Tag: Writing Community

  • Inspired Pleasure

    Diary of a Dancer

     9:30 AM – 22 Dec 77
            Very dissatisfied with my life right now – trying to avoid
    

    making out of sheer boredom some kind of major financial mistake –
    like buying a house and filling it with furniture.  Now that Avril has been
    accepted as a “permanent student” at U of MD don’t see why we shouldn’t
    share a berth somewhere. One of our dancers is a student there and she
    says student housing is very expensive. Why couldn’t I rent out rooms?
    But then what would happen to the three months of traveling I was promising
      myself ? Wanted to spend March skiing in the White Mountains.
    I need something more solid than Romance, that’s for sure.
    Jervaze cancelled our last date so now I’m freaking. It is vital that he makes
    the next move but my feminist soul revolts. Four months of celibacy appears
    to be my limit.


    Sitting in the bay window drinking a third cup of coffee and
    watching a calico cat stalk the yard. Avril and I have been living rather high
    lately, buying clothes for Christmas.  Last night saw the movie Telefon 
    -very exciting but with an unbelievable ending – then watched Baryshnikov’s
    delightful Nutcracker on TV. Avril says she’s finally starting to forget old
    What’s His Face.


    I’m trying to get her interested in the religious and meditation
    books that have been such a help to me. She’s not that kind of a reader, alas.
    No word from R. My latest “daymare” is that he will just
    show up at the club. Should I talk to Randy? A says Ryder’s asked her
    about it. I made her promise to say “We don’t think you should have
    that information” even if he already knows. I try comforting myself
    with my knowledge of his vanity – he wouldn’t want other men to see
    Randy throw him out as an “unsuccessful suitor”.

    (Angry exes show
    up at club routinely and aren’t allowed in no matter how they behave
    or how much money they have. They get On The Bad List.) Let’s hope
    the sensitivity of his ”face” protects both of us. But he probably would
    send a stooge – it is just like him – to spy out the land. Fortunately
    I look good and this classy place has the Shalimar beat so no disgrace.
    Jervaze and I are trying to keep people at the club from knowing that we
    date. But it’s impossible to really disguise favorites what with the tripping,
    drinks, flowers and etc even if we aren’t allowed to sit with the customers.
    Stooge could probably figure it out. Maybe R would “give up” at the sight
    of him. Search me.


    I’m at the stage with Jervaze where I hunger for some
    symbol of his caring, that he’s broken through the surface status and
    glamour of “dating a dancer” and has some deeper regard for me as a
    unique human being.  He buys copies of my book whenever he finds
    them, but of course that’s status and glamour too, even though it’s just
    a paperback. I have forbidden him to tell anyone at the club about my
    book – he finds that a little weird, but I don’t see how being “a dancing
    author” could do me any good. The thing I most love about this job is
    that you don’t have to talk. Gave him a book of my poems for his birthday:

    a declaration of erotic war.

      23 Dec 77 12:15PM
    So in love I’m crazed. I’m at that stage where you can’t
    honestly tell if the other person is even interested, you’re in such a
    delirium. Jealousy of all the other dancers because he looks at them.  
    Jervaze says he liked my poems, his favorite being Nocturne.

    NOCTURNE

    Reveal

    Yourself to me

    To my inner palate

    An artist’s palette

    Moth-winged hands

    Fluttering

    Crescent thighs surging

    Urging

    Union undivided

    Prickly venus flytrap hairs that guard

    Your anis scented anus

    Fleshy mandibles

    Trembling sheaves

    Snouting for your smoky-salted dinner

    Double-snouted cock stiffening

    My mango halves

    O I will baste you when its time

    Angelspit,

    Lovespawn

    Dipin my styx of roe your

    Musky caviar

    Sensate wanderer you

    Suck

    Ubus –

    I dreamed you

    Open me.

            I thought that might do the trick. I possess wiles 
    

    unknown to other babes.  He mentioned that his brother’s going back
    to Alabama so he might be alone for Christmas – I invited him to New
    York City but I could tell from his expression he’ll never do it. He thinks
    Virginia is the north – calls the New Jersey Turnpike “undriveable” –
    a lawless war zone. (If he could hear what we say about the South!)

    We exchanged presents – he gave me a bottle of Irish Mist and
    another one of my books (he keeps buying them for me) and I gave
    him a very small glamour shot in an antique frame – so he can do
    anything with it – hide it if he wants. Keep it in his car. He said he liked
    it but in the bar light he really couldn’t see. The we went to breakfast –
    had a wonderful conversation about ghosts and WC Fields. He believes
    in one but not the other. I was hoping he would kiss me – regretted the
    first time when “rocked out” on beer, he leaned forward to kiss me but
    I pulled away.


    But last night would have been completely unmanageable
    – under yellowing lights and the stares of strangers (me in my stage
    makeup) or out in the pouring rain. So we said goodbye, hopped in our
    cars.  We may not see each other for three weeks! I’ve got his address
    (on his business card) so I can at least send him a card from NY. 
    Got to get up and face the day. Avril back from her final exam in ½ hour
    – then off to Landover Mall to see Saturday Night Fever.

