.

    VIRGINIA
    I saw how shocked you were when you realized you had married a madwoman.

    LEONARD
    Life may be an obstacle race but that doesn’t mean one would want the obstacles removed.

    VIRGINIA
    I should have told you!

    LEONARD
    Did I tell you my tremor is hereditary? My father had it, too. Should I have confessed that? We didn’t want to talk about our families. We wanted to revel in each other’s hopes and dreams.

    VIRGINIA
    When we talked, I forgot everything except the joy of our conversation. Originality and freedom, purity and restraint, we discussed it all. Here’s someone who cares, I thought, about the hidden pockets of emotion, someone who wants to work like a steam engine at uncovering the truth. I needed to know that when I weep, I am not the only weeper. You almost persuaded me we could change the world with just our two brains.

    LEONARD
    Nothing’s more important than the two of us united.

    VIRGINIA
    Yet somehow here I am, locked up in a madhouse.

    LEONARD
    Virginia, this isn’t a madhouse and you are not insane. But we need the doctor’s permission for you to leave. We must figure out, the pair of us, how you can assume control. I don’t believe in guilt or apologies. I know what it is to be driven beyond endurance but I know I can avoid the whirlpools if you help me, Virginia. Let me help you learn how to assume control.

    VIRGINIA
    What’s the use of men talking to women, we’re too different. We must hate and fear each other. Women can’t even step outside their doors with any safety. If you could strip off my skin you would see my nerves gone white with fear of you.

    LEONARD
    You’re talking to the member of a despised race rooted out as pests wherever we settle. My nerves should be white with fear of your kind. It’s a fetid, sordid world. Yet we two are somehow different. In Ceylon, I took out my gun to put an end to the utter foulness, the stupid blind vindictive foulness of everything. You see, we have that in common.

    VIRGINIA
    You did? You really tried to shoot yourself?

    LEONARD
    I thought that the only reason one doesn’t commit suicide is that one is either a selfish coward or already dead and rotten. The one thing that saved me was a vision of you, the beautiful Miss Stephen who wrote like an angel and quoted Plato. I longed to meet you. But I was so afraid of making a fool of myself my very soul and stomach trembled.

    VIRGINIA
    You stayed alive because of me?

    LEONARD
    I did. So you must return the favor. Lytton Strachey and I wrote long letters back and forth. He argued against suicide and insisted that I propose.

    VIRGINIA
    Lytton asked me to marry him once. Thank God, I didn’t. The very idea of his criticisms would have kept me from writing anything.

    LEONARD
    He understood all that. He said the only person who was right for you was me.

    VIRGINIA
    But he didn’t know about my spoiled, ruined body.

    LEONARD
    You have a perfect body!

    VIRGINIA
    Currently being stuffed like a Strasbourg goose, thanks to you. Strapped down, force fed, shot with drugs.

    LEONARD
    All because you refuse to eat. Let me order dinner right now and feed it to you. How about that?

    VIRGINIA
    I’m not hungry. Oh, let me die, Leonard! Let me go! Find a girl who can love you properly! I failed in the bedroom – you made that perfectly clear.

    LEONARD
    Perhaps copulation is inherently degrading. Really, horseback riding is more pleasurable.

    VIRGINIA
    But there’s children to look forward to, surely.

    LEONARD
    I don’t want children and if you really read The Wise Virgins, you’ll know why.

    VIRGINIA
    But we won’t raise them in a strict Jewish home!

    LEONARD
    There’s your prejudice again! It wasn’t the Judaism, it was the endless striving for dominance of tiny minds. How I hated it!

    VIRGINIA
    Father shrieked and screamed that we were sending him to the poorhouse with our expensive household bills. I brought him a catalog of King’s College classes for Ladies but he said he couldn’t spare me because it was my turn to pet him, soothe him, cut his meat! I wanted to write, but I couldn’t keep it private. Once I had a diary with a lock but Thoby stole it, so I pasted my secret pages into a book.

