(CORSO doesn’t like CHASE and JAZZ’s new alliance. They walk toward steps while lights go down on DREAM LAB. CORSO exits huffily)
Scene V – Cafe
JAZZ
You owe me a sandwich for backing up your lie, you lying liar.
CHASE
Liar? I was just being a gentleman. Don’t kiss and tell.
JAZZ
Somehow I doubt your motives.
CHASE
Never give monsters bones to make their soup.
(He shepherds JAZZ up the steps to SCENEV – CAFÉ set: table and chairs are set up beneath Tiffany lamp upstage another table with two hunched unidentifiable figures in close conversation at distant table)
Any truth you give Corso, he’ll use it against you.
(Calls offstage)
Two specials! Meat on the side! And plenty of Joe.
JAZZ
What’s the special?
CHASE
Whatever it is, it’s the only thing they didn’t make yesterday. That’s why we call it “Chem Lab”. I take it you’ve never been here before? Vegan? Gluten-intolerant? I’ll eat anything you don’t.
JAZZ
I’m on meal plan. I’m currently omnivorous but I aspire to someday be selective. How about your aspirations?
CHASE
Aspirations are good. I’m pro-aspiration. At the moment, Iaspire to anonymity.
JAZZ
You failed anonymity in dream lab.
CHASE
I had a job to do. I did it.
JAZZ
Getting yourself kicked out?
CHASE
That was inevitable. I made it through one round, and I found out what kinds of dreams everybody’s having. Now we put it together, like a psychotic jigsaw puzzle.
JAZZ
Are you ever going to tell me why are you so pissed at Corso?
CHASE
Because he took something from me and he won’t give it back.
JAZZ
Maybe. What’d he take?
CHASE
My future.
JAZZ
Can he prevent you from graduating?
CHASE
If he makes me a killer. Corso needs to be putdown like a rabid dog. It’s a dirty job but someone’s got to do it.
JAZZ
Please don’t even joke like that. Nobody can take away your future without your cooperation. Go be a lawyer. You’d make such a great lawyer. You argue with everybody.
CHASE
So help me get evidence against him and I’ll let the cops take him off my hands.
JAZZ
You’re obsessed.
CHASE
I call it goal-oriented. Russian-Irish is a volatile mixture.
JAZZ
It’s tunnel vision. There we were, standing right at the edge of the soulmate multiverse and where do you want to go? Corso’s apartment! What is it with men and threesomes?
CHASE
You went to a morgue. So what do you know about the multiverse?
JAZZ
You should have done the reading! Retrocausation. Many Worlds theory. If the universe is infinite then every possible outcome must happen somewhere.
CHASE
So I kill Corso in some other world?
JAZZ
Haven’t you heard that if you look too long at a monster you become the monster?
CHASE
Too late.
JAZZ
Are you telling me that my soulmate is a monster?
CHASE
I’m starting to see why we belong together. You should segue out of pre-fashion into pre-law.
JAZZ
I’m allergic to violence. Violence is flirtation with losing control. It gives you nowhere to go.
CHASE
You referring to that big bruiser who’s stalking you?
JAZZ
Maybe. He represents my official knowledge of crazy. But now it’s over and I don’t have to talk about it.
CHASE
“Those who make a peaceful revolution impossible make violence inevitable.”
JAZZ
Oh, please. Your evidence hunt makes sense at least. Let’s do that instead. You get to find out about Corso and I get to find out about you. Where would you go first?
CHASE
Well, I want to go to his office but I’m afraid he’s in there. That nympho-slut Nurse Howk is probably his weak link.
JAZZ
Don’t slut-shame. She’s probably one of his victims.
CHASE
Naah. She’s a fully consenting sub-monster. Didn’t she try to ooze all over you?
JAZZ
She’s just living up to the archetype. It’s one of the signs of a victim.
CHASE
Meaning what?
JAZZ
Don’t you know what an archetype is?
CHASE
I’m a psychology major, I hope I know what an archetype is. I’m asking if you know what it is, and since I’m not getting any answers, I’m going to go see what’s keeping our food.
(Stands up, exits. Big, ugly, longhaired BEX looms up from darkness and pounds his hands on JAZZ’s table)
BEX
Is that the guy? That’s the weasel you’re dumping me for?
JAZZ
Bex! I told you to get gone.
BEX
I’m just trying to talk to you since you won’t talk to me.
JAZZ
(Tries to stand up but he’s pushing the table into her)
Bex it’s over! How many ways can I say it? Don’t you have a job to get back to?
BEX
And that player doesn’t? So now I’m not good enough for you? Is that it?
JAZZ
I don’t get what you’re making a big deal about – you’re the one that said we’d never be exclusive! Go find someone else to torture!
BEX
(Leaning in threateningly)
You’re not the boss of me.
(CHASEreturns with tray)
CHASE
This dude harassing you?
JAZZ
Just go, Bex. Go home.
BEX
Who’s gonna make me?
(Two figures stand up at the distant table and advance – it’sZANE and KOO)
ZANE
Having trouble here?
(BEX knows when he’s outnumbered and retreats)
BEX
(Shouting over his shoulder)
Better get ready! This means war!
(ZANEandCHASEhigh-five,ZANEreturns to his table –KOOputs ahand onJAZZ’s shoulder)
KOO
We’ve all been there.
(ExitKOOandZANE)
CHASE
(Comforting JAZZ whose head is in her hands)
Nice guy. I think I understand what you saw in him.
JAZZ
(Writhing with mortification, sits down, head on table)
I’m so sorry. What can I say? He’s a jerk, but pickings were slim.
CHASE
(Serving sandwiches and coffee)
Hey, everyone’s entitled to at least one monster. The good news is, today’s special is meatloaf.
(JAZZ inspects inside her sandwich)
JAZZ
I think I lost my appetite.
CHASE
More for me.
JAZZ
The coffee’s good. Say, Zane and Koo! Huh?
CHASE
I know, right? Think something’s – going on there? Traumatic bonding?
JAZZ
They didn’t say anything.
CHASE
We didn’t say anything.
JAZZ
It’s hard to say anything when you don’t know what’s going on,
CHASE
More fodder for my theory that reality is totally submerged – it’s never what you think you see.
I was walking down a concrete tunnel with metal ribs. It seemed to be shifting like it was alive. It was hard to keep my feet. I felt like maybe it was on a giant truck where they shift the room around to make you fall – like at Great Adventure. There was water on the floor that looked diseased so I tried to keep out of it but it kept splashing on me. I know I’m going to get sick just like my dad warned me. When I got to the end of the tunnel I was in an abandoned dump at the end of the world – signs everywhere saying things like, TOXIC WASTE and EXTREMELY HAZAROUS. The filled with gushing water and I couldn’t get back.
RAD
Abandon hope those who enter here.
(CORSOgives him a squelching look)
ZANE
Something horrible was stalking the dump. Every now and then it darted past. I think I saw fur? I’m scared of fur. It was BIG. I could hear breathing. Maybe a bear – but when it stepped near the light I saw it had scales that glittered. It was coming right after me, kind of loping, with its back legs higher than its front. In that second I realized I had created it – like it was the most terrible thing I could think of come to life. I just took off running. I knew I couldn’t outrun it – it had too many legs. I saw a chain-link fence, but I couldn’t get over that, so I went inside this shack to hide and maybe make a barricade. Most of all I was scared of anybody seeing what a coward I was – just another big talker who’s unable to cope. It was dark in there – and the floor was all torn up – I wanted to go back but – the thing was forcingme inside. It was peering in the windows so I ducked down, I stepped on a rotten board and pitched into the water. Toxic, disgusting water – smelled like sulfur – I could feel it poisoning me, rotting me, boiling me from the inside out. My skin was falling right off my bones. Then somebody said, “Wake up” and I woke up.
(CORSO looks bored and politely incredulous)
CORSO
Charming. Our research project becomes a video game.
ZANE
(Rubbing the inside of his leg)
I was never so glad to wake up. Man, I was really running. It felt like running in flip-flops. My adductors are killing me and my paraformus feels like a rubber band.
CORSO
(Dismissive)
Anything to be learned from this puerile meandering? Could it be that the concept of “flight” itself createsa concept of falling and the context of humiliation and pursuit? I certainly wish you were all more imaginative. I see I need YEARS of work with you children to exorcise these primitive fears. Nobody has time for that. Oh, well. Too late now. It is only in the course of the research that we discover how it should have been conducted.
CHASE
Flight creates pursuit? That’s a good one!
ZANE
But I had the strangest feeling like…like I was watching myself. Like I was both inside and outside me. Like maybe I was the animal too.
SOLIZ
And I was the crowd. I felt that too.
KOO
Me, too. I definitely did.
CORSO
(Silky-voiced)
Ah, lucid dreaming. At long last, something informative. Do share.
CHASE
You said I could go next.
CORSO
Research makes no promises, Mr. Quinn. Miss Loflin?
KOO
It was…so terrible. I need to get rid of it so I can forget.
` I was working in some kind of, mortuary. These body bags were coming at me down a conveyor belt and I had to unzip them and take out the body pieces. I was unzipping, unbuttoning, zipping and unzipping, but the bodies were so smashed I couldn’t even look at them. So disgusting — you couldn’t tell they ever had been people. I thought there was people and garbage and animal parts all smashed together to trick me. To make fun of me. Someone was laughing at my expense. And some of those bags contained the remains of multiple people – a mess nobody could reassemble – a mass of legs and arms and guts. I thought this was a horrible job and I remember thinking, “Nothing is worth this. I should leave college plead bankruptcy and go work at my dad’s dealership.” I wanted to throw up the whole time.