     24 Dec 77 - midnight – Plush Palace
            The Big Day. Go home, sleep, wake up, do laundry, take 
    

    dogs for shots, buy snow tires.  In a haze of infatuation – J was in for 5
    hours tonight watching me dance with a sense of unmistakable pride. 
    He asked for my phone number so he could call me on Christmas Day –
    I gave him all of them.
     
    New York City Dec 25 77 – Fri night.
    Life is so interesting, Wouldn’t miss it for the world. 
    Lovely intimate family talks – just what family should be doing for perspective
    on past and future. In two days Avril and I drive out to Michigan to see
    Merrill – 11 hours – tonight’s dinner in the Village then an early night.
    Heard of a studio apt on the island – winterized – going for $200/month.
    Of course I will have enough royalties for that…or won’t I? Harcourt royalty
    dept uncooperative, editor Lauren very cagey.  But won’t the island kill
    my already comatose sex life? This is the longest time I’ve been away
    from dancing and I miss it.  It’s a great substitute for sex but not a complete
    one alas. Physical activity vital to my peace of mind.

            96th St off the Park- New York City – Dec 77
    

      This apt is triggering horrible flashbacks to how sick I was
    at the beginning of last summer. Scary that a man could do this to me.
    Don’t ever want to get that sick again. Makes me sorry this diary exists 
    – my trusty friend – because now misery has an actual corporeal reality.
    Burn these sickening wails before I die. The Victorians always did.


      Well I’m raring to get back. Not only do I miss the dancing,
    I miss the bar.  Ah, the nightlife. Always a party atmosphere but I could
    feel superior for not drinking (or getting high). I like our status and
    protections – I like getting paid for exercising, being admired and having
    fun. This pleasure just cannot be shared – Mom’s face crimps closed – and
    I am lost in the unredeemable beastliness and ugliness she feels certain
    it must be. The fact that I am a feminist and consider myself spiritually in
    tune with the universe also is incomprehensible to her. (Wives can get into
    big spiritual trouble too, but I am too tactful to bring that up.)

    Unfortunately
    there is no way to defend myself except by attacking back – her “safe”, closed, 

    restricted world of handmaiden to Dad, feeding and burnishing
    him like a racehorse, talking him “up” as if she were his sports coach, does
    not seem to me more inherently saintly.


    But to Mom self-loss is what “sainthood” is – you totally
    do not regard yourself in your care for someone else. The fact that you
    are puffing them up like a grampus, encouraging them to be completely
    selfish, is I guess too shockingly cruel to mention. So I’m stuck in Patient
    Griselda mode with undeserved imprecations heaped on my innocent head. 
    I wonder if it would be too nasty to talk about how I am sacrificing myself for
    those poor lonely men who need to look upon a perfect feminine ideal while
    they swill beer?  Guess I better not.


    Mom is fond of saying that love doesn’t work unless
    you open your heart to the other but you can’t do it without marriage!
    I say Jervaze and I are “courting” which is a very different thing.  I don’t
    think I will ever open my heart again. I think perhaps it opens by itself,
    naturally. One  might as well tear a flower open and complain about
    the quality of the bloom.


    Interesting being here with Brett and Genevieve and
    watching someone else’s marriage from the outside.  Does not look
    too enviable. Reading “Eclipse of the Hero in Victorian Fiction.”  He’s
    in eclipse everywhere else, too, I may add.

  • Inspired Pleasure

    Diary of a Dancer

            12:10 PM- Plush Palace – Wed 19 Oct 77
            Dance night, then dance the next day kind of rough. And 
    

    days are bad when the weather’s good – no one comes in. I seem to have
    a lot of bills – just turned on the heat – but I’m meeting them. Making some
    inroads today on Thomson’s Life of Frost. Randy fired Robin – Yvonne
    needs $300 immediately because she just bought a piano. Well good luck
    getting it out of this crowd is all I can say. Paz’s “on call” because she left
    her husband and moved into the motel across the street. Let’s hope she
    shows up. Last time I saw her she was pretty depressed; said she gave
    him “the best four years” of her life. I have to get this all down in case I need
    it someday. R used to be especially pissed when I got nostalgic for
    dancing. But dancing is its own little world.

            7:30 PM- Plush Palace – Thu 20 Oct 77
            This aft I was getting ready for work phone rang, I say 
    

    hello and Ryder’s tight little voice says: (very meaningfully) Hello.
    I turned the radio down (Lakmé) and said casually as I could, “How
    are you?”


    He said he should enroll in FBI school after all the
    trouble he’d had tracking me down.


    (It couldn’t have been that hard since Mom and Dad’s
    house sitter has been giving my # to all and sundry.) Said he was
    punished now for being a non-communicative procrastinator who
    should fling himself off the 14th St Bridge. I told him I lived in Beltsville
    and danced in Virginia, refused to give further details. I didn’t let him
    get away with any of his garbage. He said I’d been in town since Sept 8
    without contacting him. I said he’d made it pretty plain he didn’t like what
    I had to offer. Then why did I come back? I said, I like it here. Creep!
    Like he owns the world!

