You could say I was a “success” at Circle in the Square, because I got the coveted ingénue part in the student production of Anouilh’s The Enchanted at The New Yorker Theatre. But I wasn’t happy. I thought I was as bad an actress as a dancer and it wasn’t gratifying because I wanted the story to be different. I wanted to be a writer! In fact, I felt I already WAS a writer. But I had absolutely nothing intelligent to say.
How to get my inner development synchronized with my outer existence? In other words, develop a professional life. I did realize I needed a string of degrees – how coordinate that with my abhorrence of Higher Ed? Enroll at one of the Antioch College experimental schools – the one in Columbia, Md, for a degree in Creative Writing.
I’ve always enjoyed being alone, where I can sort my thoughts and groom my feelings and arrange my objectives. This fact was startlingly obvious from the first, and later I found out that people like that are called “introverts’. We draw energy from being alone, whereas our energy is depleted by contact with others.
My most profound warrior resistance, so ancient I can’t recall its inception, is my allergy to being “directed.” For my poor parents it must have felt like their third daughter never emerged from ”the terrible twos.”
My father was a very self-directed man, happiest with just my mother for company, so I had a model of resistance to being “molded.” He explained that he never could work for anyone else because their management style always rubbed him the wrong way. He formed two companies that he directed, and towards the end of his life was the kingpin or a charitable organization with a religious bent. He was grateful to that religion since they’d helped him with his conscientious objection in World War II, but he was never a believer. My mother was more mystical, with a strong response to beauty and design, who felt the most important things in life cannot be expressed. A wonderful challenge for a writer.
People often translate “serendipity” as “luck” – highly desirable and a very rare commodity. I think it translates better as “surprise” – equally desirable and much more common. It’s easy to imagine yourself into a modality where everything’s a surprise – as it is for a three year old or a friendly and excitable dog.
Warriors enjoy surprise. We ride its drafts, like a hawk aboard breezes. Seen this way, all life becomes a joy.
Art is built on a framework of serendipity and so are warriors. The idea is to take advantage of what’s around, use your imagination to aggregate seemingly unconnected objects/ideas and shepherd them into usable, satisfying and constructive formats. Usable for what? To get where you’re trying to go. Natch. Share the surprise.
The “warrior” ethos first emerges when we bump up against the “forces” trying to block us. What are these forces? Sometimes individual people, but more usually combinations of people, working together to pound you into a shape for their purposes, not for yours. They’re not interested in imagination and surprise, but in coercion and control. It doesn’t take much observation to uncover their conviction that all resources and power belong to them, and you should cooperate with that. Why? The pay-off is mutable and unclear, but the punishments are stark and immediate.
Warriors become wily. Serendipity itself – its recognition, use & joy – all in our corner. Their side is having a miserable time and they have to crank up the addictions to get through it. We, on the other hand, are finding invisible breezes. And riding them.
The desire to participate in the world of art hit me early. As a young teen, I was fascinated by the internecine struggles of the Trojan War and the Wars of the Roses. History was a family story, history was a crime story. Books for children – the Narnia stories, for example, couldn’t match the explosive, desperate sweep of historical intrigue. I had a facility with English that allowed me to “opt out” of language drills – I read the encyclopedia instead, which was full of improbable information. I loved reading to the class, and the class loved to have me read to them.
When I entered boarding school at age 14 I really began to write in earnest. But the faculty did not like what I wrote. Moby Dick and the writings of John Steinbeck were seriously offered to me as models. This was the first moment I chose the Warrior Path. I complained that we were not reading any female authors and in fact, made a resolve never to read male authors again (I broke it for the Russians, who were feminine enough for me – especially Turgenev.) I liked Colette, so I read Francoise Sagan. I modeled myself on them – they were literally anathema at my school to such an extent that I decided not to go to college and pursued acting school instead.
That was a dumb decision literally no one helped me with but by that time I had discarded The Appropriate Path to such an extent I don’t know if anyone could have reasoned me out of it since Adult World seemed so desperately stupid to me. What I chose – I thought – was the world of inspiration where magic could be created, second by second.
On her way to pick up Fern she bought all the London papers. Scarlet found herself unable to return the newsagent’s “Happy Christmas” with anything more than a nod. It was NOT a merry Christmas. The most that she could give thanks for was that Nicholas was too young to notice. She phoned Pom from a call box and luckily, he was in.