(Gagging)
But I also felt guilty for not helping them. The heads were alive and they looked at me so pleadingly. Then in one bag I found my boyfriend Bo. He was looked accusing – I couldn’t convince him he was DEAD and I was helpless. and I just KNEW he was going to tell everyone I was responsible. Just it was all my fault! I just zipped him back up. Zipped him right back up.
(Gulping water, half crying)
Then the next one was ME. I unzipped myself. I looking at my own body. I was dead and I was mangled, and I just hadn’t realized it.
(KOO’s gasping and sobbing)
I just – lost it. Take me – take me –
TAKE ME OUT OF HERE.
(SOLIZtries to comfort sobbingKOO.)
SOLIZ
So maybe Bo IS your soulmate and in your next dream you take him out of the bag –
KOO
I’m not going back there! No, no, no, no, no!
CORSO
Please, Miss D’Accosta, no sophomoric interpretations. Good guinea pigs stay out of each other’s heads.
JAZZ
Wouldn’t soulmates be in each other’s heads?
CHASE
Me, me, me! Is it my turn now?
CORSO
By all means, Mr. Quinn, since you’re so eager to share.
CHASE
(Very smug and bad-ass)
I flew all right. Right through the air. No pursuit, no humiliation, no falling – don’t I get an A? It was like being in a wind tunnel. I went to your apartment; Doc. Didn’t bother with the locks – sailed right in through the front door.
CORSO
If this was a true out-of-body or remote viewing experience you’ll have to tell us something you could only have seen today, something that wasn’t there when you helped me move in.
CHASE
(Making a show of deep thought)
Well, there were a lot of papers about a bankruptcy filing and restraining orders. Is that the sort of thing you mean? Shouldn’t we run right over and look? Oh, and there was a sex tape featuring you and Nurse Howk on your bed. Your bed had black sheets. She’s one smoky tomato, that girl. She has a piercing on her hoo-ha. Shouldn’t we call her in and investigate?
CORSO
Mr. Quinn, you are fired again! I knew you were a mistake! Off to the locker rooms with you. This minute. And don’t come back!
CHASE
(rises slowly, protesting)
Awwww... And I thought we were gonna be like so free.
CORSO
Every chance you are given, you destroy. I’m sure one of the alternates will be thrilled to assume your position.
CHASE
(Chucks him under the chin)
You can always find somebody to “assume the position” but you’ll never find anyone like me.
CORSO
(Swats his hand away)
Let’s hope not. Get out, now.
CHASE
Can’t I listen to the others? I swilled your damn koolaid.
CORSO
No. You are incorrigible and disruptive. You are leaving or I call security and this class is OVER.
CHASE
But I want to hear the others!
CORSO
(Upends recliner, dumping CHASE on the floor. Speaks into his earbud)
You should have thought of that sooner. Security!
CHASE
Oh all right. Jazz, I’ll be waiting for you to tell me what I missed.
(He exits slowly, hangs out behind the door.)
CORSO
I do apologize for that. That is one troubled youth. He is a thief, an impostor and a poseur. No good deed goes unpunished there, I assure you. His alternate will be more cooperative. Miss Suzino? Mr. Bliven? Chop-chop! No more stalling.
RAD
(Looking panicked.)
It’s Borden. And – I don’t remember anything.
(CORSOinspects him closely to see if he is lying)
CORSO
Hmmm. Come, come, Mr. whatever. The others have been brave. Your clothing is strangely disarranged.
SOLIZ
Aren’t your pants on backwards?
RAD
(Gulps, blushes painfully)
I know you’ll fire me and I don’t really want to leave but I just don’t remember. It’s just a blank.
CORSO
Fire you for amnesia? Hardly! I am much more likely to administer truth serum or attempt a little private hypnosis. Overcoming resistance is my raison d’être.
(Looks at his watch.)
We just don’t have the time. How about if I give you one more chance, next week?
RAD
Th – thanks.
(Is he relieved? Traumatized? Hard to tell.CORSOstretches out on CHASE’s abandoned futon, very relaxed, crosses his hands behind his head.)
CORSO
You are hardly a “still water”, Mr. Bli – er, Borden. Perhaps that is why I am more relieved than otherwise to find you run so deep. Miss Suzino? We are waiting.
(JAZZ’s face show she is desperately trying to think up a story. Coming up empty)
JAZZ
I was blind. At first I couldn’t see.
CORSO
(Sighs luxuriously)
Oh, Miss Suzino. Blindfold games! Who among us hasn’t played them? You always interest me so extremely! Pay attention, Mr. Bruden! This is how it’s done!
RAD
Borden.
CORSO
Simmer down, class. Let Miss Suzino speak. Poor little Jazz. When she enrolled in this experiment she’s all, “I can’t dream”
(mimics her voice unflatteringly)
Now it’s “I can’t see!” Whatever next? We’ll just have to do what we can to open your eyes.
JAZZ
I felt people rushing past me. I stumbled down steps into a basement. It smelled like dirt and death. Someone kicked me – I fell over a body. A dead body.
CORSO
More falling. This is a tragic class.
ZANE
Anything chasing you?
CORSO
Please, class, I’ll ask the questions.
JAZZ
There was blood.
SOLIZ
But the blood was yours. Sorry. Just saying.
CORSO
(Slams his notebook shut – rises)
Checks in your mailboxes the first of the week! See you all next Saturday! Remember – no talking about what goes on in dream lab!
Back in DREAM LAB – CORSO calling with baton and headphones)
CORSO
Children! Come back! Playtime is over! Wake up, children! Don’t get lost in NeverNeverLand!
(CORSOconductsFlight of the Valkyrie. JAZZandCHASEare sucked apart to opposite sides of the stage. Lowlights come up on Dream Lab. CHASEfalls back on his recliner. Other students thrashing and moaning. JAZZ falls to floor, CHASEstruggles to her side to help her up)
JAZZ
(Retching)
I think I saw death.
CHASE
And I saw the face of evil.
CORSO
(Appearing with a roll of paper towels and a bucket of water bottles – lights up all the way, music down)
Rough sleep?
CHASE
Yeah. But was worth it.
CORSO
I’m talking to Miss Suzino. Gave yourself a bloody nose there, sport.
(CORSOhands out bottles of water)
JAZZ
(feels her face)
I did? Is it my blood?
KOO
I’m definitely going to throw up.
CORSO
First times are always the worst times. Care for a basin?
KOO
No, I want a bathroom.
(Staggers off futon, SOLIZ reaches out to her)
SOLIZ
I’ll help her.
(They lurch off behind Ladies Locker)
CORSO
Any more foreheads require mopping? Allow me to audition my Florence Nightingale impersonation. I’ve been universally praised for my bedside manner.
JAZZ
(Mopping herself)
Maybe I’m the one who died.
CORSO
Forget the safe word?
RAD
There’s a safe word? Now he tells us.
CHASE
How about “Stop”. Or “No”?
CORSO
The problem with that is behind the fear lies the wish.
CHASE
Behind the wish lies the demon. So there is no safe word.
CORSO
How about “I quit”? Is that what you’re trying to say, Mr. Quinn?
CHASE
You first.
CORSO
(They glare at each other. Horrible retching noises from locker room)
Now, now, now. Just when we were getting along so well.
(ZANEhas stood up and is lurching around as if sleepwalking.)
CORSO
Mr. Braden, assist your colleague back to his launching pad.
(RADstands up, goes toZANE, wakes him, and leads him to his futon to sit.SOLIZbrings a green-facedKOO out of the Ladies’)
RAD
My name is Borden.
CORSO
Now wasn’t that fun? Good times. Upchucking can hardly be an unusual experience for you, Miss Loflin.
SOLIZ
Don’t give her so much next time. She’s little. She can’t get the same dose as everyone else.
CORSO
I wish the guinea pigs would stop wrestling with me for control of this experiment. I make the decisions around here. The doctor knows what he’s doing.
SOLIZ
Sorry.
CORSO
Now I posit the ultimate question. Anybody “fly”? Did we achieve liftoff?
SOLIZ
I think I fell. It seemed so real. Maybe it was only a dream.
CORSO
Only a tear in the fabric the universe, a burp from the hippocampus, a haiku from the collective unconscious, an oracle of future empowerment? Speak to us, Miss D’Accosta. Tell us everything.
SOLIZ
(Stands up to act out events she describes)
I was in the elevator at Hadleigh – for some reason I was in a big hurry. I remember looking at my watch but my watch had stopped. It was an analog watch without any hands.The elevator opened on the top floor and I rushed out. All these people were staring at me and they started to laugh. I realized I was naked. I couldn’t get back in the elevator – the doors had melted. The floors were melting and the whole building lurched to one side. I panicked. I was thrown against people and I hate people touching me but I was helpless. No soulmates, just a gang. I’m scared of gangs. They were herding me. But there was the window so I jumped right through, thinking, maybe I can fly. I felt the glass tearing apart my body. At first I felt this great release. A sense of excitement. Like I can do anything I want, like I got away with it. I was trying to move my arms and legs – it seemed like slo-mo – so I pumped and pumped – moving more frantically – but I knew all along it wouldn’t work. It doesn’t work with swimming. You’ve got to find the peaceful center but there was no peaceful center. So I fell – knowing you’d be disappointed and maybe flunk me but hoping my crushed body could tell the scientists something. That second before I hit I was – it was the most disgusting feeling – suspended, staring at the chalk outline where I my corpse would be. I remember thinking, “I hope we get a second chance” but all I heard was laughter. Others were getting it. Others were doing it. Splat! Face-first into the pavement. I felt my face pushed into my brain, my spine crumbling– body turning inside out, I became “the visible woman” with her organs on the outside. That was right before my organs exploded like water balloons and there was nothing left. I was completely gone and so there was nothing left to go to heaven, no welcoming light, no happy faces. Just sadness and loss; a night of blackout drinking. That couldn’thave been an out of body experience. It was more like a nightmare. Right?