            He said, will you eat with me?  Hmmm.  Something rattling 
    

    in Pandora’s box. While I hesitated he said don’t make me disguise myself
    as a girl scout cookie salesman (he could get away with it, too.) He said he
    hasn’t gone out to dinner since our last night at Alfio’s!!! (I guess the Emmys
    don’t count but I said nothing.) Said he’s having to give back his furniture
    and sleep on an air mattress because he can’t make the payments. Aww.
    This is the idiocy of buying furniture on time, but I still say nothing. So we’re
    meeting Babe’s Sun at 3:30. Seems fairly safe… Rushed to library and took
    out every true murder book I could find. Just in case.

             2 Nov – Plush Palace – 6:05 PM.
            R called this morning to “report in!’  Just to chat about his 
    

    day! No more of that, I said. I’m busy. Slam. I don’t chat and I’m not sorry
    it’s too late to learn. Actually feeling amazingly happy. Kiki showed me
    how to cut off my corn with an exacto knife. All better! Still in Vol I of Life
    of Frost. He was a repulsive human being, all right. Nowhere near as fun
    as Agatha. Precious equilibrium recovered.

            8:30 PM  8 Nov 77
            I gave him the full treatment, poor guy. Red Italian boots, 
    

    glittery eyeshadow, tight, tight jeans. Deliberately drove Conn Ave but no
    markers from the past reached out their claws. Felt strong and blissful.
    I was first there (of course) so could order carafe of wine and think. Thinking,
    I’ll just explain to him that my idea of friendship and intimacy requires a
    degree of truth telling that appears to freak him out.


    He wore his high heels, too. His hair is blonder, longer
    and messier than I remembered and it suits him. Off to the Bahamas
    next weekend, he says for a “dive”. He wore the pinky ring I gave him
    (he says he can’t get it off.) But that holy glow, that shine he used to have
    is gone for me. I get it that he doesn’t know the pain he caused –
    shallow people can’t. And that’s pitiable, really. He’s not just deaf
    in one ear, he’s deaf in his soul.


    He has a carefully worked out a “barstool rationale” for
    what happened to us; we became lovers before we became friends.
    I have no comment. Postponing sex would not have helped – and it
    might have made things worse dumping all the responsibility for timing
    on me. I think when he saw how easy it was to draw blood he couldn’t
    help doing it, and I was a fool and an idiot. I ordered the fruit and
    cheese plate but left before it arrived. Realize how much I want all
    this to be in the past. No future of any kind exists for us. Not even
    in fantasy. The future is what matters. Told him to give my regards
    to the folks at the Shalimar. He said he’d give me a buzz.
    Bet I can finish Demon by Thanksgiving. Avril coming.
    Lucky I have a second bedroom. Furnish it with Kliban posters, a
    thrift shop bureau and a mattress on the floor.

             12 Nov 77 6:25 PM Plush Palace
            I finally called R. (He’s been leaving me messages.)
    

    I said if we were going to have a relationship of any kind – the friendship
    that he wanted – we would have to have rules (I got the idea from Nancy
    Mitford.) He said he was so glad I called, he’d been having the most awful
    day. Took my card out of his rolodex but couldn’t bring himself to destroy it
    and put it away in a drawer. What rules he said. I said we’d have to think. No idle calls? No talk about past? He said, “Please forgive me” but of course I can’t. I said
    “Forgive me.” He said there’s nothing to forgive,

            Dancing suddenly OK? I said we’re done with all 
    

    that stuff. Starting over. But I’m very busy working a lot and writing a
    lot and he said he’s very busy working a lot. No expectations. We
    both said fine and I’m pretty sure he’s as relieved as I am.
    We’re going to Looking for Mr. Goodbar Thurs –
    I want to see it too. He knows how I love movies. It’s perfect
    weather to pick up Avril at the airport and drive to Galesville tomorrow
    for brunch with Mom & Dad at the marina. There’s a big white
    farmhouse on Old Annapolis Rd I always look at longingly.

             Plush Palace 4 PM Wed 15 Dec 1977
            Shaking like a leaf. Ryder called the club saying he 
    

    was called early into work tonight – change of plans. Called his work
    immediately – “Mr. Arlen’s desk.” Left her a message saying I got his
    message but do not call the club. Hope this stymies him till after
    Christmas but I know he is going to say we need each other’s workplace

    for last minute plan changes.

    I say is THIS IS NOT DATING. WE ARE NOT DATING. You can’t be
    trusted with my workplace #.


    Then I start looking desperately for Jervaze to come in.
    He’s supplying me lately with that all-important fantasy vitamin of which
    I have been so deficient for so long. Can’t even THINK about R to the
    background of Disco Inferno.

    Sat – 18 Dec 77 9:30 AM
            Very dissatisfied with life and self and, as usual, in 
    

    complete confusion as to what to do about it. I suspect I should not be
    making any big investment decisions, like buying a house and furnishing
    it but I am sick of being such a goddam wanderer. Avril has been
    accepted at U of MD – my job is to finish this goddam novel. If I could
    finish it maybe March, April and May could be my traveling months.
    I thought March skiing could be nice – in Devon’s back yard.


    I am in danger of making an idiot of myself over Phil
    Jervaze – “Adonis” as I privately call him . He seems very attracted
    but is not making the first move. I’ll have to bring him along somehow.
    Going tomorrow to Renaissance Music at the National Shrine. Should
    I wear my rhinestones or can I restrain myself? Avril says I’m doing a
    good job taking her mind off of Dipstick,  (my name for Mason). Bought
    her $80 worth of clothes – she can pay me back when I need help with
    the January rent.