    LEONARD
    After my father died we really were headed for the poorhouse. My brother had to work to support the family.

    VIRGINIA
    Don’t you think every family is a lonely caravan, absolutely private, silent and unknown? I see us wedged in together, surrounded by vast space we couldn’t cross. It seemed impossible to break through the dark cloud and shed light on those shrouded, curtained rooms. Censors, visionary figures everywhere admonished us. Father told me no intelligent being had any right to believe in God, but when I was six years old, I dreamed that I was God.

    LEONARD
    And your mother?

    VIRGINIA
    Mother said there couldn’t be a God because no just God would have killed the splendid Herbert Duckworth, her first husband. She loved him so. She never told my father she loved him.

    LEONARD
    

    Never?

    VIRGINIA
    

    Never. I wrote stories in which clever, courageous children rescue their families and bring hope to the sick. Do you believe in God, Leonard?

    LEONARD
    No one believes in God. Virginia, we must refuse to be determined by our pasts. Our parents had too many children to cope but we won’t make the same mistake. Don’t you want to be free, Virginia? With so many mouths to feed, freedom’s never possible.

    VIRGINIA
    I know you’re only saying that because Dr. Hyslop insists the mad should never propagate.

    LEONARD
    I swear I’m not. Nessa has children – and with all her lovers looks to spew many more – wouldn’t that be enough for you?

    VIRGINIA
    (turning away)

    Surely loneliness destroys us. Futile and infertile – aren’t those more than adequate reasons for self-murder?

    LEONARD
    We’ll never be futile, not us. You’ve written a wonderful novel, Virginia. I know you’ll write many more.

    VIRGINIA
    Received by my family in complete silence.

    LEONARD
    They’re barely literate. My whole point is that family shouldn’t matter. I’ve freed myself – I never see my mother if I can help it. Remember how upset she was to be excluded from our wedding? Surely an ambitious person’s gaze should widen, take in more?

    VIRGINIA
    Take in who? Society, like the Countess of Carnarvon? Publishers like Gerald?

    LEONARD
    How about other modern thinkers, trying to do what we are doing? Finding new ways to be, see, think, do, connect. Roger Fry with his “significant form”. Maynard Keynes with aggregate demand, E. M. Forster’s clever novels. The literary impressionism you attempted in Voyage Out.

    VIRGINIA
    Forster isn’t clever. He thinks women should be banned from the London Library Board and never allowed on the grass at Cambridge. How on earth can dry, dusty books ever make up for real, live children?

    LEONARD
    Was your childhood really anything you’d care to revisit, Virginia?

    VIRGINIA
    Yes, yes, yes. If I could only tell you, or anybody. Oh, the magic summers at St. Ives! Lost, gone forever. Paradise before, catastrophe after. Now whatever it is I want I cannot tell. I was born with extraordinary capacities for feeling, but you say bury my emotions or they will never let me out.

    LEONARD
    Not bury them, Virginia. Manage them. We need to convince the world that you are fine and well. Let’s get to the bottom of the ideas that torment you. How many years was that paradise of childhood, really? Two or three? We have our whole, long, fruitful lives ahead of us.

    VIRGINIA
    It was paradise before the deaths began.

    LEONARD
    There’s no escaping death, Virginia.

    VIRGINIA
    You intimate that children would drive me mad?

    LEONARD
    They would certainly stop you working. Can you see a house filled with nannies, nurses, servants, their followers and lovers? Cockney quarrels and endless Bedlam difficulties? You once described your nursery as a cage where you were forced to perform compulsory tricks.

    VIRGINIA
    And what do you call this damnable house? Cousin Madge says you’re mean and think of nothing but money.

    LEONARD
    Madge is an idiot. Let’s resolve to cut all idiots on principles of health.

    VIRGINIA
    If that were only possible! Here I am in George’s house, sentenced to eternally hawking Gerald’s books!