(SOLIZ’s face is sweaty, anxious. CORSO, hand to chin, considering)
CORSO
A classic shame dream. You felt humiliated by your naked body – a very nice body I might add – as if by some unwilling revelation of your essential self. A common anxiety dream, I assure you. Hampered by cultural imperatives your attempted “escape” was disguised as self-punishment; you “looked down”, ergo tumbled and fell. Almost Greek in its simplicity. I especially liked the note about the handless watch. Very Dali-esque.
RAD
I’m all for naked dreams.
JAZZ
Our naked selves aren’t our essential selves.
CORSO
(Looking at her very displeased. Those guinea pigs again)
How so, Miss Suzino?
JAZZ
I mean, everyone’s naked body is alike. Choices reveal our essential selves.
CORSO
Spoken like a fashion major. How jejeune.
CHASE
I know what she means. It’s why people get tattoos.
CORSO
Says a tattooed denizen of the underclass.
ZANE
Everybody’s naked body is not alike! I wish!
RAD
(Trying so hard to be ZANE’s buddy)
Right! I mean, if only!
JAZZ
I mean generally.
CORSO
We split hairs. Nevertheless you expose the dangers of word selection, Miss D’Accosta. Forget “flying”. Who went elsewhere? Absolutely elsewhere? Just tell me that.
(JAZZshakes head impatiently and crabwalks out of Dream Lab down the steps toward audience.
JAZZ
Where is this place? It smells like death. The end of everything.
(A dead body falls from rafters ands hangs by its elbows obstructingJAZZ’s path – she struggles with it)
JAZZ
Hey! Watch where you’re going! Get out of my way!
(Feels up the body in a panicked way)
JAZZ
Oh, my God, I’m so sorry! Did I bump into you? Are you all right? Are you OK?. What’s wrong?
(She wrestles & dances with swinging corpse, batters it like a punching bag. EnterCHASE who pulls her away. His eyes are open)
CHASE
What is this – a morgue? Come on, we’ve got to get out of here.
JAZZ
(Can’t leave her partner)
Someone died and I’ve gone blind.
CHASE
You’re notblind. Open your eyes. Just don’t look behind you.
(Turns her, kisses her. She resists at first, then leans into him as the kiss deepens. She opens her eyes, feeling his face)
JAZZ
It’s you.
CHASE
What are you doing in a morgue?
JAZZ
This is the basement.
(Turns, sees corpse)
Aaagh!
CHASE
Leave her. She’s past help.
JAZZ
Did she fall?
CHASE
Not with her head bashed in. Come on. We’re urgently required elsewhere.
(Hustles her past the orchestra pit and back up on stage)
JAZZ
Shouldn’t we call somebody?
CHASE
We’ve got to keep moving. Something’s stalking us.
JAZZ
That’s just my boyfriend. He won’t go home. Keeps threatening me.
(Grabbing CHASE frenziedly)
Maybe the dead body is me!
CHASE
It’s some old lady past her sell-by date.
JAZZ
Where are you taking me? Won’t we get into trouble for leaving? Where are we?
(SCENE III – Lights go up on CORSO’s APARTMENT set. Doorstands between JAZZ, CHASE anda room of bed, bureau, chairs. Ambiance created by candles, tossed books and clothes)
JAZZ
Where did this come from? Did we like – soul travel?
CHASE
(laughs)
Maybe that bastard Corso really hit on something! The irony – you can’t imagine. Flying! Couldn’t you feel it? While we were kissing.
JAZZ
All I know is you dragged me somewhere I don’t want to be. Where is this? YUCK! Smells like old socks in here.
CHASE
Better than your morgue. This is Corso’s place.
JAZZ
How do you know?
CHASE
I helped him move in.
JAZZ
But why are we here? Is lab over? Maybe we won’t get paid.
CHASE
(Opening drawers and tossing clothes and papers)
There are more important things than money.
JAZZ
Said by someone who obviously has some. Are we dreaming?
CHASE
Together? In my dream you would be more cooperative.
JAZZ
And in my dream you wouldn’t waste time dragging me to Professor Corso’s bachelor hideaway.
CHASE
We’re real. It’s Corso’s razzle-dazzle that isn’t real.
JAZZ
Why? How do you know? I need that money and those credits.
CHASE
The closer you get to it the further it will recede.
JAZZ
You don’t talk like a soulmate. I don’t think you care anything about me.
CHASE
I don’t know you. I’ve got obligations, is all.
JAZZ
You’re wasting precious dream time pawing through Dr. Corso’s private stuff when we should be getting to know each other.
CHASE
In my experience opportunities like this are one time only.
JAZZ
It just doesn’t feel the way I expected.
CHASE
Don’t be so self-referential.
JAZZ
You literally CAN’T be my soulmate. I thought Corso lived on a farm in the country.
CHASE
His wife kicked him out.
JAZZ
She did? Aren’t you going to have to put everything back?
CHASE
He’ll never prove it was us – we’ve got the perfect alibi.
JAZZ
Why is my soulmate a criminal? Lucky me. I really can pick ‘em. So what are you searching for?
CHASE
Evidence. What he’s really up to. Don’t ever believe the magician’s misdirection. He’s the king of mind games. Look at this.
(Flourishes paper)
JAZZ
What’s that?
CHASE
Bankruptcy filings! Divorce filings!
JAZZ
What’s THAT have to do with anything?
CHASE
A desperate Corso is a dangerous Corso.
(Throws her a scrapbook)
See if there’s anything in here.
JAZZ
(Studying the pictures)
“First mass, 1978!” He did say he used to be a priest.
CHASE
True. Imagine Corso absolving people!
JAZZ
He told me the church expelled him.
CHASE
True again. The best lies always contain some truth.
JAZZ
For falling in love, he said.
CHASE
Bzzz! Not! Lie!
JAZZ
No pictures of his wife in here. I wonder what she looks like. All these pictures are of him.
CHASE
The prince of fauxmance cares only about himself. He married her for cash. Look, here’s a picture of you. You must be his type.
JAZZ
That’s Bettie Page. People are always saying I look like her. I ‘ve never worn a leopardskin bra. He certainly was a buck-toothed, buzz-cut wunderkind. Must have had work done.
CHASE
Sold his soul to the devil, is what happened.
JAZZ
If this is astral projection – how come I still have a body?
CHASE
(Looks up briefly)
You don’t like your body? I like your body.
JAZZ
That’s not it…I just figured we’d be essences. I was looking forward to floating around like an essential spirit.
CHASE
But how would we recognize each other? Dante recognized the spirits that he saw in hell and heaven. Makes sense to me. All things considered, I’d rather have a body to experience things with.
JAZZ
I get that. But why do some bodies wind up dead? I keep thinking about that poor old lady –
CHASE
(Still looting)
Here’s a restraining order. He’s not allowed to come within a thousand feet of Evangeline Corso.
JAZZ
Wow. Have you ever met Mrs. Corso?
CHASE
Twice. She was very nice the first time. Obviously older than him, but an interesting talker. But the second time she started screaming about eco-terrorism, about how something was poisoning her, how she was suddenly allergic to everything. He had to pull her off me.
JAZZ
Corso, you suspect?
CHASE
Big time. He’s the only terrorist I know.
JAZZ
You can add Bex to that list.
CHASE
I doubt he equals Corso’s sheer lethality.
JAZZ
Give him time. You really have it in for Corso.
CHASE
He had it in for me.
(The TV has its back to us. When CHASE bumps it, blue light flickers on)
JAZZ
Look at this. Seems like Corso and the Howk are having a Thing.
CHASE
Are you surprised? She really throws down, if you know what I’m saying.I was there at the same time as Soliz and she came on to both of us.
JAZZ
Some people are like that. It’s all performance art.
CHASE
This look like performance art to you?
(JAZZjumps)
JAZZ
That’s disgusting! Turn it off.
(TV off)
Nobody really wants to be strangled. That must be a performance, for sure. Because don’t we know she’s still alive?
CHASE
Do we?
JAZZ
(She sits down on bed to watch him loot)
Think we’ll remember this when we get back to normal?
CHASE
I’m pretty sure you and I have different definitions of normal. I can’t tell you what will happen. I’m a first timer, too. We have to play it the best we can.
JAZZ
If this is a dream, maybe we’re making it up as we go along.
CHASE
If you’re not a psychology major, you don’t know about the maze-solving worms.
JAZZ
(JAZZputs chin on hand)
You’re right. Never heard of it. Do tell.
CHASE
They taught these worms to solve complex mazes, you know, by giving them rewards. And then they ground them up and fed them to these otherworms.
JAZZ
What a mean thing to do!
CHASE
Except the new worms knew the maze first time.
JAZZ
So that proves…what?
CHASE
Memory is chemical.
(Taps his head)
JAZZ
So Corso’s going to grind us up and feed us…to the alternates?
CHASE
Trust me. He would if he could.
(Pulling out drawers. JAZZ tosses CORSO’s messy sheets)
JAZZ
I can’t believe we’ll get away with this.
(Jumps to her feet)
Yuck! I’m wet. I sat in their wet spot! It’s blood!
(Looks in a panic at her hands, wipes them on her pants, touches her cheeks, increasingly upset.)
Yuck, yuck, yuck! There’s blood on this sheet and now it’s on me!
CHASE
Sssh. You’re not really here.
JAZZ
You just said we were!
(She throws the papers he’s gathering in the air, he grabs her and starts kissing her)
Now you’re getting it on you.
CHASE
I’m getting you on me. I’m starting to think you really are my soulmate.
JAZZ
(Kissing him back)
So please get me out of this disgusting place.
CHASE
I’m sorry I’m so bad at this. It’s just that I can never forget.