            The Plush Palace 20 Dec 1977 – 4 PM                         Avril called to say that Ryder called again – trying to find out my 
    

    holiday plans from her.  Says he might have to work. I am surprised to
    be shaking so much. I am very unhappy about this level of communication.
    I was actually hoping not to have to deal with him till after Christmas.
    Would prefer not  to give him an opportunity to go into his act. I’ve learned
    if I call his work I get his secretary. Left the message I will be “out of town”. 
    Favor, Alysse., The trouble is, telling a game-player you don’t play games
    is all part of the game to them! There is absolutely nothing I can do to step
    out of this thing except bore him to death. We will see each other fewer
    and fewer times, the emotional content will be constantly plummeting,
    and meanwhile, the chicks on the side he has summoned up for contrast and amusement will be clamoring for center stage. Let them have it.


          And I have my own magic pill in reserve – Jervaze.
    That anyone can drift through life so far unironically with shoulder
    length platinum hair, platinum mustache and a white cowboy hat, drive
    a 72 Shelby and work for the Pentagon titillates my Yankee soul. But
    that’s what’s so much fun about the fine commonwealth of Virginia.
    It’s full of these people. Uh oh. I hear the rhythm of Disco Inferno,
    audience’s current favorite. Dust myself with body glitter and I’m up.

  • #Haiku: Translation

    What could you become?

    #Haiku: Translation

    What the caterpillar calls


    “the end”


    Universe calls


    “a butterfly.”

  • A Bruise, a Cut, a Fever

    a masque in ten scenes


    Characters:


    CHORUS & DANCERS:
    WOMAN HUSBAND LOVER/LOVE OBJECT
    Diners, College Students, Furniture, Bank Tellers &
    Customers (5 or 6)


    SceneChange I: A glittering dinner party of masked
    participants (CHORUS). WOMAN takes off her mask and gazes about in a bored way. At exactly the same moment by a kitchen screen a waiter holding a tray (LOVER) takes off his mask. They gaze at one another. He advances forward setting down his tray in front of her and slowly, deliberately removes his glove to draw his hand along her arm, removing her glove. Other diners too animated in their conversations to notice.


    He removes his other glove, then her glove. With each of his sway-backwards motions she rises from her chair until he turns to flee behind the screen and, pulling up her skirts, she pursues.


    SceneChange II: The CHORUS build their chairs into “trees” pursued and pursuer dart between; the dining table becomes “steps” upwards. CHORUS build themselves into a hall of “doors”; only the LOVER’s door is ajar.

    SceneChange III: CHORUS build themselves into a “bed” and a “window”. LOVER removes his shirt, opens up his arms. He and WOMAN dance as she is helped out of her clothes. They simulate slow and passionate sex in front of the “window”, sitting upright on the “bed”. As they lie in each other’s arms the “window” shines its light on them. WOMAN rises, gathers up her clothes, dressing very inexpertly, runs into the hall in a panic.


    SceneChange IV: CHORUS rebuilds “doors”. WOMAN wanders up and down the hall as if lost while college students (inverted masks) peek at her from behind their “doors”. Then light hits the “steps” and she runs down, performing a sensuous, joyous dance. DARKNESS.


    SceneChange V: WOMAN’s bedroom. CHORUS approximates an “armoire” spilling feminine objects, a “cheval glass” (Mirror) and a “bed” piled with pillows. HUSBAND and wife simulate sex in wheelbarrow position, he wearing suspenders and a tie, holds her legs upwards. Her face is buried in pillows, her arms grasping upwards to…nothing. It does not look fun.


    “Mirror” tries to position itself camera-wise to capture the action. Alarm Clock sounds; HUSBAND stops what he is doing, puts on pants and jacket, grabs a briefcase and does a robot dance out the door. WOMAN flounders in pillows, finally gets herself upright but he is gone. She tries on a variety of outfits and seems displeased by all of them (the Armoire and Mirror
    happily offer alternating possibilities.)


    WOMAN dances a self-soothing dance with her different clothes while the Armoire and Mirror sway helpfully and supportively, until she is finally in a good mood again and feels beautiful. Makeup, hair,

    shoes… and it is back through the TREES, up the STEPS to the HALL of DOORS.


    SCENECHANGE VI: She knocks on each and every door. (There is one door with no one behind it). Each door she knocks at, an opposite door opens, a snatch of music is heard and someone leans out, only to retreat when she looks in his direction. Finally she is able to synchronize movements to grab hold of a masked student and pull him out.


    He plays dumb, shakes his head, shrugs his shoulders, just doesn’t know WHO or WHAT she could POSSIBLY be talking about. All doors open, all students look out and engage in a head-shaking, shoulder-slumping stupidity contest of No Such Person. WOMAN tries to peek beneath one of the masks, student slaps her hand away. She gives up. With crossed arms
    they watch her leave down steps. DARKNESS


    SCENECHANGE VII: A BANK with old-fashioned tellers’ cages. WOMAN stands first impatiently in line, finally gets to a window, opens her purse and evidently tries out a series of identity cards and bankbooks in an effort to get money. Teller shakes her head, gets another teller over, then manager; they repel all books, all cards, shake their heads, cross their arms NO.