“I wonder if you could suggest a London solicitor,” she asked.
“What’s it in aid of?” Pom inquired, very reasonably. “Purchasing more real estate?”
She had actually hoped not to get into it but she realized now she needed to simply rip the bandage off.
“We’re getting a separation,” she said. “I’ll be moving to London so I think I should find a solicitor there.”
“Oh, my God,” said Pom. “This is all my fault.”
Good thing she had phoned him instead of dropping by. How humiliating if he saw how her cheeks suffused with red – she could never explain properly and he could never understand. If it was Pom’s fault it was the world’s fault. How could she ever explain about the photos – the detective – how utterly disgusting Ian was and how low he was willing to go. His enraging method of manipulating and ruining everything. But Pom continued smoothly, “Selling you that awful house. I ought to be shot.”
“No, really,” she gasped, almost grateful for his thorough misapprehension. “It isn’t that. I think it was Nicholas being born. He says now he never wanted children.”
“Well, he’s an arrant idiot. Forgive my caterwauling, no one sees inside a marriage, do they? My solicitor’s Bob Thomas in Maida Vale – he’s the best – and he’s got several partners. I’m sure he would recommend the right person. He’s jolly easy to talk to – he just lets me wail and then offers sane, useful suggestions. Should have been an alienist, I always tell him.”
“Alienist.” Strange expression. Like ‘Alienation of affections…’
“I’m a shoulder to cry on, don’t forget,” Pom said as he gave her the number. “Two shoulders, really. And I don’t judge.” If he only knew what she’d involved him in. But somehow, she didn’t think he’d be angry. She scribbled in her datebook and rang off.
Bob Thomas’ clerk Mr. Gotobed said “Mr. Thomas” never handled “matrimonial,” that was Pelham D’Arcy and he had an opening tomorrow at twelve. After that, nothing for a week. Scarlet chose tomorrow at twelve.
When she stopped in at Mrs. Mugle’s the other woman said she would be “most pleased” to take Nicholas tomorrow. She had Ladies Union – would it be all right to take Nicholas along? Naturally Scarlet agreed and Mrs. Mugle all but jumped up and down in her excitement. She did not enquire why Scarlet needed to go up to London again – seemingly taking it for granted that leasing a London flat was a complex endeavor.
Back at Wyvern House, Ian was closed in behind the library door, making himself scarce. She could hear him murmuring into the phone. Fern said, “I’ll take the babby for a walk, shall I?” and Scarlet hastily agreed. She took the newspapers up to her tower room to peruse them in privacy. And there, in the window, was a round stained glass rondo depicting a medieval hunter – possibly Robin Hood – setting an arrow to his bow while a fox peeped out of the luxuriant shrubbery. Candi was the hunter and Ian was the fox? Or was Scarlet the prey?
Scarlet felt so faint she almost fell back down the stairs. She picked up the offending object from its chain – it was quite heavy – and battled with herself not to open the window and fling it out onto the courtyard.
However. It was glass. Pointless to assist Candi in wreaking yet more havoc on Scarlet’s household. She wrapped it in the political news and taped it up so she wouldn’t have to look at the thing. The right method of disposal would come to her. Grinding it up and putting it in Candi’s food? Dropping it on her head from an airplane? Concealing it on Ian’s side of the bed where he would break it with his big, no-longer-desiring, no longer desirable body?
All these revenge modalities threatened unforeseen consequences. The solution came in a flash – church jumble. Exactly the right thing to do with a houseguest’s gift you had previously begged them – by telegram – not to assault you with.
She pushed the object away and opened Situations Vacant.
Nothing. Nobody wanted to hire an American poet to do anything. Teachers, even nannies, were expected to have extensive, specialized qualifications. Scarlet couldn’t imagine herself even pretending to keep house or cook to request. “Companions to the elderly” paid worse than kennel maids. Sewing and laundry facilities sounded like sweatshops – she couldn’t support Nicholas on that kind of pay. Librarians’ assistants were expected to be British and bookshops and galleries requested “equity” investment in the business – YOU paid THEM. Jewelers and antique shops wanted “bonding”. Fashion and advertising firms wanted “portfolios.” Even clerks’ jobs seemed to require a civil service exam. Selling door to door was “commission only.” The only hope appeared “typing pool” – if she could pass “the test.” But poets don’t cultivate speed – slow deliberation is the necessary pace. “Maybe I could speed up if I had to,” she thought. And then she saw it – a boxed advertisement in the top corner:
Editorial Ability – Temporary.