(Perceptual Studies Student Lab at College . Enter CORSO in Burberry, cap and scarf)
CORSO
Sorry I’m late. I’ll make it up. Time’s our bitch, but that’s what we’re here for – get on top of it. I see you’ve met my teaching assistant, Mr. Quinn.
(IndicatesCHASE)
CHASE
I thought you fired me.
CORSO
But you’re so charming as my warm-up act. Who could resist you? Consider yourself re-hired.
ZANE
(Pointing at CHASE)
Ringer! Ringer!
CORSO
(Opens a door)
Welcome to Paradise. After you.
(Lights up on DREAM RESEARCH LAB ; six recliners arranged in a circle – lockers to either side– students study their environment. Glittering disco ball lowers from ceiling shedding fractals. Padded floor; students step gingerly. At center of recliners a black chalice on a tripod emits dry ice smoke)
CORSO
(Slams door aggressively)
Now you’re committed.
RAD
My folks always said I’d end up committed.
ZANE
And in a padded cell.
CORSO
God forbid you should fall down in your dream-throes and sue the institute that birthed your intellect.
CHASE
Where are the sensors?
CORSO
Everything’s wireless these days, poor Mr. Quinn! What are you worried about? Nobody would dare to censor you.
KOO
(Gestures at the disco ball)
Is that a camera?
CORSO
The Eye of History.
(Claps hands)
Chop, chop, little ones – Enough rubbernecking. Time’s a-wasting. Male locker room there, females that-away. Discard outerwear and belongings. Let’s get going.
(As CHASE passes him, CORSO says dryly)
The old razzle dazzle? REALLY?
(Banging of locker doors)
CHASE
We’ll see.
CORSO
We certainly will. Now, if you children would arrange yourselves male, female – thusly.
RAD
Like some antique dinner party?
CORSO
Sacred geometry. We need all the energy we can harness. We are immersing ourselves in the flip side of reality- the Unseen.
(JAZZandCHASEare side by side. CORSO distributes mugs)
CORSO
Tea time!
CHASE
What is this stuff?
CORSO
Sorry, Mr. Quinn, research is not a democracy. All that’s guaranteed is, you sleep on cue without allergic overdrive.
ZANE
I’m not allergic to Nurse Howk, either. Yowza!
RAD
(Shaking his hand as if from a burn)
I know, right?
CORSO
Drink up and settle down. I am collecting mugs so I will know who’s been naughty and who’s been nice.
JAZZ
Yuck! This stuff tastes like bark.
(RADbarks like a dog)
CORSO
Shotgun it, Miss Suzino. Knock it back. Isn’t that the college way?
. (CORSOcollects mugs, turning them upside down to be sure they’re empty)
Musical selection? Classical or non-classical?
ZANE
Anything so long as it’s not classical.
CHASE
Anything – so long as it’s classical.
(They glare at each other. CORSO laughs)
CORSO
The bulls do clash! Ocean sounds it is!
(He conducts the music)
Everyone hold hands and close eyes please. Let the bonding begin!
CHASE
(Muttering)
Bondage, more like.
CORSO
Mr. Quinn! Must I gag you? That can be arranged!
(CHASE finally closes his eyes, rocking back and forth to get comfortable. Lights go down to twilight level on DREAM LAB. CORSO ascends on TOWER LIFT, wearing earphones and holding a conductor’s baton)
CORSO
Welcome to cosmic dreaming. You will dream at such a depth your mind will burst the bonds of selfhood and explode free and untrammeled into the universe. Free from the chains of time, from identity itself, we uncover the truth the quotidian obscures; we are one. Think on it. Think what it would means to be freed from debt, obligation, relationship, guilt, regret or loss. There are no mistakes. Without identity you are released from suffering. Everything you have ever wanted we can achieve together, effortlessly, and in abundance. Desires and longing are the fuel that rocket us to the stratosphere of rarest air. Once we merge in the great Oneness, we will dream uniquely and together.
(CORSOturns a page on his music stand)
Learning to harness our dream, we will control it, uniting our powers generously to become a potent force of reckoning. Prepare yourselves for the ultimate luxury – surrender – lost in the imaginative union that has always been your birthright. Time to claim and master your entitlement. In our relaxation mass consciousness will seize control…But you must be quick!The garden door is closing and you’ll be left behind… See, the stars are out. The world inside and the world without await your signal – longing to merge. Only the clatter in your head prevents the natural fruition of your indissoluble longing.
Doesn’t it feel good leaving the world behind? The universe itself is lost beneath you now. Now flesh itself melts away as invisible imperfections open themselves to perfection. Accept the freedom you are offered. When you open your eyes, you will be gazing down at the husk of your unwelcome, banished self.
(CORSO’Sspot is extinguished, spot rises onJAZZwho stands up eyes closed, feeling out in front of her like sleepwalker. She feels her way to the edge of the stage. No other students stir. CORSO’s voice orates as if from space.)
CORSO
Now the room itself vanishes, your earthly fears becoming someone else’s problem. Release those worries. Look how tiny they seem, as they disappear over the horizon.
(JAZZshakes head impatiently and crabwalks down the steps toward audience.
JAZZ
Where is this place? It smells like death. The end of everything.
Cutter Farrell – older male – Chase’s mean, scary cold-eyed dad
Bex – male youth – Jazz’s scary biker ex
SCENE I –WAITING ROOM (i.e. circle of chairs) outside DREAM RESEARCH LAB. Visible DOOR to one side. Students – edgy, impressionable JAZZ , angry suspicious, punked out wrestler CHASE, King-of-the-World jock business major ZANE, RAD (Black, light-sprung guy with ornate dreads and gay overtones) SOLIZ (pretty, smoky, hot, ethnic, resentful) KOO (tiny blond cheerleader, very anxious alternately sprawl and rock on uncomfortable “waiting room” chairs)
JAZZ
(Fanning)
God, it’s hot in here. I’mmelting.
CHASE
(Offering a hand)
And I’m Chase.
JAZZ
(Blushing – takes his hand)
I mean, I’m Jazz. Hi.
SOLIZ
(A tad hostile)
Who’s named Jazz?
JAZZ
(shrugs)
Short for Jasmyn. Mothers – Disney – what can you do?
RAD
You got that right. My parents call me Grady. Grady Borden! Get a brother killed on the street. I go by Rad. Or G-Rad.
(He and Zane trade complicated fist bumps & bicep grabs)
SOLIZ
Shouldn’t it be“Raid”?
CHASE
Let people have the nickname they want. And you are?
SOLIZ
Soliz. I should be a third year but I transferred so I’m only a sophomore. That’s all the credits they would give me – and I graduated junior college.
RAD
Hey, I’m a transfer too! They turned me down straight outta high school. I mean, is this place a snob factory or what?
CHASE
I just assumed we’d all be psych majors but I don’t recognize anyone.
(Points)
ZANE
Zane. Business major.
(He waves)
KOO
I’m Koo. Like koo–kool. I was a communications major but they gave me such a bad internship I really couldn’t hack it. Now I’m uncommitted. I don’t know what to do. Everything available you hear bad things about.
RAD
(Points toKOO)
I know I’ve seen you. Top of the pyramid, right?
KOO
(Shrugs – happy at the perks of fame)
I’m the flier. My feet never touch ground.
RAD
You’re the one goes with that quarterback? Am I correct?
KOO
Bo Boyd. Yes.
RAD
Woo-hoo! Humptious!
(Fanning)
Hells YES it’s hot in here!
(Takes off his bomber jacket stunned byKOO’s hotness)
CHASE
It would be just like Dr. Corso turning up the heat to make us squirm.
(Waves up at presumably unseen camera)
Hi, doc!
ZANE
That’s a sprinkler, dog.
CHASE
You better believe there’s a camera in here someplace. He needs to collect his little trophies. Bargaining chips. His little icons.
RAD
So he turns up the heat till we boil? Like frogs in the experiment?
KOO
What frogs?
RAD
The frogs that were too stupid to get out of the hot water. ‘Cause it happened so slowly.
SOLIZ
Those frogs were in search of a paycheck.
ZANE
They never boiled any frogs! That’s for sure an urban legend!
CHASE
Listen to the marketing major! Always first with the non-facts.
ZANE
Well at least we know we’re not going to get boiled.
CHASE
Did you read what you signed? He can do any goddam thing he wants to us.
KOO
Well he can boil me if he pays me. You should see my VISA bill.
RAD
(Sycophantically trying – and failing – to be ZANE’s best buddy)
Like there’s a difference between psychology and marketing. Am I right? Everyone’s trying to sell you something.
JAZZ
Am I the only freshman?
CHASE
You’re a freshman?
JAZZ
I’m an old freshman. Took me awhile to get here.
KOO
If you’re a freshman you must live in Hadleigh!
JAZZ
Is that bad?
KOO
It’s pathetic is what it is! Hadleigh has sick building syndrome. And the girls are at the top where the bad air collects and it’s like the worst.
CHASE
All the poor little freshmen jumping out their windows!
JAZZ
Those windows don’t even open!
ZANE
They don’t open now because of all the suicides.
KOO
Because of the sick building syndrome!
(BEX – big, mean, long haired, motorcycle jacket & boots, appears on the opposite side of the door and starts hammering)
BEX
Jazz! Jazz! Jazz!
(Embarrassed JAZZ slides out the door and closes it carefullyafter her. BEX grabs her immediately)
JAZZ
Omigod, Bex, what are you doing here? You have to go!
BEX
Don’t answer my texts, don’t answer my emails – You’re forcing me to stalk you. Your choice, babe. MY LIFE.
(JAZZtries to detach)
JAZZ
You’ve GOT a life. You need to get back to it. We broke up, remember?
BEX
So that’s it? Kicking me to the curb?