    The WOMAN starts dancing out the story of her love, unmistakably acting a passionate tale of romantic awakening. CHORUS of bank customers are drawn into this story – swaying and touching themselves in supportive echoes; the two tellers clutching, dancing, then finally sobbing together.


    They open up both bank drawers and shower her with money which she stuffs in
    her huge Designer Handbag. Customers congratulate her, throw confetti, produce balloons, champagne, blow party horns and dance together in celebration of her triumph as they send her on her way, back up the “steps” to the Hall of Doors.


    SCENECHANGE VIII: WOMAN knocks and knocks on the LOVER’s door. He’s sitting behind it all right, with his back against it, arms crossed (no mask) but not answering. He looks annoyed. She sinks to her knees, keeps speaking, wheedling, repeating as many of the gestures of her Romantic Bank Dance as she can manage on her knees, to no avail.


    They are very close together, both pressed against the door. Mirror-play. All the other doors keep opening and closing with peeking tenants until finally they just loiter out to frankly stare. She begins to push money under the door. He looks at the money – interested, then disgusted – pushes it back.


    There is a frantic pushing back and forth of money while the other students gather around – holding out their hands and offering with pelvic thrusts and unbuttoned shirts to take over and fill in. WOMAN flees down the hall, bumping back and forth
    between them, down the “steps”. DARKNESS.


    SCENECHANGE IX: A street scene. Everyone is masked, (including WOMAN) as they stroll, walk pets, wait for buses. The WOMAN lifts her mask just a little bit to peek at each passerby. None are to her taste. A Pretty Young Man, unmasked (THE LOVE OBJECT) sits on a park bench reading a book. She chooses HIM. She takes off her mask and casts it onto his book.

    This gets his attention; he looks at it as if it fell from outer space. She takes off her scarf, drapes it over his head. Now he gets that there’s a human being involved; he looks up at her, startled. She unbuttons her blouse and does an unmistakably sensual, sexual dance that gets him very hot under the collar. He rises from his bench to follow her. She leads him on slow chase through the TREES, discarding clothes & shoes which he gathers up.


    SCENE CHANGE X: The TREES become GRAVESTONES – they are in a cemetery. LOVE OBJECT a little scared now, all by himself. Owl hoots, day darkens. He shivers as he looks around but he is still game. WOMAN has vanished.


    He drops to his knees before a “gravestone” to pick up an item – a lacy thong – holds it up wonderingly. On the scrim behind him the huge shadow of a naked woman appears, seeming to fill the sky. He looks up, terrified. The scrim is thrown over him,
    snuffing him like a candle. DARKNESS

  • Am I a Success?

    My books have sold over 100,000 copies so YES except –
    I’ve made very little money BUT…
    Devlyn has a brisk re-sale so readers must like it BUT…
    Even though Find Courtney got excellent reviews hardly anyone read it BUT…
    Come to think of it, I’ve only ever had good reviews. (Many raves.) Only one bad one I know of. BUT…
    The people who are closest to me seem untouched & unimpressed BUT
    Several strangers appreciated exactly what I was doing and called me their “favorite author” BUT
    Wasn’t able to get an agent because I didn’t have a big enough “following” or “platform” BUT
    transitioned easily to plays, wrote 8 with much pleasure, won three prizes, had a small New York opening BUT…
    I had a horrible director who didn’t understand the play BUT…
    I thoroughly enjoyed working with and learning from the actors
    BUT…
    Felt silenced & stymied by the pandemic
    BUT…
    Have been working on transcribing my diaries, (Inspired Pleasure) am NOT intimidated by getting old – so –

    Am I a success?

    It really depends on your definition of success. My definition
    of success is to:

    1) Never stop writing
    2) Draw joy from writing
    3) Achieve “flow” while writing (i.e. a blissful state)
    4) Feel I am advancing in my spiritual path
    5) Using art to connect with others.

    So, yes. I am.

  • Escaping

    Leaving the Coven

    A craven of cronies stood


    Between us & God


    God hated short skirts, God


    Demands clones.

    A damnation of judges


    Stood between us &


    Knowledge; truth exists


    Only in service to others.

    A clowder of cretins


    Stood between us &


    Art: “Don’t be disturbing”


    “Never trust instincts.”

    From the depths of


    This oubliette


    You drank the koolaid


    Guaranteeing your survival

    Cherishing passion


    Rescuing me –


    So I could grow up


    And write this poem.

  • The Wedding Dress

    a Ballet


    Characters:
    CHORUS (white-clothed & black-clothed.)
    WHITE-HAIRED MAN (husband), WHITE-HAIRED WOMAN (wife)


    SET: A low bed with scrim behind it, a table, a sewing machine, surrounded by a garden. Old couple in the bed. CHORUS member (white-clothed) brings out SUN.

    Couple yawn, stretch, wake up, perform yoga sun salutations in perfect harmony together, smiling frequently at each other.


    They dance a warm, familiar dance – then he goes to the garden, she goes to the sewing machine. She is making a quilt, holding up different-colored patches, trying different arrangements. In the background we see him gathering flowers, trying different arrangements.
    White-clothed Chorus removes sun. Black-clothed chorus brings out MOON.