Possibly, thought Scarlet.
“Editor required to update Victorian novels. Three months’ employment. Present qualifications in person to:
No telephone number! What did THAT mean? In America, this kind of “cattle call” meant they wanted to take a look at you. Scarlet felt hope for the first time. Thank God, she’d bought those new tweed suits. At least she could look the part, although it was certainly possible that she would be rejected simply for being American. It really depended what kind of Victorian novels these were. But she might be able to talk her way into it – whatever it was. She had a good knowledge of Victorian literature, had indeed studied Mrs. Humphrey Ward as well as all the poets. Literary qualifications were the only kind of qualifications she really possessed. And a three-month job might give her exactly the kind of entrée, recommendations and resumé to try for better positions.
She began hashing out a list of “qualifications” and immediately ran into the problem of references. Her American references seemed pointless and outdated. All her London connections were more Ian’s than hers. Gossip about their separation would soon be rife: who could she trust? Rather desperately she wrote Pom’s name feeling he was the only human being she could truly depend on to represent her well. She felt too embarrassed about it to even call him. She called Francesca Joringel, instead, at The Fruitful Browser and explained her difficulty.
“I really need someone to testify to my familiarity with Victorian literature,” she said shyly.
“I think I can testify to more than that!” Francesca said with unexpected loyalty. “They would be lucky to get someone so well-spoken with such wide interests. Now, who are they exactly?”
“I don’t really know,” said Scarlet. “I’ll be finding out about them while they’re finding out about me.”
“Some kind of literary jobbing would be perfect for a new mum,” offered Francesca, “Particularly one whose husband works for the BBC.” Gossip jumped from the rooftops while truth struggled to put on its spats. “I’d be honored to speak for you, and I’m easy to reach. I’m always here, working on my manuscript.”
So comforting.
“We’ll see,” Scarlet sighed. “Thank you. It may all be a mare’s nest.”
“Or,” said Francesca, who loved Mystery, Adventure and Thrillers best of all, “It could be the Opportunity of a Lifetime.”
In 1979 I borrowed a dime And stepped out in my party-dress To make a call. I’d need a cell phone now. A careless man said, “Find your own way home.”
St Theresa cut in on our line – A sixteenth century nun pierced by light Reminded me while kneeling there To cut my anger with the sword of bliss And revel in the sacred music Anchor-less.
I still seek among the faces Grief unstrung, listen to their emptiness Of joy undone Amidst the rage, the blindness and the fear; Recognize magnificence She told me would be there.
In the bar we argue You drink gin and I drink bourbon You admit there’s something out there but God and Christ have been discredited You prefer the snake-faced aliens.
Can pedagogues discredit learning I demand -Do rapists disgrace sex? Outside the blank-faced soldiers Breathing on the glass of history Await their time.
They are glad to lend their bones As lumber. They’re afraid to live. Rebel children seize the city Experimenting on the damned. We’re trapped inside the hourglass
Moving not in circles but in spirals – Moving somewhere. You order a stronger round I look inside my wallet To see what’s left.
Meteoric dust drips ash Into my upturned mouth; I taste stars; What manner of being are you? I only know you’re something That I need. Your
Mirrored endlessness partakes of Nothing human, yet suggests Completion. Your shadow arches Over everything, a lover who Won’t give satisfaction. I’ll take The expert titillation
Of your neglect. Hunger burns so purely in This atmosphere. Without you I might be myself; with you I am nothing. But Deflation is a lover’s privilege.
This feathered dervish Is an endangered species, Always seeking center of the fire. Does he know what we don’t or Is he just trying to make us feel guilty?
Iridescently decrescent he’s Always fighting someone else’s battles. He wins quite a few because Celestial wing’s always Quicker than the eye.
I have seen the soul cave in Imploding; lens burnt hyaline Seen the wings upflung – God’s eagle Tesserae shagreen; seen The flare-tailed phoenix shuddering; Ripping orchid-breasted dream Splitting spleen and coil and lung into A shell of lies where Love and truth; meant and unmeant Polychromize.
Alysse Aallyn 