JAZZ
You knew I wanted to go to college. I was lucky to get this scholarship.
BEX
So now you’re too good for me, is that it? Now you’re hanging out with that old guy who looks like your granddad!
JAZZ
(Pushing him away)
He’s my advisor. So stop with the paparazzi scheme, Bex, stop spying on me and posting the pictures. Scram. Go home.
(Manages to get behind the door – slams it in his face – barricadesit shut.BEXmarches offstage with a look of determination – like – he’s not quitting)
RAD
(Clueless)
Thought you were making a break for it.
CHASE
Need help with that?
JAZZ
Nah. No.
(She sits down but nervous glance at door)
RAD
It’s crunch time, am I right? Better get out now! More for us!
ZANE
Did you hear we all have alternates?
RAD
No. No way!
ZANE
Way. These are juicy gigs. Paid research jobs – I mean, it neverhappens.
CHASE
Makes you wonder what he’s up to.
ZANE
Just making sure we show, is all.
CHASE
And here we are. Why did you show up?
(points atJAZZ)
JAZZ
I’m sort of hoping it’s true. The soulmate thing.
RAD
The wha-?
JAZZ
Skydancers. Dakinis, they call them. Dreampower.
KOO
Didn’t you read the book? You were supposed to read the book. Soulmates can soultravel. Like, everywhere.
RAD
There’s an urban legend right there for sure.
ZANE
It’s the remote viewing thing that I want. Weapon of the future. Business of a lifetime. Defense contractors throw mad money at that stuff.
RAD
Mad money!
(High fives withZANE.)
SOLIZ
Astral projection? Out of body experiences? Impossible. I hopeit doesn’t work because I need the sleep. I’ve got like, two other jobs.
ZANE
Sleep’s a luxury. Too luxurious for us bottom feeders – this is hustle time.
KOO
Think everyone’s got a soulmate? Each one of us? Out there somewhere?
RAD
What’s Bo Boyd say to THAT?
KOO
Maybe it’s him.
(Not like she believes it)
CHASE
What is the likelihood we’ll find soulmates AMONG EACH OTHER? Six strangers? Seriously!
JAZZ
Maybe soulmates create each other.
CHASE
This here is exactly why Dr. Corso chose non-psych majors! Soulmates! Out-of-body experiences! It’s the old razzle-dazzle! Cover story. Dr. Corso’s the king of bullshit. That’s not what he’s interested in at all! They never tell you what they’re really testing.
RAD
Well, then, what do you think he’s testing?
CHASE
Beats me. But I sure would love to know.
JAZZ
He’s testing our dreams. I never dreamed before I came here. And ever since I moved in I’ve been having these fantastic dreams.
KOO
It’s that sick building. I’m telling you.
ZANE
It’s the drug the nurse gave us. You know, at the Health Center? The tolerance test? Whatever that stuff was. My dreams were crazy, too!
RAD
Who can forget Tolerance Test with Nurse Humptious! God knows what she did to me while I was out of it. Probably me-tooed this poor homeboy.
ZANE
Yeah, she got you in trouble and now she’ll have to marry you.
A trial is a cutaway of its time and place, a look not just into mores and modalities but secrets and sewage. Two of the most interesting trials I have seen – and I watched every day – were Beth Carpenter’s trial in New London, CT and Michael Peterson’s in Raleigh, N.C. (both 2002, both for first degree murder.)
Each trial exposed the inner workings of a family (two families in the Carpenter case) and were so enormously influential for me that I wrote fiction about them.
Both trials revealed levels of shocking hypocrisy so deep we could have been in Victorian London; these accused would do anything to get what they wanted while maintaining social appearances.
At the time of his wife’s death Michael Peterson was gay sexting on hotmilitarystud.com; and although he insisted his wife knew about his affairs her daughter (who lived with them) did not think so. But the real shock in this case was that an identical death was exhumed from his past – another woman who died on bloody staircase. Both skulls revealed seven blows to the top of the head.
The first woman’s daughters – whom Peterson acquired along with her assets – thought she had died of an aneurysm. What would it feel like to see their mother’s real skull revealed in court for all the world to see? That was the genesis of Depraved Heart, though I changed everything else to create my own world.
In the Carpenter case, Beth came from a family of strivers who felt soiled and humiliated by their other daughter’s marriage to a part time stripper tow truck driver. Beth was accustomed to ordering her boyfriends around – two of them testified that she took over their cars and bank accounts as soon as they showed interest. Her boss, Hayman Clein, a successful Connecticut real estate attorney, fell for her attractions and became her virtual slave. When she asked him to find her a hit man, he offered up his coke dealer – and the three of them went down for the crime. That this simple ask keeping her own hands clean made Beth a murderer too is something she should have known – she also was a lawyer.
I used aspects of her overpowering character to create my Queen of Swords.
It’s a truism that real life needs to be toned down for fiction: no one would believe it.
(Leonard & Virginia Woolf in the Conservatory at Dalingridge Hall)
VIRGINIA If only I could trust you.
LEONARD You can.
VIRGINIA But these drugs turn my brain to cotton wool. There’s a pattern behind the cotton wool, if only I could find it. Did you know the Duckworths, that incestuous race, were cotton merchants? Coining money from the cotton wool that packs me now. If only I could fight back! But my will is so fragmented. My theory is that we all live so dishonestly, unconsciously, disconnected and detached. You are such a stranger! Everything about you is different. That must be why I married you.
LEONARD Tell me everything, Virginia. Tell me what you fear, so we can kill it.
VIRGINIA Where does one begin? Last night I looked in the mirror beneath a pitiless light and suddenly a dreadful animal face showed itself behind me. He bellowed, he stared, his nostrils flared. The pig’s snout broke the mirror until my thighs ached. How could one forget the thrusting of that ugly snout, the snout that meant starvation, pain and death? The purple foaming stain. Somehow it was all my fault. Roars of laughter at my expense. Dream or was it a memory? All that’s left is hopeless sadness. Being dragged down into a pit of absolute despair. Powerlessness. Paralysis. That’s what I remember.
LEONARD Begin at the beginning.
VIRGINIA The beginning is insomnia. I lie awake at night listening to a senile old man gasping, croaking vile indecencies. I thought it was Father, having a fit of the horrors. But the nurse said it was only a cat. Or perhaps the beginning was the whooping cough. I think I knew happiness before I became so ill. The grownups laughed with me, not at me. Whooping cough steals the breath – none of us could breathe. The atmosphere was tangled, matted with emotion. All the children came down with it, all of us gasping. Mother ran from bed to bed until her skin was paper thin and the bones stood out. I used to wonder if Mother had traded my life for hers, until I remembered she preferred the boys. Women serve, men are served.
LEONARD But all of you recovered.
VIRGINIA They threw me into a tank with Gerald, the alligator. Drowning. I knew I must not sink. Couldn’t get my head above the whirlpool.
LEONARD Go on.
VIRGINIA They covered the mirrors when Mother died. I was thirteen. Vanessa was sixteen, Thoby fifteen. Stella was twenty-five, quite grown up. George was twenty-seven, Gerald twenty-four. Adrian was twelve. No one told me what was happening. I was taken to her bed to say good bye but Mother seemed reproachful, so condemning and stern. She said, “Hold yourself straight, little Goat.”
LEONARD Why were you called Goat?
VIRGINIA I was Goat because I couldn’t control my purple rages. The others hated that he talked to me and gave me books. He didn’t allow Stella to read Cousine Bette but said it couldn’t harm me, because I had read Gibbons on the fall of Rome.
LEONARD Did everyone have nicknames?
VIRGINIA Adrian was Wombat, Nessa was the Saint. Thoby was the Goth because he fought. Mother advised self-control to everyone but Father. My mother had two characters, I think. Her real self, and the Angel in the House. Stifler and the life-giver. And to this day I have the oddest feeling that I’m two people, too.
LEONARD Are you talking about the poet Coventry Patmore’s Angel in the House?
VIRGINIA Yes. Wasn’t she so popular? Singing, “Sacrifice. Sacrifice yourself.” I caught her by the throat and killed her. It was self-defense. I had to kill her or she would have killed me.
LEONARD Your mother died of pneumonia, Virginia. Don’t feel guilty, Children are disgustingly violent, every one of them. It’s a wonder anyone lives to grow up. I’ve decided brute strength is the enemy of thought – that’s why bullies rule and why we must all be pacifists and abjure force, even though it goes against our natures. Tell me, was this “angel” thing why Nessa was called Saint?
VIRGINIA No. That was because she was too proud to tell a lie. We hid from Father in the garden, and when he demanded, Didn’t we hear me calling? We all said No. Only Nessa said Yes. I told her she was an old fraud.
LEONARD Goat is the worst name, I think.
VIRGINIA No, that was Stella! She was the Cow, because she brought the milk.
LEONARD These nicknames are strangely degrading.
VIRGINIA I named myself Miss Jan. I so longed to be someone else. Laura was the worst of us but she was called Her Ladyship of the Lake.
LEONARD How old was Laura and why on earth was she called that?
VIRGINIA Laura was exactly Gerald’s age. But she was gone by the time mother died. Sent away, because she wouldn’t mind. Father said she was the Giver of the Sword because she forced him to punish her. Then she screamed so he had to punish her more. When Maitland was writing Father’s life he said that everything about Laura would have to be suppressed. Everyone hated Laura.
LEONARD Why did you hate her?
VIRGINIA Temper tantrums. We all had temper tantrums, but hers were worse. Father was still having them, but Mother could calm him.
LEONARD So, Laura went to an asylum?
VIRGINIA When I was ten. Until then she lived with a governess at the top of the house. At night, we heard her howling like an animal.
LEONARD Did your parents ever say what exactly was the problem?