    Husband puts flowers and vegetables in wheelbarrow and brings them to wife – she displays her quilt, he shows off his produce, they dance joyously, make flower crowns for each other, sit down to eat. They then perform yoga moon salutations in perfect harmony, then get in bed under the new quilt. We see something that might be sex, might only be hugging and stroking. Sleep.

    Chorus removed MOON brings in SUN. WOMAN rises, pushes man. Nothing. She gets out of bed, begins disturbed sun salutations, but interrupting constantly to touch him, push him. Finally realizes he is dead; his arm & head fall out of the bed in a too-obviously dead way. Distress. She seeks in the garden for others – calling. The white-clothed CHORUS appears, comforting her, checking the body, dancing sorrowfully with her, trying to keep her from the body, trying to get her to eat, to dance. She resists; angry; sad. SUN trades with MOON.

    CHORUS lifts the body to take away, she insists on covering it with quilt. Chorus helps her into bed, she kicks off her covers; lies like stone. Finally closes her eyes. Might be asleep. HUSBAND appears behind scrim, trying to reach through scrim to her. Finally she wakes up, touches him through scrim, without seeming to be able not to see, only feel, him. She rises up, presses her body against his through the scrim. They dance around the stage, always with the scrim between them but their bodies locked close. Still, they are not able to get through the all-encompassing scrim.

    Finally the black clothed CHORUS appears, pulls him away from her through the audience – he is reaching toward her, unwilling to go. She reaches toward him, but he is gone. Wife sits dejected. Finally she takes down the scrim, sniffing it like an animal, dances reminiscently with it, shakes it out. Of course it’s not alive. She folds it up, regards it thoughtfully. Takes it to her sewing machine where she turns it into a fantastic see-through dress, like a wedding dress with a deep skirt, flounces, full sleeves. Puts it on, dances joyously for the first time since the death. Pulls the MOON into her dance. SUN appears, she pulls him too, the three dance wildly together. At the back of the stage another scrim, previously invisible, is lit. Behind it we see the HUSBAND yearning to join their dance. Then he, too begins to dance, with increasing joy until they all are dancing. Dancing.

    DARKNESS

  • Behind the Wish


    It was hard leaving Brenda. Morton Pinkney Fitzgibbons III looked out the airplane window at his own reflection in the blue lights. His parents didn’t like Brenda. They hadn’t even allowed her to come to the airport. They were always saying disapprovingly how he hadn’t been the same since he’d met her. They didn’t bother concealing their relief that his college was so far away, or smirking that Brenda’s family finances didn’t run to bicoastal airfares. This way she couldn’t “pester” him, they said. Morty had spent the past four years giving it everything he had to get into a prestigious college, but he wondered if he didn’t hate himself a little bit for giving in so easily, for not standing up to them. But heck, just a few months ago he’d been a little kid.


    They were absolutely right when they said he wasn’t the same, and about time too. He’d hardly dated any girls in prep school – date-nights at his all-male school were so formalized he’d pretty much backed off and let his mother do the heavy lifting. None of the girls she picked were easy. She must give them a questionnaire, or a job interview, or something to determine their absolute hopelessness as potential girlfriends. Right from the first Brenda was different. Not just a girl to “begin”, to “experiment” on, as he had imagined in his lonely self- projections. She was the girl. In restaurants people already turned to stare at her and she was only seventeen. It actually was kind of insulting the way his parents attributed his new maturity completely to Brenda. Showed what a spineless jellyfish they’d always considered him.

    That jellyfish, swimming down the darkly stained oak halls of his worthless school, that wasn’t his real self at all. Anyone who knew anything knew that. Look at his reports: “Morton seems to have deep reserves he has yet to draw on” and “excellent work but hardly to capacity.” The school psychologist said, “Doesn’t let anyone get close” and “polite but uncooperative.” Like you could study The Prince in class all day and then make a “buddy” out of the school shrink! What kind of retard did they take him for?


    That creature walking through the halls of Asbury Prep had been more like an animated corpse, or an “astral double”. The real Morty was sleeping, was gathering power. Gathering strength. The real Morty wouldn’t waste his time with their version of “leadership” – because their version of leadership was servanthood. The real Morty was a Champion.


    Pretending to empower you, the school actually harnessed you. Drained you. They demanded lying, insisted on evasion, mandated phoniness and reveled in fakery – they didn’t care who the hell you really were at all. And it wasn’t just Morty who noticed it. Not a kid on his floor dared reveal his true self. Every authentic interaction sapped you – because it turned you into a sap — better hold your fire. Save enough force so you could become who you needed to be, who you were meant to be,
    later on.


    The plane was taxiing to its runway. Morty kept his face averted, absorbing the blue light, so his father wouldn’t attempt conversation. He felt a strange prickling inside his forehead, but it wasn’t pain. When he met Brenda he was taking pills for ulcers, pills for attention, for sleeplessness, for cluster headaches. Turned out all he needed was sex. That as the big secret they had been
    keeping all those years! He guessed it was like being in the army – they kept you deprived to keep you passive. Once you discovered that, you mastered confidence. Each time he locked loins with Brenda freed him a little more. The soggy curtain that had separated him from the universe since childhood fell away. He didn’t need the pills anymore. It made better financial sense to sell them. When he felt this tingling in his forehead he imagined himself head-butting the universe — breaking the glass that separated him from the world.