    LEONARD
    But George isn’t here. And there are other publishers in the world besides Gerald.

    VIRGINIA
    Worse ones, doubtless. Did you read Gissing, or even Meredith?

    LEONARD
    Then we’ll publish our books ourselves.

    VIRGINIA
    (turning to face him)

    Could such a thing be possible?

    LEONARD
    Of course, it is. You know your Women’s Cooperative promotes apprenticeships. I think the Working Man’s College teaches printing.

    VIRGINIA
    Oh, imagine if that were so! How I’d love to print! I used to bind books, I liked that. The tools were so beautiful. Papers from Italy, leathers from Africa. The smell alone was heavenly.

    LEONARD
    Don’t these doctors recommend handiwork?

    VIRGINIA
    Tat-work! Or crochet!

    LEONARD
    Let’s defeat them, then. Can’t we, together, push the world our way? Or at the very least carve out a tiny corner where we can live and thrive?

    VIRGINIA
    If only I could trust you.

  • The Wedding Dress

    a Ballet


    Characters:
    CHORUS (white-clothed & black-clothed.)
    WHITE-HAIRED MAN (husband), WHITE-HAIRED WOMAN (wife)


    SET: A low bed with scrim behind it, a table, a sewing machine, surrounded by a garden. Old couple in the bed. CHORUS member (white-clothed) brings out SUN.

    Couple yawn, stretch, wake up, perform yoga sun salutations in perfect harmony together, smiling frequently at each other.


    They dance a warm, familiar dance – then he goes to the garden, she goes to the sewing machine. She is making a quilt, holding up different-colored patches, trying different arrangements. In the background we see him gathering flowers, trying different arrangements.
    White-clothed Chorus removes sun. Black-clothed chorus brings out MOON.


    Husband puts flowers and vegetables in wheelbarrow and brings them to wife – she displays her quilt, he shows off his produce, they dance joyously, make flower crowns for each other, sit down to eat. They then perform yoga moon salutations in perfect harmony, then get in bed under the new quilt. We see something that might be sex, might only be hugging and stroking. Sleep.

    Chorus removed MOON brings in SUN. WOMAN rises, pushes man. Nothing. She gets out of bed, begins disturbed sun salutations, but interrupting constantly to touch him, push him. Finally realizes he is dead; his arm & head fall out of the bed in a too-obviously dead way. Distress. She seeks in the garden for others – calling. The white-clothed CHORUS appears, comforting her, checking the body, dancing sorrowfully with her, trying to keep her from the body, trying to get her to eat, to dance. She resists; angry; sad. SUN trades with MOON.

    CHORUS lifts the body to take away, she insists on covering it with quilt. Chorus helps her into bed, she kicks off her covers; lies like stone. Finally closes her eyes. Might be asleep. HUSBAND appears behind scrim, trying to reach through scrim to her. Finally she wakes up, touches him through scrim, without seeming to be able not to see, only feel, him. She rises up, presses her body against his through the scrim. They dance around the stage, always with the scrim between them but their bodies locked close. Still, they are not able to get through the all-encompassing scrim.

    Finally the black clothed CHORUS appears, pulls him away from her through the audience – he is reaching toward her, unwilling to go. She reaches toward him, but he is gone. Wife sits dejected. Finally she takes down the scrim, sniffing it like an animal, dances reminiscently with it, shakes it out. Of course it’s not alive. She folds it up, regards it thoughtfully. Takes it to her sewing machine where she turns it into a fantastic see-through dress, like a wedding dress with a deep skirt, flounces, full sleeves. Puts it on, dances joyously for the first time since the death. Pulls the MOON into her dance. SUN appears, she pulls him too, the three dance wildly together. At the back of the stage another scrim, previously invisible, is lit. Behind it we see the HUSBAND yearning to join their dance. Then he, too begins to dance, with increasing joy until they all are dancing. Dancing.

    DARKNESS