VIRGINIA Mother said she was wicked. Father said she was perverse. Thoby thought she wouldn’t stop touching herself. I read all Father’s letters when I helped Maitland with his book. Father begged Mother to marry him to help with Laura.
LEONARD But she couldn’t help, could she?
VIRGINIA Abominable system, family life. It goes from ignorance and indifference to denial and contempt, open attack and ultimate destruction. None of it was Mother’s fault. She was always visiting the poor and making them clothes. I always thought the poor knew how to enjoy themselves better than we do, because we are cooped up, day after day while they walk out freely.
LEONARD Did you ever visit Laura?
VIRGINIA Once I went with Stella. Laura spoke only gibberish. The only comprehensible sentence was, “I told him to go away.” I couldn’t go back because that was where I saw the deformed men.
LEONARD I don’t understand why Stella was The Cow. Wasn’t she a young, beautiful girl?
VIRGINIA I thought her lovelier than Mother. She was so pale, so white, she looked like cow parsley by moonlight. I don’t think Mother loved her, really. She was Mother’s loyal handmaid. Stella taught us our letters. She was supposed to look after Father when Mother was gone, and Mother was absent a lot.
LEONARD Where did your mother go?
VIRGINIA Nursing the sick. Mother loved nursing the sick, she said they were easier than the well. She seemed always so far away, in her mind. When we spoke to her she looked through us as if she didn’t see us. While Mother was gone, Stella stood in for her.
LEONARD Didn’t Stella have a life of her own?
VIRGINIA She turned down proposals, I know that. Mother didn’t want her to marry. Cousin Jem was obsessed with her – we children were frightened of him.
LEONARD Cousin Jem? Wasn’t he the mad cousin?
VIRGINIA Yes, but before he was locked up, he conceived a passion for Stella. He would run into the house, shouting, while Stella fled up the front stairs. He pursued her, bellowing, right to the nursery where he speared our toast on his swordstick. I thought he looked like a tormented bull. Father said to tell him Stella wasn’t home, but Mother said she could never bar her door to Jem. She said she loved him and he needed us because he was banned from all his clubs. Once he abducted me and Mother.
LEONARD He abducted you?
VIRGINIA Yes, funny, I’d forgotten it till just this moment. I suppose that’s how memory works. He took us to his rooms because he wanted me to pose for him. Mother didn’t want to go, but she couldn’t stop him. As he painted, he declaimed his own poetry:
“if all the harm that were done by men were doubled and doubled and doubled again squared and raised to the power of ten there wouldn’t be nearly enough, not near to keep a small girl for a tenth of a year.”
LEONARD And you were a small girl.
VIRGINIA I was. The smallest. I never saw the picture.
LEONARD How did you get away?
VIRGINIA Did I get away? I don’t remember. I always stammered when I told him Stella wasn’t home so he knew I was lying. When he grabbed me by the collar I thought of the Ripper Man who had been in all the papers. This is what they must have felt, those women, when they were grabbed by Ripper Man. I’m afraid I wet myself and Nurse was angry. She punished everything I did, but I never listened to her. Nurse claimed all emotions like fear, dread, disgust – come from desiring the wrong food or not moving one’s bowels. Children must accept whatever’s given. If you show a preference, then that’s the very thing you’re not allowed to have. It’s as bad for a girl to cry for what she wants as for a boy to land a blow. Yet we did both, because Nurse was nobody.
LEONARD Cousin Jem was taken away to the madhouse. That was a good thing, surely.
VIRGINIA Where he starved himself to death, and that’s what I shall do if ever you lock me up in one of those places.
LEONARD Go back to your mother’s death.
VIRGINIA I didn’t know what had happened until I saw the nurses crying. I thought they were pretending and we should laugh at them but everyone pulled a face. I went to kiss Mother but she was cold as iron. I never touch iron without thinking of her. Father caromed off people and walls, seeking anyone to wail against. It was like being shut up in a cage with a wild beast.
LEONARD My family was rigidly quiet when my father died. Stiff upper lip, get on with it, try harder, everyone must buckle down. That sort of thing.
VIRGINIA A family is a conspiracy, driven by uncontrollable lusts. I saw a man sitting with mother’s corpse but the others saw no one there. We became unmoored, entering a time of hopeless suspense, muddle, mismanagement, battling the stupidity of those in power. It was as if a finger had been laid upon our lips, sentencing us to a sultry, opaque miasma that choked us and blinded us. Father shouted at Stella if she didn’t stock his writing paper or ordered too much fish. I knew it really was because she couldn’t tell him he was a first-rate writer, as mother always did. Stella had no mind and nobody respected her. Poor father was haunted by fears that he only had a third-class mind.
LEONARD And did he, do you think?
VIRGINIA His ego crippled him. Self-assertion is so loathsome. Father began writing The Mausoleum Book. About death. He wailed from the top of the stairs, “We perished, each alone.” Nothing is to be dreaded so much as egotism. Stella tried her best to rescue us. I wasn’t kind to her because she dragged me to the dentist and ordered all my clothes. I couldn’t bear standing for inspection while being stuck with pins. She was made me wear stays for the first time. Then Stella fell in love.
LEONARD With Jack Waller Hills. Did you like him?
VIRGINIA I did then, but I realized later he was a terrible old Fascist. He used to say, “the weak are wrongdoers who foul the nets.” I know he meant me, that I was a weak wrongdoer. In the end, he was a typical man who liked to have his way. He always put his great hoof down. But at first, he seemed the only truth-teller we had ever met. I was thirsty for knowledge, and he knew things. He taught me how to sugar trees for moths, how to collect and mount butterflies, how to take pride in killing beautiful things. He told me everything about sex, about “street love”, common love, why it is that women can never walk alone. I was so shocked. I asked, What about honor? He said men never think of honor, that they had women constantly, so all their talk of purity is nonsense. Every man has his whore. Every woman except the cheap ones must be locked up tight. Yet they call women fallen! Men are the whores. It makes no sense to me.
LEONARD It does sound mad.
VIRGINIA The night Jack proposed a tramp broken into the garden. Thoby threatened him, shouting at him to go away. We were always frightened of tramps – it seemed they could get in anywhere. I was afraid one had invaded the house and was lurking and leering, waiting to pounce. But it was only Jack. When Father found out about the engagement he tried to stop the wedding but Stella had her own money so he could do nothing. He postponed the wedding until Stella agreed to buy the house next door so that she could still take care of him. During all this Nessa and I were forced to chaperone. You can’t think how awful it is to sit between a couple whispering and trying to touch. I was so angry at Stella I broke my umbrella in half.
LEONARD Child chaperones? Whatever will they think of next?
VIRGINIA I know! I often think I’m the only one who isn’t crazy! Stella and Jack convinced the aunts that Nessa and I could accompany them properly to Bognor but immediately we got there they sent us two out into the rain so they could be alone. We were soaked to the skin!
LEONARD Was there no one who could speak for you?
VIRGINIA The old aunts were the worst of the lot. They curdled our brains with their falsehoods and their pieties. The wedding was the most horrible ordeal. Nessa and I resolved to be Stoic and show no emotion, as if it were nothing touching us. If ever you show feelings you are treated like a beast at the zoo and will never escape the cage. Thus we were buried beneath obligations, under torrents of uncomfortable clothes, awkward visits and unspeakable rituals. I think we are to be congratulated, you and I, that we sidestepped that whole mess so neatly.
LEONARD Yes, the registry office is so much better. It’s over so fast. But after the wedding?
VIRGINIA The happy couple went to Italy, and we were left alone with Father. He was awful to Nessa, how I hated him! He shouted at her as he’d shouted at Stella. But Nessa stood up to him, she was a rock, she didn’t care. That’s when she summoned up her supreme indifference. It’s the bane of all who love her.
LEONARD But Vanessa had no money of her own.
VIRGINIA No. If Stella hadn’t given us allowances we would have had to beg Father for every penny. And then Stella and Jack came home early because Stella was ill.
LEONARD What was wrong with her?
VIRGINIA Violet Dickinson told me Jack must have hurt her with his violent lovemaking. That he broke her somehow. But Violet was just a spinster, so what could she possibly know? The doctors called it appendicitis but you know what cretins they turned out to be. They couldn’t operate because of the baby – she was pregnant, of course. On the night she died, I was sleeping in her new house – in her dressing room in fact –
LEONARD You were sleeping in Stella’s dressing room?
VIRGINIA Yes, I’d been so ill, you see. I always got ill when people went away. But Stella was dying so they sent George to fetch me. George the over-fed pug dog, fat as a louse, beady-eyed as a rat. He wrapped me in Stella’s fur cape and carried me back to Father’s house.
LEONARD And then?
VIRGINIA Stella died and Jack was left bereaved. Now we had two widowers wailing. The men in our family hardly waited for the bodies to be buried before turning to their next victim. I remember Jack holding my wrist on one side so tightly he left bruises, and George holding me on the other side. I was trapped, you see, I couldn’t get away. George won so Jack settled on Nessa. They actually wanted to marry! I couldn’t believe it. I told Nessa, you can’t be serious! She said, “So you’re against me too,” and gave me a look that broke my heart. But she knew they couldn’t marry because of the Deceased Wife’s Sister’s Act.
LEONARD They could have married in France.
VIRGINIA That’s what they say about everything, that “the French get away with it.” Luckily it all blew over because Nessa was granted a place at the Slade. Then I was quite alone. George pounced immediately and began ordering clothes and jewels to release me into society. I was the sacrificial offering to his violent gusts of passion and his mean little piggy brain.
LEONARD
And then?
VIRGINIA
And then Father began to die and I went mad a little. After he died, I went mad a lot.
LEONARD
Well, it isn’t any wonder, from what I’ve heard. If you are mad then so am I.