    Morty picked at the weird fabric of the airplane’s window curtain with his thumbnail. What was this stuff? It was some kind of man-made junk, not plastic, not cloth, more like Fiberglas. That was the trouble with the world these days. Nothing was real. People had been pushing fakes so long they forgot what reality was. Sex was real.


    Connecticut dropped away below him until there was nothing left to see. But still he kept his face averted, hoping his father wouldn’t pull the trigger on another awkward, pathetic conversation. He liked his father – would have said he loved him if love wasn’t a feeling now reserved for Brenda alone. But his father was a decoy, some kind of “staked goat” offered to lure him into letting down his guard.


    His father used to write music – had a band even back when they lived in Stoneyport – but one of the incontestable facts about Stoneyport was that if you lived there year round, you were nobody. So it was just their summer place now and his father was too busy tending other people’s money to waste any more time on progressive jazz. “Progressive jazz” wasn’t even a “thing” anymore, even, nobody did it, nobody had even heard of it. His father’s time was up. The old man tried not-so-
    subtly to blame the kids – they all did that — that was the way grown-ups operated – you were the reason for everything! They did it for you! Guilt, the gift that keeps on giving. At school they were always after you to “assume responsibility”. The school’s motto was “No excuses.” If the dog really ate your homework you needed punishment for having such a freakin’ unruly dog. Morty had been trained to recognize buck-passing by the best-in- show. He knew exactly whose fault everything was.
    Take his mom for instance. She was a screamer.

    She had a super-simple business model: just yell and scream till you get what you want. Amazing how effective it was. Nobody would pay to get that in the real world – not since the concentration camps closed – but in interpersonal relationships “Making a Scene” was the strategy to beat. No one was willing to go up against her. Nobody could outlast her. The thing that really got his goat was she pretended, in the midst of epic rages, to be a competent, polished adult. Oh, yeah, she set herself up as judge as well as executioner! A day didn’t pass without a tweet, email or sticky note about how he had failed her perfect standards. He was sick of it, really. The degrading scenes, the room searches, the “white glove” inspections. He had long since learned to leave nothing personal, nothing of any importance in his room.


    He could imagine her prowling around when he wasn’t there – feeling up his underwear and sneaking looks beneath his mattress, hoping to find the weed, the smokes, the girly mags she could get her wail on about. Nothing there; but there were always Brenda’s phone calls and text messages good for a public session of electro-shock; a thong trophy lifted from her son’s blazer pocket or the wet scrap of bikini discarded on the cabana floor. Scream-a-thon if Morty was using condoms; Shriek-


    a-thon if he wasn’t; take your pick. Good thing she couldn’t get a hold of Brenda’s mom – there was no dad – or she would have made her life a living hell. But Brenda’s mom was one of those unlucky females forced to actually contribute to society instead of just yelling at people – she lived at work – and hospital dispatch don’t take personal calls.


    Morty’s mom was fat. That was her real trouble. Morbid obesity. Her body was so swollen that from a distance she looked like a tiny block placed atop a big one. If anyone ever said anything about dieting – even diets in general – Elsa the She-Wolf went right upstairs and cried. Then she came downstairs and screamed harder. She actually forced her kids to eat ice cream. Bizarre. Morty could burn it off and his father preferred alcohol but it wasn’t doing his little sister any favors.
    His mom’s fashion solution was to wrap herself in shawls. Not working. Who asked for a Hungarian peasant woman for a mother? Frankly, it was embarrassing. There was his tall, distinguished, tired father partnering Hulda the Witch to school events. Bad.


    She was sitting behind him now, talking to Gracie in a baby voice, trying to “persuade” her not to kick her father’s seat back. Gracie was ignoring her — poor Gracie wasn’t able to stand up for herself yet, so passive aggression was all she had going. What hope could there possibly be for her with an example like that? She was finished before she started. Morty knew – he had been forced to listen – that she wasn’t in the “popular” group at her school and surprise! Screaming and threats failed to fix the situation. Face it: his mom made everything worse. Your misery was her modus operandi in life.


    Morty hated leaving Brenda. Everybody said college was so great, but what if college turned out to be another Asbury Prep in disguise? A place where “Gentlemen’s Agreement” meant upperclassmen torturing underclassmen for three long years? Could he stand it? It would be a relief getting away from his parents. His Mom was getting harder to fool – and his dad was sinking so fast it was politer to avert your gaze.


    Mom had allowed Morty to invite Brenda to his pool party. It was all a trick of course. She was trying to find out if they’d been “seeing each other behind her back”. Belligerent as a tank in her red-skirted suit she’d gathered steam watching Brenda lounging in her invisible bikini, belly jewels and hummingbird tats. Swim-suited Morty tried to convince his Mom that his circular red weals were “wrestling burns”; that was a hard enough sell, but when Morty’s father rubbed sunscreen along Brenda’s shoulders Hulda blew like Vesuvius. Only coming down at midnight to make herself spaghetti.


    On the way to the airport the screaming was particularly intense. She lashed them, beat them, drubbed them all with waves of sound; then, the minute they hit the ticket counter she snapped out of it like the psycho from Three Faces of Eve. Sybil from the suburbs.