VIRGINIA You can’t think how long I’ve waited for those words!
(she reaches out a hand to him – he clutches it and kisses it)
LEONARD
Dearest! You will always be my only love!
(they gaze at each other, both trembling with pent-up emotion)
VIRGINIA But darling, if Dr. Craig consigns me to deepest darkness you will have to marry someone else. You can’t waste your life waiting for me.
LEONARD That won’t happen. Craig says our future’s what we make of it.
VIRGINIA Oh, honey mongoose! Let’s make a pact right now to rise above the nay-sayers. You have given me all the best things I have ever had in life, rescued me from the cliff edge again and again. You have been absolutely perfect to me, and I have been disgraceful to you. You work so hard and I do nothing. It’s all my fault. I was mad and angry before I met you and I am madder and angrier right now. I want you to know that I do want to cuddle you but I don’t know how to show it. In spite of my vilest imaginings I’ve always known that I love you and that you love me.
(he leans his face towards her, she awkwardly moves closer and they kiss delicately)
LEONARD Virginia, I promise not to ever push you any farther than you want to go.
VIRGINIA Oh honey! And I promise to follow all your rules; early bed, milk for breakfast; just so long as I can always read and write.
(they embrace)
LEONARD
If ever you cease writing I shall divorce you immediately.
VIRGINIA
(laughing awkwardly as if she has forgotten how)
It’s a bargain. Oh, darling, shall we really have our own press and print all our own work?
LEONARD Yes, and some of your friends if they are good enough. You decide.
VIRGINIA
And can I have a bulldog, too? I’ve always wanted a bulldog pup.
LEONARD
Certainly, my pet.
VIRGINIA
And can we live in London? A new house all our own?
LEONARD
Not London but perhaps some leafy suburb.
VIRGINIA
Leonard! Suburbs!
LEONARD
Think of the bulldog, Virginia. He must have a healthful life.
VIRGINIA
You’re right of course, Leonard. You are always right.
LEONARD
Bulldogs need a place to roam.
VIRGINIA
Fresh air and food. Lots of good red steak.
LEONARD
May I order dinner now, Virginia? Surely, it’s time.
VIRGINIA Yes, Leonard.
(She clutches his hand fiercely while with his other he rings the bell) CURTAIN – END
VIRGINIA I should never have married you. Women see the worst of men, how cruel they are at home, how they believe in ranks and ceremonies, how they demand praise and management. We bring out what’s bad in each other. We should live separately.
LEONARD Virginia, I admit I have been a brute. I told you that before you married me. I have faults, vices and beastlinesses. I am lustful, a whorer, a gazer after women, a vicious man who has loved the refinements of vice. I have seen the filth of the brothel, know that it is filth and still I’ve lain with the ugliest whore. I have been selfish, jealous, and cruel. You are the most beautiful, most magical among women. Yet I must have you, and not some inferior female who would enrage me with her inferiority and submission. I am terminally and unconditionally in love with you. God, the happiness I’ve had being with you and talking to you – mind to mind and soul to soul. I don’t care so much for the physical part. You are the best thing I have ever had in my life. I will never be content, now, with second best.
VIRGINIA And here am I, a failure, childless, no writer and insane. You confessed your sins before we married, but I knew I was insane with a mad sister and a madder uncle and yet I married you.
LEONARD Tell me the truth. Why did you marry me, the penniless, trembling Jew?
VIRGINIA Perhaps only because you were my beloved brother Thoby’s best friend. He said, I’ve met a man so violent, so savage, he trembles with contempt for the whole human race. And that was you.
LEONARD Thoby was so beautiful it was difficult to speak with him of iniquity or despair.
VIRGINIA Thoby had the kind of beauty that defends itself from caress.
LEONARD And you’re the same. With such gestures one falls in love for a lifetime.
VIRGINIA Thoby and I were so close until he went away to that school, where the boys fought and buggered. When he came back he was so different, harsh and cruel. He beat me. I just stood there and let him pound me with his fists, feeling the most awful sadness; why hurt another person? He showed off by abusing me. I refused to surrender the space we used to have, but he said, Girls must give up. That’s what it means to be a girl. It was essential for the fellowship of men that I be kept out. Because you were his greatest friend I hoped the best of him lived on, in you. But you are nothing like him.
LEONARD The Goth was always a law unto himself. He didn’t acquire friends, he annexed worshippers. You and Vanessa looked so like him our Circle called you “Visigoths.” Misses Virginia and Vanessa Stephens, so beautiful that dogs turned to look at them in the street.
VIRGINIA Trust me, it’s not that pleasant having dogs turn to look at one in the street. So, you married me, thinking I was like Thoby and you were disappointed.
LEONARD Virginia, you must stop thinking everything is your fault. We were primed to fall in love because of our friendships, but we actually fell in love because we saw each other’s true selves.
VIRGINIA I saw how shocked you were when you realized you had married a madwoman.
LEONARD Life may be an obstacle race but that doesn’t mean one would want the obstacles removed.
VIRGINIA I should have told you!
LEONARD Did I tell you my tremor is hereditary? My father had it, too. Should I have confessed that? We didn’t want to talk about our families. We wanted to revel in each other’s hopes and dreams.
VIRGINIA When we talked, I forgot everything except the joy of our conversation. Originality and freedom, purity and restraint, we discussed it all. Here’s someone who cares, I thought, about the hidden pockets of emotion, someone who wants to work like a steam engine at uncovering the truth. I needed to know that when I weep, I am not the only weeper. You almost persuaded me we could change the world with just our two brains.
LEONARD Nothing’s more important than the two of us united.
VIRGINIA Yet somehow here I am, locked up in a madhouse.
LEONARD Virginia, this isn’t a madhouse and you are not insane. But we need the doctor’s permission for you to leave. We must figure out, the pair of us, how you can assume control. I don’t believe in guilt or apologies. I know what it is to be driven beyond endurance but I know I can avoid the whirlpools if you help me, Virginia. Let me help you learn how to assume control.
VIRGINIA What’s the use of men talking to women, we’re too different. We must hate and fear each other. Women can’t even step outside their doors with any safety. If you could strip off my skin you would see my nerves gone white with fear of you.
LEONARD You’re talking to the member of a despised race rooted out as pests wherever we settle. My nerves should be white with fear of your kind. It’s a fetid, sordid world. Yet we two are somehow different. In Ceylon, I took out my gun to put an end to the utter foulness, the stupid blind vindictive foulness of everything. You see, we have that in common.
VIRGINIA You did? You really tried to shoot yourself?
LEONARD I thought that the only reason one doesn’t commit suicide is that one is either a selfish coward or already dead and rotten. The one thing that saved me was a vision of you, the beautiful Miss Stephen who wrote like an angel and quoted Plato. I longed to meet you. But I was so afraid of making a fool of myself my very soul and stomach trembled.
VIRGINIA You stayed alive because of me?
LEONARD I did. So you must return the favor. Lytton Strachey and I wrote long letters back and forth. He argued against suicide and insisted that I propose.
VIRGINIA Lytton asked me to marry him once. Thank God, I didn’t. The very idea of his criticisms would have kept me from writing anything.
LEONARD He understood all that. He said the only person who was right for you was me.
VIRGINIA But he didn’t know about my spoiled, ruined body.
LEONARD You have a perfect body!
VIRGINIA Currently being stuffed like a Strasbourg goose, thanks to you. Strapped down, force fed, shot with drugs.
LEONARD All because you refuse to eat. Let me order dinner right now and feed it to you. How about that?
VIRGINIA I’m not hungry. Oh, let me die, Leonard! Let me go! Find a girl who can love you properly! I failed in the bedroom – you made that perfectly clear.
LEONARD Perhaps copulation is inherently degrading. Really, horseback riding is more pleasurable.
VIRGINIA But there’s children to look forward to, surely.
LEONARD I don’t want children and if you really read The Wise Virgins, you’ll know why.
VIRGINIA But we won’t raise them in a strict Jewish home!
LEONARD There’s your prejudice again! It wasn’t the Judaism, it was the endless striving for dominance of tiny minds. How I hated it!
VIRGINIA Father shrieked and screamed that we were sending him to the poorhouse with our expensive household bills. I brought him a catalog of King’s College classes for Ladies but he said he couldn’t spare me because it was my turn to pet him, soothe him, cut his meat! I wanted to write, but I couldn’t keep it private. Once I had a diary with a lock but Thoby stole it, so I pasted my secret pages into a book.
LEONARD After my father died we really were headed for the poorhouse. My brother had to work to support the family.
VIRGINIA Don’t you think every family is a lonely caravan, absolutely private, silent and unknown? I see us wedged in together, surrounded by vast space we couldn’t cross. It seemed impossible to break through the dark cloud and shed light on those shrouded, curtained rooms. Censors, visionary figures everywhere admonished us. Father told me no intelligent being had any right to believe in God, but when I was six years old, I dreamed that I was God.
LEONARD And your mother?
VIRGINIA Mother said there couldn’t be a God because no just God would have killed the splendid Herbert Duckworth, her first husband. She loved him so. She never told my father she loved him.
LEONARD
Never?
VIRGINIA
Never. I wrote stories in which clever, courageous children rescue their families and bring hope to the sick. Do you believe in God, Leonard?
LEONARD No one believes in God. Virginia, we must refuse to be determined by our pasts. Our parents had too many children to cope but we won’t make the same mistake. Don’t you want to be free, Virginia? With so many mouths to feed, freedom’s never possible.
VIRGINIA I know you’re only saying that because Dr. Hyslop insists the mad should never propagate.
LEONARD I swear I’m not. Nessa has children – and with all her lovers looks to spew many more – wouldn’t that be enough for you?