    Now Mom was taking Gracie to the bathroom. Didn’t trust an eleven year old to go alone. Morty closed his eyes but he could imagine the horrible scene in the aisle, his mother’s huge hips bumping into everything, her tight black dress riding up in little ridges around knees and waist. He vividly imagined her falling into the laps of a pair of horrified strangers, struggling with flight-attendants, burping and farting and shrieking while the pilot appeared personally to help place her in restraints. If only.


    There must be something pleasurable he could do with his imagination; playing Vice Cop3 or texting Brenda a note to send when cellphones were allowed.
    But completely unbidden a new thought popped into his head. What if they were dead? All of
    them.


    Now a new vision; himself walking down an antiseptic corridor, a doctor shaking his head like a metronome. Repeating, “I’m so sorry, sorry, sorry…”
    Then Morty could call Brenda, even in the middle of the night, never mind about her beauty sleep, telling her, “We’re rich.”


    Because he would be, wouldn’t he? Even though his parents moaned and groaned about the expense of two homes and their crushing load of debt, there were retirement funds and college accounts and a pile of insurance because Hulda wasn’t getting left
    penniless like her own mother had been.


    Morty and Brenda would go to Europe — she had never seen it — he could show her all the places he knew and all the places he didn’t know. Wasn’t making love to Brenda under all the bridges of Paris the only education really worth having?


    He reached in his pocket and felt the satiny scrap Brenda had left for him, and it was so reminiscent of her all the blood left his tingling forehead and tumesced between his legs. Morty pulled down his tray table to conceal his excitement.


    But how could he do it? He summoned up the whole of his first class education: the difference between a wish and a goal was a plan. Three people were a lot to ask for. How about a car crash? That would be a start. Get him out of college and visiting a hospital, then he would see what he could do. His parents were renting a car to drive back home so they could see Yellowstone and the Grand Canyon and all the other boring obligatory stuff. His father always drove because of his mother’s bad back, and he always carried coffee in case he felt sleepy. Morty still had plenty of sleeping pills; easy enough to give his father a doctored thermos as a thoughtful, parting gift. His mother never drank coffee, she insisted on Earl Grey and if you couldn’t provide that, God help you. It was a plan. A shy, modest beginning of a little plan, but unmistakably, a plan. He drummed his fingers ecstatically on his plastic tray table.


    His father had obviously been awaiting just such a conversational opportunity.
    “Hungry for airplane food?” he teased. Morty said, “Hungry for everything.”

  • Haunted Wedding


    The pregnant car disgorges


    Only us. It’s winter.


    Drunk as silver fish


    We beat our gills as light


    As hummingbirds.


    In an amethyst ring


    Of drypoint trees


    The half-built house


    Gapes and swells


    Its timbers stink of sap.


    Windrill fields occlude


    Our crossing, so you carry me


    High above the thorny osiers.


    We sleep aloft for safety


    Locked and levitating


    In this space of air


    One season only,


    Unseen by angry outriders;


    Bloodless in our wedding robes


    Like the doubled membranes


    Of the frozen flowers.

  • Bravest Thing I Ever Did

    THE BRAVEST THING I EVER DID

    Right after we were married, my husband and his mother went into the business of renovating aging Philadelphia buildings into modern apartments. Toss sank all his money into this endeavor. As the partnership progressed, a lot of problems with my mother-in-law surfaced. She was personally combative and talked continually about her own unhappy marriage and angry divorce, as if they had just happened or were still happening. Her constant hostility destroyed any chance of a good personal relationship between us. She ignored the contract that she had signed with my husband, she used construction money to purchase a property for herself, and she stopped paying the lenders. I had been forced to sign onto every loan, so, when we were inevitably sued by the bank, I was also sent constant legal demands that I come in and give depositions. Toss and I sold our house to pay back the bank, but when we moved into one of the apartments, my mother-in-law sued us. I was studying psychology at the time and could see that she had deeper problems than just an abrasive business approach.

    Throughout this horrible state of affairs my husband kept hoping his mother would come to her senses. He was extremely upset by her behavior and even became suicidal at times. I had two small children and couldn’t figure out the best thing to do. I consulted a divorce attorney but realized that I didn’t want a different husband, I wanted a different life.

    At this time my own family sold our summer place in Maine and I gained a sudden influx of cash. I decided to use it to get my husband away from his mother and into a new life. There was certainly the possibility that he would feel obligated to choose her, or his “financial best interests” or just feel emotionally unable to leave his situation.

    Through the nine years of our marriage and the seven years of my husband’s partnership we had found joy and release visiting his family summer place, Ravine Falls Farm, in the Berkshires, and it seemed to make sense to choose somewhere near there. Hartford was the nearest big city and Connecticut appeared halcyon and clean; almost a paradise in comparison to Philadelphia. The children were six and two at the time; as soon as I received my psychology degree from All Saints the three of us took off to explore the Hartford suburbs. Manchester, “Silk City”; “The City Of Village Charm” seemed just perfect. I bought a cute little new townhouse and enrolled the kids in school. It took Toss only a few months to decide to join me. He hired a lawyer to extract him from his partnership and he found a wonderful job at the Connecticut Law Tribune which combined his writing skills and legal knowledge and stayed employed there twenty-three years! We were a happy family again. My bravery paid off.