VIRGINIA (turning away)
Surely loneliness destroys us. Futile and infertile – aren’t those more than adequate reasons for self-murder?
LEONARD We’ll never be futile, not us. You’ve written a wonderful novel, Virginia. I know you’ll write many more.
VIRGINIA Received by my family in complete silence.
LEONARD They’re barely literate. My whole point is that family shouldn’t matter. I’ve freed myself – I never see my mother if I can help it. Remember how upset she was to be excluded from our wedding? Surely an ambitious person’s gaze should widen, take in more?
VIRGINIA Take in who? Society, like the Countess of Carnarvon? Publishers like Gerald?
LEONARD How about other modern thinkers, trying to do what we are doing? Finding new ways to be, see, think, do, connect. Roger Fry with his “significant form”. Maynard Keynes with aggregate demand, E. M. Forster’s clever novels. The literary impressionism you attempted in Voyage Out.
VIRGINIA Forster isn’t clever. He thinks women should be banned from the London Library Board and never allowed on the grass at Cambridge. How on earth can dry, dusty books ever make up for real, live children?
LEONARD Was your childhood really anything you’d care to revisit, Virginia?
VIRGINIA Yes, yes, yes. If I could only tell you, or anybody. Oh, the magic summers at St. Ives! Lost, gone forever. Paradise before, catastrophe after. Now whatever it is I want I cannot tell. I was born with extraordinary capacities for feeling, but you say bury my emotions or they will never let me out.
LEONARD Not bury them, Virginia. Manage them. We need to convince the world that you are fine and well. Let’s get to the bottom of the ideas that torment you. How many years was that paradise of childhood, really? Two or three? We have our whole, long, fruitful lives ahead of us.
VIRGINIA It was paradise before the deaths began.
LEONARD There’s no escaping death, Virginia.
VIRGINIA You intimate that children would drive me mad?
LEONARD They would certainly stop you working. Can you see a house filled with nannies, nurses, servants, their followers and lovers? Cockney quarrels and endless Bedlam difficulties? You once described your nursery as a cage where you were forced to perform compulsory tricks.
VIRGINIA And what do you call this damnable house? Cousin Madge says you’re mean and think of nothing but money.
LEONARD Madge is an idiot. Let’s resolve to cut all idiots on principles of health.
VIRGINIA If that were only possible! Here I am in George’s house, sentenced to eternally hawking Gerald’s books!
LEONARD But George isn’t here. And there are other publishers in the world besides Gerald.
VIRGINIA Worse ones, doubtless. Did you read Gissing, or even Meredith?
LEONARD Then we’ll publish our books ourselves.
VIRGINIA (turning to face him)
Could such a thing be possible?
LEONARD Of course, it is. You know your Women’s Cooperative promotes apprenticeships. I think the Working Man’s College teaches printing.
VIRGINIA Oh, imagine if that were so! How I’d love to print! I used to bind books, I liked that. The tools were so beautiful. Papers from Italy, leathers from Africa. The smell alone was heavenly.
LEONARD Don’t these doctors recommend handiwork?
VIRGINIA Tat-work! Or crochet!
LEONARD Let’s defeat them, then. Can’t we, together, push the world our way? Or at the very least carve out a tiny corner where we can live and thrive?
(Scene 4. The conservatory. VIRGINIA sits unmoving before a tea-table. Enter LEONARD.)
LEONARD I see I am in time for tea. May I join you?
VIRGINIA I can’t stop you.
LEONARD
(daringly pulls his chair to the table)
How are you feeling?
VIRGINIA Like a helpless baby on the shore of life, turning over pebbles. The ocean tosses me pebbles and I turn them over, one by one. I’m naked, a child, and no one helps me.
LEONARD I want to help you. May I pour? Lovely cakes.
(he pours two cups, carefully serves her a cake, takes one himself, munches and sips)
Delicious. Sir George keeps an excellent cook.
VIRGINIA His brain is in his stomach. Or rather, he has a stomach instead of a brain but no one’s noticed. I’m afraid the tea is cold. They won’t let me have a spirit lamp in case I set the place on fire, like mad Mrs. Rochester in Jane Eyre.
LEONARD The tea is perfect. Oolong, I notice. May I sugar yours?
VIRGINIA You’re certainly sugaring everything else. Why are you in such a good mood?
LEONARD I’m happy to see you looking so well. What have you been thinking?
VIRGINIA That I want to write a novel about silence. Depression interests me. One could make a game of assembling the fractured pieces, capturing the things people don’t say. How deeply they drive themselves into me, those things people daren’t say aloud! It seems everyone is in agreement that the truth of women must be suppressed. Repress, control. If I am going to write all this I will need a different word than novel or people won’t know what to expect. Elegy, perhaps?
LEONARD You were born to write, Virginia. Your book is beautiful. I mean The Voyage Out.
VIRGINIA My book? My poor sad, dull novel which shall certainly be abused? A whole made painfully from shivering fragments. “The spring, bare and bright like a virgin fierce in her chastity, scornful in her purity, was laid on fields entirely careless of beholders.” I tried to speak truth but I collapsed under the burden of my failure.
LEONARD You can’t think how I envy you your spring of fantastic imagination. It’s beautifully written. But it’s so very sad. Tell me, why must Rachel die before the wedding?
VIRGINIA Because the fiancé is based on Clive and who would ever want to marry him?
LEONARD Nessa did.
VIRGINIA He kept his real face very well hidden. The things he says about me to others! Adrian showed me the letters!
LEONARD He’s angry because you refused him. Clive’s a monster. We’re in complete agreement. What if we eliminated monsters from your life? What would you write next?
VIRGINIA It’s not possible to eliminate monsters. Look at this new war they’re brewing. War is a stupid, violent, hateful, idiotic, trifling, mean, ignoble display. Why should I dare to love you when you will only fight and die, trodden underfoot in some soggy foreign field?
LEONARD
You won’t get rid of me that easily. Dr. Craig has given me a dispensation because of my tremor.
VIRGINIA
So you’ve seen Dr. Craig. Is he as stupid as the others?
LEONARD
He thinks we need to design a healthy life. I think so too. And because your healthy life is writing, I want to hear about what you’ll write next.
VIRGINIA (dreamily)
I want to write about the islands of light swimming through the grass. I want to show the peace, the unity in the smallest flower – but whenever I try the great ugly beast on the beach stamps and snorts.
LEONARD What beast?
VIRGINIA He is chained, but he pulls at his chain. I’m so afraid – he might escape.
LEONARD Is this a memory, Virginia?
VIRGINIA What have we but memory? Women are the beggars of every family; memory is our only treasure, the only dowry we inherit. Tell the truth, said father. But mother said sometimes a lie is better than the truth, because of feelings. You must spare people’s feelings, but only if they have the right feelings. What if their feelings are false to begin with? My feelings were never the right ones. Father was my writing teacher, did I tell you that?
LEONARD And what was his recipe?
VIRGINIA He said only write the truth and say exactly what you mean.
LEONARD If only that were possible! You saw how I botched my turn.
VIRGINIA But the truth is that when father died, I hated him. I was so relieved to be free of the exacting tyrant, the histrionic, self-pitying, violent, deaf, alternately loved and hated father. We all were. We fled that house, from a crypt slimy with fungus, disgusting with mold, gushing a sour stench of decay.
(A catch in her voice)
How we rejoiced! But in truth we had graduated from a life of suppressed rage into one of perpetual mourning. In my fantasies, Father confesses and repents his crimes, asking my forgiveness. But he could never do that, really. Everyone saw him as the pinnacle of reason and privilege, yet he felt ill-used by everyone he knew, even by life itself. I wonder, was he haunted by a devil, by some demon? Was it not he, himself, but something sitting on his shoulder that pecked at us so fiercely?
LEONARD Naturally he grieved when your mother died. He must have altered greatly then.
VIRGINIA My mother’s death was the greatest disaster that could possibly have happened. Father sat through countless meals groaning aloud about how he wished to die. Do you know, it is my worst fear that I will become like him. It is a fate more to be feared than madness, to my mind. He is inexplicable. Extraordinarily gifted, godlike, yet somehow childlike. There was an infantile fixation! Bubbling up from some dark place, I suppose, below the level of conscious thought. But he was protected by society, as we were not. In the privacy of our home he seemed unbound by any of the laws of ordinary people. Yet he desired constant pity! We were the ones forced to be self-controlled and coolly analytical, plotting ways to get around him. But when he shouted at Nessa I hated him so much I could have killed him myself. Our punishment came when Thoby died. Violet and Vanessa also were stricken with typhoid but only the sheltered males perished.
LEONARD Thoby’s death wasn’t punishment. Thoby died of a typhoid germ. If these men are fragile as you say, how could your father be the brute you dreamed of, stamping on the beach?
VIRGINIA All you men are brutes, with your gaming, your competitions, your subjugation and your wars. Men use knives, to cut things, to sacrifice, while women use needle and thread, to sew them up. But nothing’s as good once it’s been repaired. When my father threw a fish into the bottom of the boat, I felt I suddenly was that fish, flopping, gasping, drowning in the very air all had sworn was safe to breathe. I had more in common with waves and seabirds than with that man.
LEONARD Now Virginia, you mustn’t get excited.
VIRGINIA The great secret is not to feel. Strong feelings create an abyss between oneself and others. No one ever says anything they really mean. I am bored by men and their silly violence and wars. I detest the masculine point of view. I am bored by heroism, virtue and honor. Men’s acquisitive instincts cause them to desire other people’s fields and goods, to make frontiers and flags, battleships and poison gas, to offer up their own lives and their children’s lives. Why should I submit to them, why endure a lifetime of unpaid service to their shoddy interests?
LEONARD I agree we are a disgusting species. But man’s only locomotion is logic and reason. We must never give up.